Bibliography for MU3412: Music, Power and Politics BETA

Adorno, T.W. (2009) ‘On Popular Music’, in Cultural Theory and Popular Culture: A Reader. 4th ed. Harlow, England: Pearson Longman.

Al Jazeera English (2012) ‘Songs of War’. Available at: http://www.aljazeera.com/programmes/aljazeeraworld/2012/05/201253072152430549.html.

Anderson, B. (2006) ‘Introduction’, in Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.01609.

Anderson, B. (2016) ‘Introduction’, in Imagined Communities: Reflections on the Origin and Spread of Nationalism. Revised edition. London: Verso.

Andrews, G.J., Kingsbury, P. and Kearns, R.A. (eds) (2014) Soundscapes of Wellbeing in Popular Music. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4470546.

Attali, J. (1985a) ‘Composing’, in Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press.

Attali, J. (1985b) ‘Listening’, in Noise: The Political Economy of Music. Manchester: Manchester University Press.

Averill, G. (1989) ‘Haitian Dance Bands, 1915-1970: Class, Race, and Authenticity’, Latin American Music Review / Revista de Música Latinoamericana, 10(2). Available at: https://doi.org/10.2307/779951.

Baily, J. (2009) ‘Music and Censorship in Afghanistan, 1973-2003’, in Music and the Play of Power in the Middle East, North Africa and Central Asia. Aldershot: Ashgate. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407271910002671&institutionId=2671&customerId=2670.

Baker, C. (2013) ‘Music as a Weapon of Ethnopolitical Violence and Conflict: Processes of Ethnic Separation During and After the Break-Up of Yugoslavia’, Patterns of Prejudice, 47(4–5), pp. 409–429. Available at: https://doi.org/10.1080/0031322X.2013.835914.

Baker, G. (2009) ‘The Politics of Dancing: Reggaetón and Rap in Havana, Cuba’, in Reggaeton. Durham: Duke University Press.

Baranovitch, N. (2003a) China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. Berkeley: University of California Press.

Baranovitch, N. (2003b) China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. Berkeley: University of California Press.

Barz, G.F. (2006) ‘No One Will Listen to Us Unless We Bring Our Drums! AIDS and Women’s Music Performance in Uganda’, in Singing for Life: HIV/AIDS and Music in Uganda. New York: Routledge, pp. 77–107. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315024547.

Barz, G.F. and Cohen, J.M. (2011) The Culture of AIDS in Africa: Hope and Healing in Music and the Arts. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054321.

Bohlman, P.V. (1988) The Study of Folk Music in the Modern World. Bloomington: Indiana University Press.

Bohlman, P.V. (2004) The Music of European Nationalism: Cultural Identity and Modern History. Santa Barbara, CA: ABC-CLIO. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=265477.

Bourdieu, P. (2009) ‘Distinction and the Aristocracy of Culture’, in Cultural Theory and Popular Culture: A Reader. 4th ed. Harlow, England: Pearson Longman.

Brauer, J. (2016) ‘How Can Music Be Torturous?: Music in Nazi Concentration and Extermination Camps’, Music & Politics, X(1). Available at: http://quod.lib.umich.edu/m/mp/9460447.0010.103?view=text;rgn=main.

Chastagner, C. (1999) ‘The Parents’ Music Resource Center: From Information to Censorship’, Popular Music, 18(2), pp. 179–192. Available at: http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/853600?seq=1#page_scan_tab_contents.

Chastagner, C. (no date) ‘Hate Music’, Transatlantica. Revue d’études américaines. American Studies Journal [Preprint], (2). Available at: https://journals.openedition.org/transatlantica/6075.

Chornik, K. (2013) ‘Music and Torture in Chilean Detention Centers: Conversations with an ex-Agent of Pinochet’s Secret Police’, The World of Music (new series), 2(1), pp. 51–65. Available at: https://www.jstor.org/stable/24318196.

Cloonan, M. (1995) ‘Popular Music and Censorship in Britain: An Overview’, Popular Music and Society, 19(3), pp. 75–104. Available at: https://doi.org/10.1080/03007769508591600.

Cloonan, M. and Johnson, B. (2002) ‘Killing Me Softly With His Song: An Initial Investigation Into the Use of Popular Music as a Tool of Oppression’, Popular Music, 21(01). Available at: https://doi.org/10.1017/S0261143002002027.

