[1]
N. Thomas, The Return of Curiosity: What Museums Are Good for in the 21st Century. London: Reaktion Books, 2016.
[2]
N. Thomas, The Return of Curiosity: What Museums Are Good for in the 21st Century. London: Reaktion Books, Limited, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4571559
[3]
S. Macdonald and H. R. Leahy, Eds., The International Handbooks of Museum Studies, 1st Edition. Chichester, West Sussex [England]: John Wiley & Sons Ltd, 2015 [Online]. Available: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118829059
[4]
E. Hooper-Greenhill, Museums and the Interpretation of Visual Culture, vol. Museum meanings. London: Routledge, 2000.
[5]
S. E. R. Watson, Museums and Their Communities, vol. Leicester readers in museum studies. London: Routledge, 2007.
[6]
S. Watson, Museums and Their Communities, vol. Leicester readers in museum studies. London: Routledge, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=322943
[7]
I. Karp and S. Lavine, Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington: Smithsonian Institution Press, 1991.
[8]
M. G. Simpson, Making Representations: Museums in the Post-Colonial Era. London: Routledge, 1996.
[9]
M. G. Simpson, Making Representations: Museums in the Post-Colonial Era. London: Routledge, 1996 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1099311
[10]
T. Bennett, The Birth of the Museum: History, Theory, Politics, vol. Culture. London: Routledge, 1995.
[11]
T. Bennett, The Birth of the Museum: History, Theory, Politics, vol. Culture : policies and politics. London: Routledge, 1995 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1487028
[12]
J. Agnew and D. Livingstone, The SAGE Handbook of Geographical Knowledge. London: Sage, 2011.
[13]
H. Jöns, ‘Centre of Calculation’, in The SAGE Handbook of Geographical Knowledge, London: SAGE Publications, 2011, pp. 158–170 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=689546
[14]
N. MacGregor, A History of the World in 100 Objects. London: Allen Lane, 2011.
[15]
L. T. Ulrich, I. Gaskell, S. Schechner, and S. A. Carter, Tangible Things: Making History Through Objects. New York: Oxford University Press, 2015.
[16]
L. T. Ulrich, I. Gaskell, S. Schechner, and S. A. Carter, Tangible Things: Making History Through Objects. New York: Oxford University Press, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1836106
[17]
L. Hannan and S. Longair, History Through Material Culture. Manchester: Manchester University Press, 2017.
[18]
J. Hill, ‘Travelling Objects: The Wellcome Collection in Los Angeles, London and Beyond’, cultural geographies, vol. 13, no. 3, pp. 340–366, 2006, doi: 10.1191/1474474006eu363oa.
[19]
L. Peers, ‘“Ceremonies of Renewal”: Visits, Relationships, and Healing in the Museum Space’, Museum Worlds - Advances in Research, vol. 1, no. 1, pp. 136–152, 2013, doi: 10.3167/armw.2013.010109.
[20]
J. Clifford, ‘Museums as Contact Zones’, in Routes: Travel and Translation in the Late Twentieth Century, Cambridge, Mass: Harvard University Press, 1997, pp. 188–219.
[21]
P. Mason, ‘Moai on the Move’, Journal of the History of Collections, vol. 24, no. 1, pp. 117–130, 2012, doi: 10.1093/jhc/fhq036.
[22]
S. Byrne, ‘Voicing the Museum Artefact’, Journal of Conservation and Museum Studies, vol. 10, no. 1, 2012, doi: 10.5334/jcms.1011204.
[23]
S. Moser, ‘The Devil Is in the Detail: Museum Displays and the Creation of Knowledge’, Museum Anthropology, vol. 33, no. 1, pp. 22–32, 2010, doi: 10.1111/j.1548-1379.2010.01072.x.
[24]
F. Driver, ‘Chapter 15 - Face to Face with Nain Singh: The Schlagintweit Collections and Their Uses’, in Naturalists in the Field: Collecting, Recording and Preserving the Natural World from the Fifteenth to the Twenty-First Century, vol. 2, Leiden: Brill, 2018.
