Bibliography for EN3116: On Murder BETA

‘A Golden Age of Podcasting? Evaluating Serial in the Context of Podcast His...’ (2015) Journal of Radio & Audio Media [Preprint]. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=111070378&site=ehost-live.

‘A Very Fatal Murder (Mockumentary) | The Onion’ (no date). Available at: https://web.archive.org/web/20210308170830/https://www.theonion.com/c/a-very-fatal-murder.

Alan Hook (2016) ‘A Transmedia Topology of “Making a Murderer”’, VIEW Journal of European Television History and Culture, 5(10), pp. 124–139. Available at: https://doi.org/10.18146/JETHC117.

‘All Killa No Filla’ (no date). Available at: https://allkillanofilla.libsyn.com/.

‘And That’s Why We Drink’ (no date). Available at: https://www.andthatswhywedrink.com/listen/.

Auden, W.H. (1948) ‘The Guilty Vicarage: Notes on the Detective Story by an Addict’, Harper’s Magazine [Preprint], (May). Available at: https://harpers.org/archive/1948/05/the-guilty-vicarage/.

Backderf, D. (2017) My Friend Dahmer. New York: Abrams ComicArts.

Berlant, L.G. (2008) The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham, N.C.: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1169928.

Binyon, T.J. (2009) ‘Murder Will Out’: The Detective in Fiction From Poe to the Present. London: Faber.

Bold, C. (2012) US Popular Print Culture, 1860-1920. Oxford: Oxford University Press.

Boyle, D. (1994) ‘Shallow Grave | Box of Broadcasts’. FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0015C0DA?bcast=114769310.

Boyle, D. (2009) ‘Shallow Grave’. 4DVD.

Bruzzi, S. (2016) ‘Making a Genre: The Case of the Contemporary True Crime Documentary’, Law and Humanities, 10(2), pp. 249–280. Available at: https://doi.org/10.1080/17521483.2016.1233741.

Butler, J. (2005) ‘Against Ethical Violence’, in Giving an Account of Oneself. 1st Edition. New York: Fordham University Press, pp. 41–82.

Capote, T. (2012) In Cold Blood. London: Penguin.

Caron, T. (2013) ‘“Black and White and Read All Over”: Representing Race in Mat Johnson and Warren Pleece’s Incognegro: A Graphic Mystery’, in Comics and the U.S. South. University Press of Mississippi, pp. 138–160.

Chandler, R. (1950) The Simple Art of Murder. 1st Vintage Books Edition. New York: Vintage Books.

Chandler, R. (2018) The Long Goodbye. Createspace Independent Publishing Platform.

Chaney, M.A. (2007) ‘Drawing on History in Recent African American Graphic Novels’, MELUS, 32(3), pp. 175–200. Available at: https://www.jstor.org/stable/30029796.

Chute, H. (2008) ‘Comics as Literature? Reading Graphic Narrative’, PMLA, 123(2), pp. 452–465. Available at: https://www.jstor.org/stable/25501865.

Chute, H.L. (2016a) Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge, Massachusetts: The Belknap Press of Harvard University Press.

Chute, H.L. (2016b) Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge, Mass: Harvard University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4404086.

Cooper, B. and Murphy, M. (2000) ‘Taking Chances: Speculation and Games of Detection in Dashiell Hammett’s “Red Harvest”’, Mosaic: An Interdisciplinary Critical Journal, 33(1), pp. 145–460. Available at: https://www.jstor.org/stable/44030576.

Corredera, V. (2016) ‘"Not a Moor exactly”: Shakespeare, Serial, and Modern Constructions of Race’, Shakespeare Quarterly, 67(1), pp. 30–50. Available at: https://doi.org/10.1353/shq.2016.0009.

Courtney, N. (no date) ‘Outside Dupin’s Closet of Reason: (Homo)sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue’, Poe Studies [Preprint]. Available at: http://muse.jhu.edu/article/535601/pdf.

‘Crime Writers On...’ (no date). Available at: http://www.crimewriterson.com/.

Criminal: A Podcast About Crime (no date). Available at: https://thisiscriminal.com/.

De Quincey, T. (1837) On Murder Considered as One of the Fine Arts. Project Gutenberg. Available at: http://www.gutenberg.org/ebooks/10708?msg=welcome_stranger.

De Quincey, T. (2015) On Murder Considered as One of the Fine Arts. London: Penguin Classics.