Cook, N. (1997) ‘Introduction: Music and Meaning in the Commercials’, in Analysing Musical Multimedia. Oxford [England]: Clarendon Press.

Corte, U. and Johnson, B. (2008) ‘White Power Music and the Mobilization of Racist Social Movements’, Music and Arts in Action, 1(1), pp. 4–20. Available at: http://uu.diva-portal.org/smash/get/diva2:355075/FULLTEXT01.pdf.

Cross, R. (no date) ‘"There Is No Authority But Yourself ”: The Individual and the Collective in British Anarcho-Punk’. Available at: http://quod.lib.umich.edu/m/mp/9460447.0004.203/--there-is-no-authority-but-yourself-the-individual?rgn=main;view=fulltext.

Crossley, N. (no date) ‘Intersubjectivity’, Key Concepts in Critical Social Theory [Preprint]. Available at: https://search-credoreference-com.ezproxy01.rhul.ac.uk/content/entry/sageukcst/intersubjectivity/0.

Cusick, S.G. (2006) Music as Torture / Music as Weapon, Transcultural Music Review. Available at: http://www.sibetrans.com/trans/articulo/152/music-as-torture-music-as-weapon.

Cusick, S.G. (2008) ‘"You Are in a Place That Is Out of the World. . .”: Music in the Detention Camps of the "Global War on Terror”’, Journal of the Society for American Music, 2(01). Available at: https://doi.org/10.1017/S1752196308080012.

Cusick, S.G. (2013) ‘Toward an Acoustemology of Detention in the “Global War on Terror”’, in Music, Sound and Space: Transformations of Public and Private Experience. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781107305397.

Cusick, S.G. and Joseph, B.W. (2011) ‘Across an Invisible Line: A Conversation about Music and Torture’, Grey Room, 42, pp. 6–21. Available at: https://doi.org/10.1162/GREY_a_00024.

Denisoff, R.S. (1968) ‘Protest Movements: Class Consciousness and the Propaganda Song’, The Sociological Quarterly, 9(2), pp. 228–247. Available at: http://www.jstor.org/stable/4105044.

DeNora, T. (2000a) ‘Formulating Questions - the “Music and Society” Nexus’, in Music in Everyday Life. Cambridge: Cambridge University Press.

DeNora, T. (2000b) ‘Formulating Questions - the “Music and Society” Nexus’, in Music in Everyday Life. Cambridge: Cambridge University Press, pp. 1–20. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437.

DeNora, T. (2000c) ‘Music and the Body’, in Music in Everyday Life. Cambridge: Cambridge University Press, pp. 75–108. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437.

Dillane, A. et al. (eds) (2018) Songs of Social Protest: International Perspectives. London: Rowman & Littlefield International. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5504161.

Dirksen, R. (2013) ‘Surviving Material Poverty by Employing Cultural Wealth: Putting Music in the Service of Community in Haiti’, Yearbook for Traditional Music, 45. Available at: https://doi.org/10.5921/yeartradmusi.45.2013.0043.

Duranti, A. (2010) ‘Husserl, Intersubjectivity and Anthropology’, Anthropological Theory, 10(1–2), pp. 16–35. Available at: https://doi.org/10.1177/1463499610370517.

Erlmann, V. (1985) ‘Black Political Song in South Africa: Some Research Perspectives’, in Popular music perspectives 2: papers from the Second International Conference on Popular Music Studies, Reggio Emilia, September 19-24, 1983. Göteborg: IASPM.

Evans, J., Du Gay, P. and Redman, P. (2000) Identity: A Reader. London: SAGE in association with The Open University.

Farmer, P. and Kleinman, A. (1989) ‘AIDS as Human Suffering’, Daedalus, 118(2), pp. 135–160. Available at: http://www.jstor.org/stable/20025240.

Feld, S. (1988) ‘Aesthetics as Iconicity of Style, or “Lift-Up-Over Sounding”: Getting Into the Kaluli Groove’, Yearbook for Traditional Music, 20. Available at: https://doi.org/10.2307/768167.

Finnegan, R. (2012a) ‘Music, Experience and the Anthropology of Emotion’, in The Cultural Study of Music: A Critical Introduction. 2nd ed. New York: Routledge.