[25]
A. MacGregor, ‘Face to Face with Nain Singh: The Schlagintweit Collections and Their Uses’, in Naturalists in the Field, F. Driver, Ed. Leiden: Brill, 2018 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5449675
[26]
‘British Museum’. [Online]. Available: http://www.britishmuseum.org/
[27]
‘Pitt Rivers Museum’. [Online]. Available: https://www.prm.ox.ac.uk/
[28]
‘Museum of Anthropology at UBC’. [Online]. Available: http://moa.ubc.ca/
[29]
‘Collections | Science & Conservation At Kew’. [Online]. Available: http://www.kew.org/science-conservation/collections
[30]
‘Museums Association’. [Online]. Available: http://www.museumsassociation.org/home
[31]
‘Arts Council England’. [Online]. Available: http://www.artscouncil.org.uk/
[32]
‘Heritage Lottery Fund’. [Online]. Available: https://www.hlf.org.uk/
[33]
‘Christie’s Auctions & Private Sales’. [Online]. Available: http://www.christies.com/
[34]
‘A Three Month Season Dedicated to Photography Archives | Source Photographic Review’. [Online]. Available: http://www.source.ie/feature/archive_season.html
[35]
‘Material World Blog’. [Online]. Available: http://www.materialworldblog.com/
[36]
H. Geoghegan, ‘Museum Geography: Exploring Museums, Collections and Museum Practice in the UK’, Geography Compass, vol. 4, no. 10, pp. 1462–1476, 2010, doi: 10.1111/j.1749-8198.2010.00391.x.
[37]
P. Mason, ‘Moai on the Move’, Journal of the History of Collections, vol. 24, no. 1, pp. 117–130, 2012, doi: 10.1093/jhc/fhq036.
[38]
K. Arnold, ‘From Caring to Creating: Curators Change Their Spots’, in The International Handbooks of Museum Studies, First edition., S. Macdonald and H. R. Leahy, Eds. [Chichester, West Sussex]: John Wiley & Sons Ltd, 2015, pp. 317–339 [Online]. Available: http://dx.doi.org/10.1002/9781118829059
[39]
H. Jöns, ‘Centre of Calculation’, in The SAGE Handbook of Geographical Knowledge, London: Sage, 2011.
[40]
H. Jöns, ‘Centre of Calculation’, in The SAGE Handbook of Geographical Knowledge, London: SAGE Publications, 2011 [Online]. Available: http://rhul.eblib.com/patron/FullRecord.aspx?p=689546
[41]
B. Parry, ‘The Collection of Nature and the Nature of Collecting’, in Trading the Genome: Investigating the Commodification of Bio-Information, New York: Columbia University Press, 2004.
[42]
M. Patchett, K. Foster, and H. Lorimer, ‘The Biogeographies of a Hollow-Eyed Harrier’, in The Afterlives of Animals: A Museum Menagerie, Charlottesville, Va: University of Virginia Press, 2011, pp. 110–133.
[43]
M. Patchett, K. Foster, and H. Lorimer, ‘The Biogeographies of a Hollow-Eyed Harrier’, in The Afterlives of Animals, Charlottesville: University of Virginia Press, 2011, pp. 110–133 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=358539
[44]
J. Hill, ‘Travelling Objects: The Wellcome Collection in Los Angeles, London and Beyond’, Cultural Geographies, vol. 13, no. 3, pp. 340–366, 2006, doi: 10.1191/1474474006eu363oa.
[45]
E. Rodini, ‘Mobile Things: On the Origins and the Meanings of Levantine Objects in Early Modern Venice’, Art History, vol. 41, no. 2, pp. 246–265, 2018, doi: 10.1111/1467-8365.12332.
[46]
H. Geismar, ‘What’s in a Price?: An Ethnography of Tribal Art at Auction’, Journal of Material Culture, vol. 6, no. 1, pp. 25–47, 2001, doi: 10.1177/135918350100600102.
[47]
B. Kirshenblatt-­‐Gimblett, ‘Objects of Ethnography’, in Exhibiting Cultures: The Poetics and Politics of Museum Display, Washington: Smithsonian Institution Press, 1990.