Del Visco, S. (2016) ‘Legality and the Spectacle of Murder: A Review of Netflix’s Making a Murderer (2015–)’, Humanity & Society, 40(2), pp. 212–214. Available at: https://doi.org/10.1177/0160597616639624.

Delamater, J.H. and Prigozy, R. (1998) The Detective in American Fiction, Film, and Television. Westport, Conn: Greenwood Press.

DeLillo, D. (1991) Libra. Harmondsworth: Penguin.

Demme, J. (1991) ‘The Silence of the Lambs | Box of Broadcasts’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00031BC4?bcast=127493680.

Demme, J. (2003) ‘The Silence of the Lambs’. S.l.: MGM.

Downing, L. (2013a) ‘The Beast in Man: Jack and The Rippers Who Came After’, in The Subject of Murder: Gender, Exceptionality, and the Modern Killer. Chicago: The University of Chicago Press, pp. 72–96.

Downing, L. (2013b) ‘The Beast in Man: Jack and The Rippers Who Came After’, in The Subject of Murder: Gender, Exceptionality, and the Modern Killer. Chicago: The University of Chicago Press, pp. 72–96. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1124352.

Drucker, J. (2008) ‘Graphic Devices: Narration and Navigation’, Narrative, 16(2), pp. 121–139. Available at: https://www.jstor.org/stable/30219279.

Duquette, E. (2013) ‘The Office of The Dead Letter’, Arizona Quarterly, 69(4), pp. 25–58. Available at: https://muse.jhu.edu/article/528934.

Dussere, E. (2013) America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture. New York: Oxford University Press. Available at: http://dx.doi.org/10.1093/acprof:oso/9780199969913.001.0001.

Eco, U. (1985) ‘Innovation and Repetition: Between Modern and Post-Modern Aesthetics’, Daedalus, 114(4), pp. 161–184. Available at: https://www.jstor.org/stable/20025015.

Ellroy, J. (2006) ‘My Mother and the Dahlia’, The Virginia Quarterly Review, 82(3), pp. 214–222. Available at: https://www.jstor.org/stable/26444559.

Ellroy, J. (2010) My Dark Places. London: Windmill.

Ellroy, J. (2011a) The Black Dahlia. London: Windmill.

Ellroy, J. (2011b) The Hilliker Curse: My Pursuit of Women. London: Windmill.

‘Evil Genius: The True Story of America’s Most Diabolical Bank Heist | Netflix’ (2018). Netflix. Available at: https://www.netflix.com/title/80158319.

Freedman, C. and Kendrick, C. (1991) ‘Forms of Labor in Dashiell Hammett’s Red Harvest’, PMLA, 106(2), pp. 209–221. Available at: https://doi.org/10.2307/462658.

Fried, A. (2010) ‘Crime in Comics and the Graphic Novel’, in A Companion to Crime Fiction. Oxford: Wiley-Blackwell, pp. 332–343.

Friedersdorf, C. (2014) ‘The Backlash Against Serial’s ’White Privilege’—and Why It’s Wrong - The Atlantic’, The Atlantic [Preprint]. Available at: https://www.theatlantic.com/politics/archive/2014/12/unpacking-the-social-justice-critique-of-serial/383071/.

Gilmore, L. (2001) ‘Represent Yourself’, in The Limits of Autobiography: Trauma and Testimony. Ithaca: Cornell University Press, pp. 16–44.

Gilmore, M.T. (2006) ‘Popular Forms’, in Surface and Depth: The Quest for Legibility in American Culture. New Edition. New York: Oxford University Press Inc, pp. 75–95.

Green, K. (2017) ‘Casting JonBenet | Netflix’. Netflix. Available at: https://www.netflix.com/title/80142316.

Halttunen, K. (1998) Murder Most Foul: The Killer and the American Gothic Imagination. Cambridge, Mass: Harvard University Press.

Halttunen, K. (2009) Murder Most Foul: The Killer and the American Gothic Imagination. Cambridge: Harvard University Press. Available at: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300770.

Hammett, D. (2012) Red Harvest. London: Orion.

Hawthorne, N. (1837) ‘Wakefield’. Available at: http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf.

Heise, T. (2005) ‘“Going Blood-Simple Like the Natives”: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s “Red Harvest”’, Modern Fiction Studies, 51(3), pp. 485–512. Available at: https://www.jstor.org/stable/26287045.