Finnegan, R. (2012b) ‘Music, Experience and the Anthropology of Emotion’, in The Cultural Study of Music: A Critical Introduction. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454.

Frequently Asked Questions | The Equality Trust (no date). Available at: https://www.equalitytrust.org.uk/faq.

Frie, R. (no date) ‘Intersubjectivity’, in B. Kaldis (ed.) Encyclopedia of philosophy and the social sciences, pp. 500–502. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1207760.

Friedman, J.C. (ed.) (2017) The Routledge History of Social Protest in Popular Music. New York: Routledge.

Friedson, S.M. (2000) ‘Dancing the Disease: Music and Trance in Tumbuka Healing’, in Musical Healing in Cultural Contexts. Aldershot: Ashgate.

Gellner, E. and Breuilly, J. (2008) ‘Definitions’, in Nations and Nationalism. 2nd ed. Ithaca, N.Y.: Cornell University Press.

Gier, C. (2013) ‘War, Anxiety, and Hope in American Sheet Music, 1914–1917’, Music & Politics, VII(1). Available at: http://quod.lib.umich.edu/m/mp/9460447.0007.102/--war-anxiety-and-hope-in-american-sheet-music-19141917?rgn=main;view=fulltext.

Gilchrist, K. (2006) BBC NEWS | World | Americas | Soldier Rapper Tells His Tale of Iraq. Available at: http://news.bbc.co.uk/1/hi/world/americas/4828816.stm.

Gilman, L. (2010) ‘An American Soldier’s iPod: Layers of Identity and Situated Listening in Iraq’, Music & Politics, IV(2). Available at: http://quod.lib.umich.edu/m/mp/9460447.0004.201/--american-soldiers-ipod-layers-of-identity-and-situated?rgn=main;view=fulltext.

Glick-Schiller, N. and Fouron, G. (1990) ‘“Everywhere We Go, We Are in Danger”: Ti Manno and the Emergence of a Haitian Transnational Identity’, American Ethnologist, 17(2), pp. 329–347. Available at: http://www.jstor.org/stable/645083.

Goffman, E. (1990a) Stigma: Notes on the Management of Spoiled Identity. Harmondsworth: Penguin.

Goffman, E. (1990b) The Presentation of Self in Everyday Life. Harmondsworth: Penguin.

Goffman, E., Lemert, C. and Branaman, A. (1997) The Goffman Reader. Oxford: Blackwell.

Gramsci, A. (2009) ‘Hegemony, Intellectuals, and the State’, in Cultural Theory and Popular Culture: A Reader. 4th ed. Harlow, England: Pearson Longman.

Grant, M.J. and Papaeti, A. (eds) (2013) ‘The World of Music: Music and Torture | Music and Punishment’, 2(1). Available at: https://www.jstor.org/stable/i24316991.

Grodach, C. (2013) ‘Cultural Economy Planning in Creative Cities: Discourse and Practice’, International Journal of Urban and Regional Research, 37(5), pp. 1747–1765. Available at: https://doi.org/10.1111/j.1468-2427.2012.01165.x.

Hanson, J. (2013) ‘German National Song in the Third Reich: A Tale of Two Anthems’, Music & Politics, VII(1). Available at: http://quod.lib.umich.edu/m/mp/9460447.0007.104/--german-national-song-in-the-third-reich-a-tale-of-two?rgn=main;view=fulltext.

Harrison, K. (2013a) ‘Music, Health, and Socio-Economic Status: A Perspective on Urban Poverty in Canada’, Yearbook for Traditional Music, 45. Available at: https://doi.org/10.5921/yeartradmusi.45.2013.0058.

Harrison, K. (2013b) ‘The Relationship of Poverty to Music’, Yearbook for Traditional Music, 45. Available at: https://doi.org/10.5921/yeartradmusi.45.2013.0001.

Hobsbawm, E. (2012) The Invention of Tradition. Edited by T.O. Ranger. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9781107295636.

Hobsbawm, E.J. (1992) Nations and Nationalism Since 1780: Programme, Myth, Reality. 2nd ed. Cambridge: Cambridge University Press.

Hobsbawm, E.J. (2012) Nations and Nationalism since 1780: Programme, Myth, Reality. Second edition. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9781107295582.