[48]
S. Byrne, ‘Exposing the Heart of the Museum: The Archaeological Sensibility in the Storeroom’, in Reassembling the Collection: Ethnographic Museums and Indigenous Agency, vol. Advanced seminar series, R. Harrison and S. Byrne, Eds. Santa Fe: School for Advanced Research Press, 2013.
[49]
F. Driver, ‘Chapter 15 - Face to Face with Nain Singh: The Schlagintweit Collections and Their Uses’, in Naturalists in the Field: Collecting, Recording and Preserving the Natural World from the Fifteenth to the Twenty-First Century, vol. 2, Leiden: Brill, 2018.
[50]
A. MacGregor, ‘Face to Face with Nain Singh: The Schlagintweit Collections and Their Uses’, in Naturalists in the Field, F. Driver, Ed. Leiden: Brill, 2018 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5449675
[51]
‘Collections | Science & Conservation At Kew’. [Online]. Available: http://www.kew.org/science-conservation/collections
[52]
M. Nesbitt and C. Cornish, ‘Seeds of Industry and Empire: Economic Botany Collections Between Culture and Nature’, 2016 [Online]. Available: https://paginas.uepa.br/herbario/wp-content/uploads/2017/11/nesbitt_cornish_jme29.pdf
[53]
J. Salick, K. Konchar, and M. Nesbitt, Eds., Curating Biocultural Collections: A Handbook. Kew: Kew Publishing in association with Missouri Botanical Garden, 2014.
[54]
J. Salick and K. Konchar, Curating Biocultural Collections: A Handbook. Richmond, Surrey: Royal Botanic Gardens, Kew, 2014 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4649753
[55]
J. Clifford, ‘Museums as Contact Zones’, in Routes: Travel and Translation in the Late Twentieth Century, Cambridge, Mass: Harvard University Press, 1997, pp. 188–219.
[56]
L. Peers, ‘“Ceremonies of Renewal”: Visits, Relationships, and Healing in the Museum Space’, Museum Worlds - Advances in Research, vol. 1, no. 1, pp. 136–152, 2013, doi: 10.3167/armw.2013.010109.
[57]
S. Byrne, ‘Voicing the Museum Artefact’, Journal of Conservation and Museum Studies, vol. 10, no. 1, 2012, doi: 10.5334/jcms.1011204.
[58]
M. O’Neill, ‘Repatriation and Its Discontents’, in Who Owns Objects?: The Ethics and Politics of Collecting Cultural Artefacts : Proceedings of the First St. Cross-All Souls Seminar Series and Workshop, Oxford, October-December 2004, Oxford: Oxbow Books, 2006.
[59]
J. Kramer, ‘Figurative Repatriation’, Journal of Material Culture, vol. 9, no. 2, pp. 161–182, 2004, doi: 10.1177/1359183504044370.
[60]
L. Peers, ‘The Magic of Bureaucracy: Repatriation as Ceremony’, vol. 5, no. 1, 2015.
[61]
H. Riegel, ‘Into the Heart of Irony: Ethnographic Exhibitions and the Politics of Difference’, in Theorizing Museums: Representing Identity and Diversity in a Changing World, Oxford: Blackwell, 1996.
[62]
F. Driver, ‘Hidden Histories Made Visible? Reflections on a Geographical Exhibition’, Transactions of the Institute of British Geographers, vol. 38, no. 3, pp. 420–435, 2013, doi: 10.1111/j.1475-5661.2012.00529.x.
[63]
A. Herle, ‘Relational Objects: Connecting People and Things Through Pasifika Styles’, International Journal of Cultural Property, vol. 15, no. 02, May 2008, doi: 10.1017/S0940739108080090.