Herrmann, B. (2005) ‘Psycho’. Universal.

Hitchcock, A. (1960) ‘Psycho | Box of Broadcasts’. FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=122012920.

Hogue, C. (2006) ‘“Lives - like Dollars”: Dickinson and the Poetics of Witness’, The Emily Dickinson Journal, 15(2), pp. 40–46. Available at: https://doi.org/10.1353/edj.2006.0036.

Horsley, L. (2001) The Noir Thriller. Basingstoke: Palgrave. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=555504.

Horsley, L. (2009) The Noir Thriller. Basingstoke: Palgrave Macmillan.

‘In the Dark Podcast | APM Reports’ (no date). Available at: https://www.apmreports.org/in-the-dark.

James A. W. Heffernan (1999) ‘The Simpson Trial and the Forgotten Trauma of Lynching: A Response to Shoshana Felman’, Critical Inquiry, 25(4). Available at: https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344104?seq=1#metadata_info_tab_contents.

Jenkins, P. (2003a) ‘Monster’.

Jenkins, P. (2003b) ‘Monster | Box of Broadcasts’. FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004D318C?bcast=56640669.

Johnson, M. and Pleece, W. (2018) Incognegro: A Graphic Mystery. New Edition. Milwaukie: Berger Books.

Kang, J.C. (2014) ‘Serial’ and White Reporter Privilege | The Awl. Available at: https://web.archive.org/web/20141116022727/https://www.theawl.com/2014/11/serial-and-white-reporter-privilege.

Kennedy, L. (2018) ‘“Man I’m All Torn Up Inside”: Analyzing Audience Responses To’, Crime, Media, Culture: An International Journal, 14(3), pp. 391–408. Available at: https://doi.org/10.1177/1741659017721275.

Kilgariff, K. and Hardstark, G. (no date) ‘My Favorite Murder with Karen Kilgariff and Georgia Hardstark’. Available at: https://www.myfavoritemurder.com/.

Kozaczka, E. (2011) ‘Death as Truth in Edgar Allan Poe’s “The Murders in the Rue Morgue”’, The Edgar Allan Poe Review, 12(1), pp. 59–71. Available at: https://www.jstor.org/stable/41506433.

Lee, M.S. (2013) Uncertain Chances: Science, Skepticism, and Belief in Nineteenth-Century American Literature. Oxford: Oxford University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199797677.

Lemay, J.A.L. (1982) ‘The Psychology of “The Murders in the Rue Morgue”’, American Literature, 54(2), pp. 165–188. Available at: https://doi.org/10.2307/2926129.

de Lestrade, J.-X. (2013) ‘Death on the Staircase: The Last Chance | Box of Broadcasts’. BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/02F1F2D6?bcast=93687622.

‘Making a Murderer’ (2015). Netflix.

Marling, W. (1995) The American Roman Noir: Hammett, Cain, and Chandler. Athens, Ga: University of Georgia Press.

Marling, W. (2010) ‘City of Sleuths’, in The Cambridge Companion to the Literature of Los Angeles. Cambridge: Cambridge University Press, pp. 111–122. Available at: https://doi.org/10.1017/CCOL9780521514705.

McCloud, S. (1994) Understanding Comics: The Invisible Art.

McDaniel, R. (2005) ‘Narrative and Crime’, Michigan Quarterly Review, XLIV(4). Available at: https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0044.432;view=text;rgn=main;xc=1;g=mqrg.

McDermid, V. (2014) Forensics: The Anatomy of Crime. London: Profile Books.

Meyers, M. (2017) ‘My Friend Dahmer’.

Mihaies, M. and Camiller, P. (2014) The Metaphysics of Detective Marlowe: Style, Vision, Hard-Boiled Repartee, Thugs, and Death-Dealing Damsels in Raymond Chandler’s Novels. Lanham, MD: Lexington Books. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1584879.

Miller, N.K. (2007) ‘The Entangled Self: Genre Bondage in the Age of the Memoir’, PMLA, 122(2), pp. 537–548. Available at: https://www.jstor.org/stable/25501720.

‘Mindhunter | Netflix’ (2017). Netflix. Available at: https://www.netflix.com/title/80114855.

‘Mindhunter - Episode 1 | Netflix’ (2017). Netflix. Available at: https://www.netflix.com/title/80114855.