Hobsbawm, E.J. and Ranger, T.O. (1992) The Invention of Tradition. New ed. Cambridge: Cambridge University Press.

Hoffman, A.R. (2013) ‘Compelling Questions about Music, Education, and Socioeconomic Status’, Music Educators Journal, 100(1), pp. 63–68. Available at: https://doi.org/10.1177/0027432113494414.

Howard, K. (1999) ‘Minyo in Korea: Songs of the People and Songs for the People’, Asian Music, 30(2). Available at: https://doi.org/10.2307/834312.

Ignatieff, M. (1998) ‘The Narcissism of Minor Differences’, in The warrior’s honor: Ethnic war and the modern conscience. New York: Henry Holt & Company Inc.

Jones, C.O. (2013) ‘"Songs of Malice and Spite”?: Wales, Prince Charles, and an Anti-Investiture Ballad of Dafydd Iwan’, Music & Politics, VII(2). Available at: http://quod.lib.umich.edu/m/mp/9460447.0007.203/--songs-of-malice-and-spite-wales-prince-charles-and-an-anti?rgn=main;view=fulltext.

Kaemmer, J.E. (1989) ‘Social Power and Music Change among the Shona’, Ethnomusicology, 33(1). Available at: https://doi.org/10.2307/852168.

Kalinak, K. (1992) Settling the Score: Music and the Classical Hollywood Film. University of Wisconsin Press.

Kirmayer, L.J. (1993) ‘Healing and the Invention of Metaphor: The Effectiveness of Symbols Revisited’, Culture, Medicine and Psychiatry, 17(2), pp. 161–195. Available at: https://doi.org/10.1007/BF01379325.

Kleinman, A. (1988) ‘The Meanings of Symptoms and Disorders’, in The Illness Narratives: Suffering, Healing, and the Human Condition. New York: Basic, pp. 3–30.

Koen, B.D. (2006) ‘Musical Healing in Eastern Tajikistan: Transforming Stress and Depression Through Falak Performance’, Asian Music, 37(2), pp. 58–83. Available at: https://doi.org/10.1353/amu.2007.0006.

Korpe, M. (2004) Shoot the Singer!: Music Censorship Today. New York: Zed Books.

Kraus, R.C. (1989) Pianos and Politics in China: Middle-Class Ambitions and the Struggle Over Western Music. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4702074.

MacDonald, R.A.R., Kreutz, G. and Mitchell, L. (2012) Music, Health, and Wellbeing. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054710.

Marx, K. (2009) ‘Base and Superstructure’, in Cultural Theory and Popular Culture: A Reader. 4th ed. Harlow, England: Pearson Longman.

Marx, K. and Engels, F. (2009) ‘Ruling Class and Ruling Ideas’, in Cultural Theory and Popular Culture: A Reader. 4th ed. Harlow, England: Pearson Longman.

McLellan, R. et al. (2012) ‘The Impact of Creative Initiatives on Wellbeing: A Literature Review’. Available at: https://www.creativitycultureeducation.org/publication/the-impact-of-creative-initiatives-on-wellbeing-a-literature-review/.

McNeill, F.G. (2011) ‘"We Sing About What We Cannot Talk About”: Biomedical Knowledge in Stanza’, in AIDS, Politics, and Music in South Africa. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9780511842580.

Millar, S.R. (2015) ‘Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland’, Music & Politics, IX(1). Available at: http://quod.lib.umich.edu/m/mp/9460447.0009.102/--musically-consonant-socially-dissonant-orange-walks?rgn=main;view=fulltext.

Morcom, A. (2004a) ‘Chinese Nationalist and Socialist Ideology Towards Tibetan Music’, in Unity and Discord: Music and Politics in Contemporary Tibet. London: Tibet Information Network.

Morcom, A. (2004b) ‘Chinese Nationalist and Socialist Ideology Towards Tibetan Music’, in Unity and Discord: Music and Politics in Contemporary Tibet. Available at: https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/8/.

Morcom, A. (2004c) ‘Music in a Socialist Market Economy: The Musical Culture of Tibet Today’, in Unity and Discord: Music and Politics in Contemporary Tibet. London: Tibet Information Network.

Morcom, A. (2004d) ‘Music in a Socialist Market Economy: The Musical Culture of Tibet Today’, in Unity and Discord: Music and Politics in Contemporary Tibet. Available at: https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/.