[64]
L. Peers and A. K. Brown, ‘Colonial Photographs and Postcolonial Relationships: The Kainai-­Oxford Photographic Histories Project’. Centre for Canadian Studies University of Edinburgh, 2005 [Online]. Available: https://web.archive.org/web/20061001014130/http://www.cst.ed.ac.uk/2005conference/papers/Peers_Brown_paper.pdf
[65]
C. Harris, ‘Digital Dilemmas: The Ethnographic Museum as Distributive Institution’, Journal of the Anthropological Society of Oxford, vol. 5, no. 2, pp. 125–136, 2013 [Online]. Available: https://www.anthro.ox.ac.uk/sites/default/files/anthro/documents/media/jaso5_2_2013_125_136.pdf
[66]
K. Christen, ‘On Not Looking: Economies of Visuality in Digital Museums’, in The International Handbooks of Museum Studies, First edition., S. Macdonald and H. R. Leahy, Eds. [Chichester, West Sussex]: John Wiley & Sons Ltd, 2015, pp. 365–385 [Online]. Available: http://dx.doi.org/10.1002/9781118829059
[67]
J. McCarthy and L. Ciolfi, ‘Place as Dialogue: Understanding and Supporting the Museum Experience’, International Journal of Heritage Studies, vol. 14, no. 3, pp. 247–267, 2008, doi: 10.1080/13527250801953736.
[68]
J. Newell, ‘Old Objects, New Media: Historical Collections, Digitization and Affect’, Journal of Material Culture, vol. 17, no. 3, pp. 287–306, 2012, doi: 10.1177/1359183512453534.
[69]
C. Gosden and Y. Marshall, ‘The Cultural Biography of Objects’, World Archaeology, vol. 31, no. 2, pp. 169–178, 1999, doi: 10.1080/00438243.1999.9980439.
[70]
I. Kopytoff, ‘The Cultural Biography of Things: Commoditization as Process’, in The Social Life of Things: Commodities in Cultural Perspective, Cambridge: Cambridge University Press, 1988, pp. 64–94.
[71]
I. Kopytoff, ‘The Cultural Biography of Things: Commoditization as Process’, in The Social Life of Things: Commodities in Cultural Perspective, Cambridge: Cambridge University Press, 1988, pp. 64–94.
[72]
B. Bide, ‘Getting Close to Clothes: Using Material Objects to Rethink the Creative Geographies of Post-War London Fashion’, Area (Peer Review Journal), 2017, doi: 10.1111/area.12407.
[73]
B. Bide, ‘Signs of Wear [open access]’, Fashion Theory: The Journal of Dress, Body and Culture, vol. 21, no. 4, pp. 449–476, 2017 [Online]. Available: https://pure.royalholloway.ac.uk/portal/en/publications/signs-of-wear(d8990041-6718-427a-80e5-1660102d3099).html
[74]
C. Cornish, ‘“Useful and Curious”: A Totem Pole at Kew’s Timber Museum’, Journal of Museum Ethnography, no. 25, pp. 138–151, 2012 [Online]. Available: http://www.jstor.org/stable/41710658
[75]
J. Hill, ‘Travelling Objects: The Wellcome Collection in Los Angeles, London and Beyond’, Cultural Geographies, vol. 13, no. 3, pp. 340–366, 2006, doi: 10.1191/1474474006eu363oa.
[76]
P. Mason, ‘Moai on the Move’, Journal of the History of Collections, vol. 24, no. 1, pp. 117–130, 2012, doi: 10.1093/jhc/fhq036.
[77]
L. P. Seip, ‘Transformations of Meaning: The Life History of a Nuxalk Mask’, World Archaeology, vol. 31, no. 2, pp. 272–287, 1999, doi: 10.1080/00438243.1999.9980446.
[78]
A. Herle, ‘Relational Objects: Connecting People and Things Through Pasifika Styles’, International Journal of Cultural Property, vol. 15, no. 02, 2008, doi: 10.1017/S0940739108080090.
[79]
L. Hannan and S. Longair, History Through Material Culture. Manchester: Manchester University Press, 2017.
[80]
K. Hill, Museums and Biographies: Stories, Objects, Identities, vol. v. 9. Woodbridge: Boydell, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=978021
[81]
L. T. Ulrich, I. Gaskell, S. Schechner, and S. A. Carter, Tangible Things: Making History Through Objects. New York: Oxford University Press, 2015.
