Bibliography for MU5510: Techniques of Historical Musicology BETA

Beechey, G. (1929) ‘Music in John Evelyn’s Diary’, Consort, 47, pp. 8–16. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123385710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20consort&sortby=rank&offset=0.

Bloechl, O.A. (2005) ‘The Pedagogy of Polyphony in Gabriel Sagard’s Histoire du Canada’, Journal of Musicology, 22(3), pp. 365–411. Available at: https://doi.org/10.1525/jm.2005.22.3.365.

British Library Newspapers (no date a). Available at: http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda.

British Library Newspapers (no date b). Available at: http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda.

British Library Newspapers (no date c). Available at: http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda.

Burke, P. (1988) Popular Culture in Early Modern Europe. Aldershot: Wildwood.

Burke, P. (2006) Eyewitnessing: The Uses of Images as Historical Evidence. London: Reaktion. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781861898289.

Burke, P. (2008) Eyewitnessing: The Uses of Images as Historical Evidence. Ithaca, New York: Cornell University Press.

Burke, Peter (1978) Popular Culture in Early Modern Europe. Harper & Row. Available at: https://www.fulcrum.org/concern/monographs/pr76f343d.

Christensen, T. (2000) ‘Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera’, in Music and the Cultures of Print. New York: Garland Pub, pp. 67–93.

Craig-McFeely, J. (2002) ‘The Signifying Serpent: Seduction by Cultural Stereotype in 17thcentury England’, in Music, Sensation, and Sensuality. New York: Routledge, pp. 299–317. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315053509.

Craig-McFeely, J. (2016) ‘The Signifying Serpent: Seduction by Cultural Stereotype in 17th Century England’, in L.P. Austern (ed.) Music, sensation, and sensuality. London: Routledge, pp. 299–317.

Crook, D. (2009) ‘A Sixteenth-Century Catalog of Prohibited Music’, Journal of the American Musicological Society, 62(1), pp. 1–78. Available at: https://doi.org/10.1525/jams.2009.62.1.1.

Darnton, R. (1991) ‘History of Reading’, in New Perspectives on Historical Writing. Cambridge: Polity, pp. 157–186.

Darnton, R. (1999) The Great Cat Massacre and Other Episodes in French Cultural History. New York: Basic Books.

Darnton, R. and American Council of Learned Societies (2009) The great cat massacre and other episodes in French cultural history. [Rev. ed.]. New York: Basic Books.

Dennis, F. (2016) ‘Musical Sound and Material Culture’, in C. Richardson, T. Hamling, and D.R.M. Gaimster (eds) The Routledge handbook of material culture in early modern Europe. London: Routledge, pp. 371–382.

Dennis, F. (2017) ‘Musical Sound and Material Culture’, in C. Richardson, T. Hamling, and D. Gaimster (eds) The Routledge Handbook of Material Culture in Early Modern Europe. London, [England]: Routledge, pp. 371–382. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4684017.

Dobson, M. (2009a) ‘Letters’, in Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History. London: Routledge.

Dobson, M. (2009b) ‘Letters’, in Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History. London: Routledge, pp. 57–73. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=170689.

Fisher, A.J. (2001) ‘Song, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe’, Journal of Musicology, 18(4), pp. 616–657. Available at: https://doi.org/10.1525/jm.2001.18.4.616.

Gale NewsVault | Home (no date). Available at: http://find.galegroup.com/dvnw/start.do?prodId=DVNW&userGroupName=rho_ttda&finalAuth=true.

Glaser, B. (2001) ‘The Creation of the Self in Seventeenth-Century Diaries’, in The creation of the self in autobiographical forms of writing in seventeenth-century England: subjectivity and self-fashioning in memoirs, diaries, and letters. Heidelberg: C. Winter, pp. 139–143.

Harrison, F.L. (1973) Time, Place and Music: An Anthology of Ethnomusicological Observation c. 1550 to c. 1800. Amsterdam: Frits Knuf.

Holbein, H. and Rasmussen, M. (1995) ‘The Case of the Flutes in Holbein’s “The Ambassadors”’, Early Music, 23(1). Available at: https://www.jstor.org/stable/3137807?Search=yes&resultItemClick=true&searchText=no%3A1&searchText=AND&searchText=sn%3A03061078&searchText=AND&searchText=vo%3A23&searchText=AND&searchText=year%3A1995&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dno%253A1%2BAND%2Bsn%253A03061078%2BAND%2Bvo%253A23%2BAND%2Byear%253A1995%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&ab_segments=0%2Fdefault-1%2Frelevance_config_with_defaults&refreqid=search%3A6d12b024befc3a84b8b9b8c7b16c88cf&seq=1#metadata_info_tab_contents.

Howard E. Smither (1985) ‘“Messiah” and Progress in Victorian England’, Early Music, 13(3). Available at: https://www.jstor.org/stable/3127559?seq=1#metadata_info_tab_contents.

James Davies (2006) ‘Julia’s Gift: The Social Life of Scores, c.1830’, Journal of the Royal Musical Association, 131(2). Available at: https://www.jstor.org/stable/30161401?seq=1#metadata_info_tab_contents.

Jane Hatter (2011) ‘Col Tempo: Musical Time, Aging and Sexuality in 16th-Century Venetian Paintings’, Early Music, 39(1). Available at: https://www.jstor.org/stable/41262124?seq=1#metadata_info_tab_contents.