Morcom, A. (2004e) ‘The Voice of the State: Musical Propaganda in Tibet’, in Unity and Discord: Music and Politics in Contemporary Tibet. London: Tibet Information Network.

Morcom, A. (2004f) ‘The Voice of the State: Musical Propaganda in Tibet’, in Unity and Discord: Music and Politics in Contemporary Tibet. Available at: https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/.

Nettl, B. (2005a) ‘The Art of Combining Tones: The Music Concept’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts. 2nd ed. Urbana, Ill: University of Illinois Press.

Nettl, B. (2005b) ‘The Art of Combining Tones: The Music Concept’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts. Urbana: University of Illinois Press, pp. 16–25. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585.

Nettl, B. (2005c) ‘The Basic Unit of All Culture and Civilization: Signs and Symbols’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts. Urbana: University of Illinois Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585.

Nettl, B. (2005d) The Study of Ethnomusicology: Thirty-One Issues and Concepts. Urbana: University of Illinois Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585.

Nguyen, V.-K. and Peschard, K. (2003) ‘Anthropology, Inequality, and Disease: A Review’, Annual Review of Anthropology, 32(1), pp. 447–474. Available at: https://doi.org/10.1146/annurev.anthro.32.061002.093412.

Nooshin, L. (2005) ‘Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music’, in Music, Power, and Politics. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299.

Nooshin, L. (2009a) ‘Prelude: Power and the Play of Music’, in Music and the Play of Power in the Middle East, North Africa and Central Asia / Edited by Laudan Nooshin. Farnham, Surrey, England: Ashgate.

Nooshin, L. (2009b) ‘Prelude: Power and the Play of Music’, in Music and the Play of Power in the Middle East, North Africa and Central Asia. Aldershot: Ashgate, pp. 1–32. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780754693840.

Nuxoll, C. (2015) ‘"We Listened to it Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War’, Music & Politics, IX(1). Available at: http://quod.lib.umich.edu/m/mp/9460447.0009.104/--we-listened-to-it-because-of-the-message-juvenile-ruf?rgn=main;view=fulltext.

Nuzum, E. (2004) ‘Crash Into Me, Baby: America’s Implicit Music Censorship Since 9/11’, in Shoot the singer!: Music censorship today. New York: Zed Books, pp. 149–159.

Olmstead, A.A. (2002) ‘The Capitalisation of Musical Production: The Conceptual and Spatial Development of London’s Public Concerts, 1660-1750’, in Q. Regula Burckhardt (ed.) Music and Marx: Ideas, Practices, Politics. New York: Routledge.

Olwage, G. (2005) ‘Discipline and Choralism: The Birth of Musical Colonialism’, in Music, Power, and Politics. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299.

Ortner, S.B. (2005) ‘Subjectivity and Cultural Critique’, Anthropological Theory, 5(1), pp. 31–52. Available at: https://doi.org/10.1177/1463499605050867.

Orzech, R. (2015) ‘Nabucco in Zion: Place, Metaphor and Nationalism in an Israeli Production of Verdi’s Opera[1]’, Music & Politics, IX(1). Available at: http://quod.lib.umich.edu/m/mp/9460447.0009.103/--nabucco-in-zion-place-metaphor-and-nationalism-in-an-israeli?rgn=main;view=fulltext.

Payerhin, M. (2012) ‘Singing Out of Pain: Protest Songs and Social Mobilization’, The Polish Review, 57(1). Available at: https://www.jstor.org/stable/41557949?seq=1#metadata_info_tab_contents.

Perris, A. (1983) ‘Music as Propaganda: Art at the Command of Doctrine in the People’s Republic of China’, Ethnomusicology, 27(1). Available at: https://doi.org/10.2307/850880.

Pettan, S. (1998) Music, Politics, and War: Views From Croatia. Zagreb: Institute of Ethnology and Folklore Research.

Pieslak, J.R. (2007) ‘Sound Targets: Music and the War in Iraq’, Journal of Musicological Research, 26(2–3), pp. 123–149. Available at: https://doi.org/10.1080/01411890701360153.

Pieslak, J.R. (2009) Sound Targets: American Soldiers and Music in the Iraq War. Bloomington: Indiana University Press.