Moynihan, S. (2015) ‘"Watch Me Go Invisible”: Representing Racial Passing in Mat Johnson and Warren Pleece’s Incognegro’, South Central Review, 32(3), pp. 45–69. Available at: https://muse.jhu.edu/article/602170.

Nelson, M. (2012) The Art of Cruelty: A Reckoning. New York: W.W. Norton & Company.

Nelson, M. (2016) Jane: A Murder. Berkeley: Counterpoint.

Nelson, M. (2017) The Red Parts. London: Vintage.

Nickerson, C. (1997) ‘Murder as Social Criticism’, American Literary History, 9(4), pp. 744–757. Available at: https://doi.org/10.1093/alh/9.4.744.

Nickerson, C.R. (1998) The Web of Iniquity: Early Detective Fiction by American Women. Durham, NC: Duke University Press.

Nickerson, C.R. (ed.) (2010) The Cambridge Companion to American Crime Fiction. Cambridge: Cambridge University Press. Available at: https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521199377.

Novosat, C. (2012) ‘Outside Dupin’s Closet of Reason: (Homo)sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue”’, Poe Studies, 45(1), pp. 78–106. Available at: https://muse.jhu.edu/article/535601/summary.

‘OJ: Made in America - Part 1’ (2017). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647.

‘OJ: Made in America - Part 2’ (2017). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF788B?bcast=124145109.

‘OJ: Made in America - Part 3’ (2017). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF7F98?bcast=124149572.

‘OJ: Made in America - Part 4’ (2017). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF855E?bcast=124157022.

‘OJ: Made in America - Part 5’ (2017). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF8787?bcast=124176429.

‘OJ: Made in America Ep 1’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647.

‘OJ: Made in America Playlist’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/playlists/195487.

Paquet, L. (2018) ‘Literary Forensic Rhetoric: Maps, Emotional Assent, and Rhetorical Space in Serial and Making a Murderer’, Law and Humanities, 12(1), pp. 71–92. Available at: https://doi.org/10.1080/17521483.2018.1457243.

Pepper, A. (2000) The Contemporary American Crime Novel: Race, Ethnicity, Gender, Class. Edinburgh: Edinburgh University Press.

Pepper, A. (2010) ‘"Hegemony Protected by the Armour of Coercion”: Dashiell Hammett’s Red Harvest and the State’, Journal of American Studies, 44(2), pp. 333–349. Available at: https://doi.org/10.1017/S0021875809990806.

Poe, E.A. (1841) The Murders in the Rue Morgue. Edgar Allan Poe Society of Baltimore. Available at: https://www.eapoe.org/works/tales/morgueb.htm.

Poe, E.A. (1995) Murders in the Rue Morgue and Other Stories. Koln: Konemann.

Porter, D. (1981) The Pursuit of Crime: Art and Ideology in Detective Fiction. New Haven: Yale University Press.

Priestman, M. (ed.) (2003a) The Cambridge Companion to Crime Fiction. Cambridge: Cambridge University Press.

Priestman, M. (ed.) (2003b) The Cambridge Companion to Crime Fiction. Cambridge: Cambridge University Press. Available at: https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL0521803993.

Punnett, I. (2018) Toward a Theory of True Crime Narratives: A Textual Analysis. Routledge.

Punnett, I.C. (2018) Toward a Theory of True Crime Narratives: A Textual Analysis. 1st Edition. Milton: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5259915.

Rabinowtiz, P. (2005) ‘They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye’, in A Companion to Narrative Theory. Oxford: Blackwell, pp. 181–191. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781405151962.

Rabinowtiz, P. (2008) ‘They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye’, in A Companion to Narrative Theory. Malden, Mass: Blackwell, pp. 181–191.

Robinson, M.M. (2016) Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction. Ann Arbor, Michigan: University of Michigan Press. Available at: https://doi.org/10.3998/mpub.8749028.

Routledge, C. (1997) ‘A Matter of Disguise: Locating the Self in Raymond Chandler’s “The Big Sleep” and “The Long Good-Bye”’, Studies in the Novel, 29(1), pp. 94–107. Available at: https://www.jstor.org/stable/29533187.

Rzepka, C.J. and Horsley, L. (2010) A Companion to Crime Fiction. Oxford: Wiley-Blackwell.