Kewe, G.D. (no date) ‘Shakespeare’s Europe Revisited: The Unpublished Itinerary of Fynes Moryson (1566–1630)’. Available at: http://etheses.bham.ac.uk/3124/1/Kew95PhD1.pdf.

Leppert, R. (1988) ‘Introduction: Music Visualized’, in Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England. Cambridge: Cambridge University Press, pp. 1–10.

Luckett, R. (no date) ‘Music’, [M] - Oxford Scholarly Editions. Available at: https://doi.org/10.1093/actrade/9780004990309.div1.15.

Making Broadside Ballads of the Seventeenth Century Fully Accessible as Texts, Art, Music, and Cultural Records (no date). Available at: https://web.archive.org/web/20150905215024/http://ebba.english.ucsb.edu/.

McVeigh, S. (1996) ‘London Newspapers 1750–1800: A Checklist and Guide for Musicologists’, in A Handbook for Studies in 18th-Century English Music: 6. Oxford: Burden & Cholij, pp. 1–60.

Michael Tilmouth (1961) ‘Calendar of References to Music in Newspapers Published in London and the Provinces (1660-1719)’, R.M.A. Research Chronicle [Preprint], (1). Available at: https://www.jstor.org/stable/25093640?seq=1#metadata_info_tab_contents.

New Grove, ‘London VI, 2: Concert life, (iii), 1900–1945’ (no date) London (i) | Grove Music. Available at: http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000016904?mediaType=Article.

Ongaro, G.M. (1994) ‘The Library of a Sixteenth-Century Music Teacher’, The Journal of Musicology, 12(3), pp. 357–375. Available at: https://doi.org/10.2307/764091.

Owens, J.A. (2010a) ‘You Can Tell a Book by Its Cover: Reflections on Format in English Music "Theory”’, in Music education in the Middle Ages and the Renaissance. Bloomington: Indiana University Press, pp. 347–385.

Owens, J.A. (2010b) ‘You Can Tell a Book by Its Cover: Reflections on Format in English Music "Theory”’, in Music Education in the Middle Ages and the Renaissance. Bloomington, Ind: Indiana University Press, pp. 347–385. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253004550.

Pepys, S. (1879) The Diary of Samuel Pepys. Available at: http://www.gutenberg.org/ebooks/3331#download.

Plank, S. (1929) ‘An English Miscellany: Musical Notes in 17th-Century Diaries and Letters’, Consort., 41, pp. 66–73. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123385710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20consort&sortby=rank&offset=0.

‘Proquest Historical Newspapers’ (no date). Available at: https://search.proquest.com/news/index?accountid=11455.

‘PURCELL: Love’s Goddess Sure Was Blind - Naxos Music Library’ (no date). Available at: https://rhul.naxosmusiclibrary.com/catalogue/item.asp?cid=COR16024.

Richard D. Leppert (1979) ‘Concert in a House: Musical Iconography and Musical Thought’, Early Music, 7(1). Available at: https://www.jstor.org/stable/3126378?seq=1#metadata_info_tab_contents.

Richard Leppert (1986) ‘Imagery, Musical Confrontation and Cultural Difference in Early 18th-Century London’, Early Music, 14(3). Available at: https://www.jstor.org/stable/3127106?seq=1#metadata_info_tab_contents.

Rose, S. (2011) The Musician in Literature in the Age of Bach. Cambridge: Cambridge University Press.

Salmen, W. (1980) ‘The Value of Iconographical Sources in Musical Research’, in Modern Musical Scholarship. Stocksfield: Oriel, pp. 206–214.

Samuel Pepys (1928) The Diary of Samuel Pepys. London: Bell. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125623090002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Diary%20of%20Samuel%20Pepys&sortby=date&facet=frbrgroupid,include,1288405414&offset=0.

Scribner, B. (1989) ‘Is a History of Popular Culture Possible?’, History of European Ideas, 10(2), pp. 175–191. Available at: https://doi.org/10.1016/0191-6599(89)90067-3.

Seebass, T. (no date) Iconography | Grove Music. Available at: http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000013698.

Spitzer, J. and Zaslaw, N. (2004) ‘Placement, Seating and Acoustics’, in The Birth of the Orchestra: History of an Institution, 1650-1815. Oxford: Oxford University Press, pp. 343–369.

‘The Musical Times’ (no date). Available at: https://www.jstor.org/journal/musicaltimes.

The Times Digital Archive - Home (no date a). Available at: http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda.

The Times Digital Archive - Home (no date b). Available at: http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda.

The Times Digital Archive - Home (no date c). Available at: http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda.

Tilmouth, M. (1981) ‘Music and British Travellers Abroad 1600–1730’, in Source Materials and the Interpretation of Music: A Memorial Volume to Thurston Dart. London: Stainer & Bell.

Vella, S. (2009a) ‘Newspapers’, in Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History. London: Routledge.

Vella, S. (2009b) ‘Newspapers’, in Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History. London: Routledge, pp. 192–208. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=170689.

Wathey, A. (1994) ‘Musicology, Archives and Historiography’, in Musicology and Archival Research. Brussels: Archives et Bibliotheques de Belgique, pp. 3–26.

Winternitz, E. (1985) ‘The Iconology of Music: Potentials and Pitfalls’, in Perspectives in Musicology: The Inaugural Lectures of the ph.d. Program in Music at the City University of New York. New York: Pendragon, pp. 80–90.