Power, M.J., Dillane, A. and Devereux, E. (2016) ‘"I Sing Out to the Youth of the Slums”: Morrissey and Class Disgust’, Popular Music and Society, 39(5), pp. 547–562. Available at: https://doi.org/10.1080/03007766.2015.1072871.

Qureshi, R.B. (2002) ‘Mode of Production and Musical Production: Is Hindustani Music Feudal?’, in Music and Marx: Ideas, Practices, Politics. New York: Routledge.

Ramnarine, T.K. (2003) Ilmatar’s Inspirations: Nationalism, Globalization, and the Changing Soundscapes of Finnish Folk Music. Chicago: University of Chicago Press.

Randall, A.J. (2005) ‘A Censorship of Forgetting: Origin and Origin Myths of "Battle Hymn of the Republic”’, in Music, Power, and Politics. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299.

Rice, T. (1996) ‘The Dialectic of Economics and Aesthetics in Bulgarian Music’, in Retuning Culture: Musical Changes in Central and Eastern Europe. Durham: Duke University Press.

Rice, T. (2001) ‘Reflections on Music and Meaning: Metaphor, Signification and Control in the Bulgarian Case’, British Journal of Ethnomusicology, 10(1), pp. 19–38. Available at: https://doi.org/10.1080/09681220108567308.

Rice, T. (2017) Modeling Ethnomusicology. New York, NY: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4806735.

Rice, T. (no date) ‘Chapter 5 - Reflections on music and identity in Ethnomusicology’, in Modeling Ethnomusicology, pp. 139–160. Available at: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/readonline/9780190616908.

Ritter, J. and Daughtry, J.M. (eds) (2007) Music in the Post-9/11 World. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1521142.

Roberts, D. (2012) ‘From the Cultural Contradictions of Capitalism to the Creative Economy: Reflections on the New Spirit of Art and Capitalism’, Thesis Eleven, 110(1), pp. 83–97. Available at: https://doi.org/10.1177/0725513612444563.

Roseman, M. (1993) ‘Concepts of Being’, in Healing Sounds From the Malaysian Rainforest: Temiar Music and Medicine. University of California Press, pp. 24–51.

Roust, C. (2013) ‘Communal Singing as Political Act: A Chorus of Women Resistants in La Petite Roquette, 1943–1944’, Music & Politics, VII(2). Available at: http://quod.lib.umich.edu/m/mp/9460447.0007.202/--communal-singing-as-political-act-a-chorus-of-women?rgn=main;view=fulltext.

Seeger, A. (2004a) ‘Singing as a Creative Activity’, in Why Suyá Sing: A Musical Anthropology of an Amazonian People. Urbana: University of Illinois Press.

Seeger, A. (2004b) ‘Why Suya Sing’, in Why Suyá Sing: A Musical Anthropology of an Amazonian People. Urbana: University of Illinois Press.

Sen, A. (2001) Development as Freedom. Oxford: Oxford University Press.

Shepherd, J. (2012a) ‘Music and Social Categories’, in The Cultural Study of Music: A Critical Introduction. 2nd ed. New York: Routledge.

Shepherd, J. (2012b) ‘Music and Social Categories’, in The Cultural Study of Music: A Critical Introduction. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454.

Sherinian, Z.C. (2007) ‘Musical Style and the Changing Social Identity of Tamil Christians’, Ethnomusicology, 51(2), pp. 238–280. Available at: http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/20174525?seq=1#page_scan_tab_contents.

Slobin, M. (1993a) ‘Searching for Subculture’, in Subcultural Sounds: Micromusics of the West. Hanover, NH: Wesleyan University Press.

Slobin, M. (1993b) ‘The Superculture’, in Subcultural Sounds: Micromusics of the West. Hanover, NH: Wesleyan University Press.

Small, C. (1998a) ‘A Place for Hearing’, in Musicking: The Meanings of Performing and Listening. Hanover: University Press of New England.

Small, C. (1998b) ‘Introduction’, in Musicking: The Meanings of Performing and Listening. Hanover: University Press of New England.

Spinetti, F. (2009) ‘Music, Politics and Nation Building in Post-Soviet Tajikistan’, in Music and the Play of Power in the Middle East, North Africa and Central Asia. Aldershot: Ashgate. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407234570002671&institutionId=2671&customerId=2670.