Schwartz, R.B. (2002) Nice and Noir: Contemporary American Crime Fiction. Columbia: University of Missouri Press.

‘Serial - series 1’ (2014). Available at: https://serialpodcast.org/season-one.

Shakespeare, W. (1997) Macbeth. Edited by K. Muir. London: Bloomsbury. Available at: http://dx.doi.org/10.5040/9781408160244.00000006.

Shakespeare, W. (2003) Julius Caesar. Edited by D. Daniell. London: Arden Shakespeare. Available at: http://dx.doi.org/10.5040/9781408160282.00000040.

Shakespeare, W. (2015) Macbeth. London: Bloomsbury Arden Shakespeare.

Shakespeare, W. (2016) Julius Caesar. 3rd Edition. Cambridge: Cambridge University Press.

Shoshana Felman (1997) ‘Forms of Judicial Blindness, or the Evidence of What Cannot Be Seen: Traumatic Narratives and Legal Repetitions in the O. J. Simpson Case and in Tolstoy’s “The Kreutzer Sonata”’, Critical Inquiry, 23(4). Available at: https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344048?seq=1#metadata_info_tab_contents.

Sussex, L. (2016) Women Writers and Detectives in Nineteenth-Century Crime Fiction: The Mothers of the Mystery Genre. 1st ed. 2010. Basingstoke: Palgrave Macmillan.

‘Teaching Culture: Imagined Communities and National Fantasies in the O.J. S...’ (2003) Journal of Language, Identity & Education [Preprint]. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=11472775&site=ehost-live.

‘The Black Dahlia: Elizabeth Short | SoundCloud’ (no date). Unsolved Murders: True Crime Stories Podcast. Available at: https://soundcloud.com/unsolvedmurders/e11-the-black-dahlia-elizabeth-short.

‘The Doorstep Murder | BBC Radio Scotland’ (no date). Available at: https://www.bbc.co.uk/programmes/p067wdql/episodes/downloads.

‘The Keepers | Netflix’ (2017). Netflix. Available at: https://www.netflix.com/title/80122179.

‘The Staircase | Netflix’ (2018). Netflix. Available at: https://www.netflix.com/title/80233441.

Thomas Heise (2005) ‘“Going Blood-Simple Like the Natives”: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s “Red Harvest”’, Modern Fiction Studies, 51(3). Available at: https://www.jstor.org/stable/26287045?seq=3#metadata_info_tab_contents.

Thompson, J. (1993) Fiction, Crime, and Empire: Clues to Modernity and Postmodernism. Urbana: University of Illinois Press.

Todorov, T. (1966) ‘The Typology of Detective Fiction’, in The Poetics of Prose. Oxford: Blackwell, pp. 42–52.

Todorov, T. (1977) ‘The Typology of Detective Fiction’, in The Poetics of Prose. New York. Available at: http://faculty.washington.edu/akn/typology.pdf.

‘True Crime Garage’ (no date). Available at: https://www.truecrimegarage.com/listen.

‘Undisclosed Information—Serial is my Favourite Murder: Examining Motivations in the True Crime Podcast Audience.’ (2018) Journal of Radio & Audio Media [Preprint]. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=129102391&site=ehost-live.

Van Dine, S.S. (1928) Twenty Rules for Writing Detective Stories | The Thrilling Detective. The Thrilling Detective. Available at: https://web.archive.org/web/20201207120946/http://www.thrillingdetective.com/trivia/triv288.html.

Van Dover, J.K. (ed.) (1995) The Critical Response to Raymond Chandler. Westport, Connecticut: Greenwood Press.

Victor, M.F. (2003a) The Dead Letter. Durham, N.C.: Duke University Press.

Victor, M.F. (2003b) The Dead Letter. Durham: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1167941.

‘Victoriocity’ (no date). Available at: https://www.victoriocity.com/listen/.

‘Wakefield by Nathaniel Hawthorne’ (no date). Available at: http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf.

Whitlock, G. (2006) ‘Autographics: The Seeing “I” of the Comics’, Modern Fiction Studies, 52(4), pp. 965–978. Available at: https://www.jstor.org/stable/26286679.

Zumoff, J.A. (2007) ‘The Politics of Dashiell Hammett’s “Red Harvest”’, Mosaic: An Interdisciplinary Critical Journal, 40(4), pp. 119–134. Available at: https://www.jstor.org/stable/44030397.