Stokes, M. (1994) ‘Introduction: Ethnicity, Identity and Music’, in Ethnicity, Identity and Music: The Musical Construction of Place. Oxford: Berg.

Subramanian, L. (1999) ‘The Reinvention of a Tradition: Nationalism, Carnatic Music and the Madras Music Academy, 1900-1947’, Indian Economic & Social History Review, 36(2), pp. 131–163. Available at: https://doi.org/10.1177/001946469903600201.

Sweers, B. (2005) ‘The Power to Influence Minds: German Folk Music During the Nazi Era and After’, in Music, Power, and Politics. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299.

Tagg, P. (1987) ‘Musicology and the Semiotics of Popular Music’, Semiotica, 66, pp. 279–298. Available at: http://www.tagg.org/articles/xpdfs/semiota.pdf.

Tan, S.E. (2005) ‘Manufacturing and Consuming Culture: Fakesong in Singapore’, Ethnomusicology Forum, 14(1), pp. 83–106. Available at: https://doi.org/10.1080/17411910500096745.

Throsby, D. (2012) ‘Why Should Economists Be Interested in Cultural Policy?’, Economic Record, 88, pp. 106–109. Available at: https://doi.org/10.1111/j.1475-4932.2012.00808.x.

Tuohy, S. (2001) ‘The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation’, Ethnomusicology, 45(1). Available at: https://doi.org/10.2307/852636.

Turino, T. (1984) ‘The Urban-Mestizo Charango Tradition in Southern Peru: A Statement of Shifting Identity’, Ethnomusicology, 28(2). Available at: https://doi.org/10.2307/850760.

Turino, T. (1999) ‘Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music’, Ethnomusicology, 43(2). Available at: https://doi.org/10.2307/852734.

Turino, T. (2008) ‘Introduction: Why Music Matters’, in Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press.

Van Buren, K.J. (2010) ‘Applied Ethnomusicology and HIV and AIDS’:, Ethnomusicology, 54(2). Available at: https://doi.org/10.5406/ethnomusicology.54.2.0202.

Warden, N. (2016) ‘Ethnomusicology’s "Identity” Problem: The History and Definitions of a Troubled Term in Music Research’, El Oído Pensante, 4(2). Available at: http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/9403/8390.

Waterman, C.A. (1982) ‘“I’m a Leader, Not a Boss”: Social Identity and Popular Music in Ibadan, Nigeria’, Ethnomusicology, 26(1). Available at: https://doi.org/10.2307/851402.

Waterman, C.A. (1990) Jùjú: A Social History and Ethnography of African Popular Music. Chicago: University of Chicago Press.

Whitaker, L. (2014) ‘No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa’, in G.J. Andrews, P. Kingsbury, and R.A. Kearns (eds) Soundscapes of Wellbeing in Popular Music. Farnham, Surrey: Ashgate.

White, H. and Murphy, M. (2001) Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945. Cork University Press.

Whittaker, L. (2010) Performing and Transforming ‘The Second Life’: Music and HIV/AIDS Activism in South Africa. Available at: https://vimeo.com/24411644/24e9eefacf.

Whittaker, L. (2014a) ‘No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa’, in G.J. Andrews, P. Kingsbury, and R.A. Kearns (eds) Soundscapes of Wellbeing in Popular Music, pp. 237–256. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781409443605.

Whittaker, L. (2014b) ‘Refining the Nation’s “New Gold”: Music, Youth Development and Neoliberalism in South Africa’, Culture, Theory and Critique, 55(2), pp. 233–256. Available at: https://doi.org/10.1080/14735784.2014.897244.

Wilkinson, R.G. and Pickett, K. (2010a) ‘Poverty or Inequality?’, in The Spirit Level: Why Equality Is Better for Everyone. New [ed.]. London: Penguin.

Wilkinson, R.G. and Pickett, K. (2010b) ‘The End of an Era’, in The Spirit Level: Why Equality Is Better for Everyone. New [ed.]. London: Penguin.

World Health Organization (2006) ‘Constitution of the World Heath Organization’. Available at: http://www.who.int/governance/eb/who_constitution_en.pdf.

Zbikowski, L. (no date) ‘Music and Metaphor’, in. Available at: http://zbikowski.uchicago.edu/pdfs/Zbikowski_Metaphor_and_Music_2008.pdf.