[82]
L. T. Ulrich, I. Gaskell, S. Schechner, and S. A. Carter, Tangible Things: Making History Through Objects. New York: Oxford University Press, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1836106
[83]
N. MacGregor, A History of the World in 100 Objects. London: Allen Lane, 2011.
[84]
‘Material World Blog’. [Online]. Available: http://www.materialworldblog.com/
[85]
N. Macgregor, ‘To Shape the Citizens of “That Great City, the World”’, in Whose Culture?: The Promise of Museums and the Debate Over Antiquities, Princeton, N.J.: Princeton University Press, 2012.
[86]
N. MacGregor, ‘To Shape the Citizens of “That Great City, the World”’, in Whose Culture?: The Promise of Museums and the Debate Over Antiquities, Princeton, N.J.: Princeton University Press, 2012, pp. 37–48 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=931260
[87]
N. MacGregor and J. Williams, ‘The Encyclopaedic Museum: Enlightenment Ideals, Contemporary Realities’, Public Archaeology, vol. 4, no. 1, pp. 57–59, 2005, doi: 10.1179/pua.2005.4.1.57.
[88]
J. B. Cuno, ‘The Cosmopolitan Museum’, in Museums Matter: In Praise of the Encyclopedic Museum, Chicago: University of Chicago Press, 2011.
[89]
J. B. Cuno, ‘The Cosmopolitan Museum’, in Museums Matter: In Praise of the Encyclopedic Museum, vol. The Rice University Campbell lectures, Chicago, [Ill.]: University of Chicago Press, 2011, pp. 57–88 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=871798
[90]
M. O’Neill, ‘Enlightenment Museums: Universal or Merely Global?’, Museum and Society, vol. 2, no. 3, 2004 [Online]. Available: https://journals.le.ac.uk/ojs1/index.php/mas/article/view/49
[91]
N. G. W. Curtis, ‘'A Continuous Process of Reinterpretation’: The Challenge of the Universal and Rational Museum’, Public Archaeology, vol. 4, 2005 [Online]. Available: http://aura.abdn.ac.uk/bitstream/2164/88/3/FinalCurtis1.pdf
[92]
N. Curtis, ‘Universal Museums, Museum Objects and Repatriation: The Tangled Stories of Things’, Museum Management and Curatorship, vol. 21, no. 2, pp. 117–127, 2006, doi: 10.1016/j.musmancur.2006.03.004.
[93]
N. MacGregor, ‘A New Kind of Museum: A New Kind of Citizen | British Museum’, 2013. [Online]. Available: http://blog.britishmuseum.org/2013/06/07/a-new-kind-of-museum-a-new-kind-of-citizen/
[94]
S. Rustin, ‘The Greatest Exhibition You Could Have | The Guardian’, 2010. [Online]. Available: http://www.theguardian.com/culture/2010/jan/02/neil-macgregor-british-museum-history
[95]
N. MacGregor, ‘The Whole World in Our Hands | The Guardian’, 2004. [Online]. Available: https://www.theguardian.com/artanddesign/2004/jul/24/heritage.art
[96]
‘Neil MacGregor at the Art Institute of Chicago | YouTube’. YouTube, 2009 [Online]. Available: https://www.youtube.com/watch?v=ENlCJzodxZ4
[97]
N. Macgregor, ‘The Shock of the Object | YouTube’. 2012 [Online]. Available: https://www.youtube.com/watch?v=UJNs9VkNS00
[98]
C. Duncan and A. Wallich, ‘The Universal Survey Museum’, in Museum Studies: An Anthology of Contexts, Second Edition., B. M. Carbonell, Ed. Malden, MA: Wiley-Blackwell, 2012.
[99]
J. Hendry, ‘Introduction and Epilogue’, in Reclaiming culture: indigenous people and self-representation, New York: Palgrave Macmillan, 2005.
[100]
J. Hendry, ‘Introduction and Epilogue’, in Reclaiming Culture: Indigenous People and Self-Representation, Houndsmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=308080
[101]
S. Macdonald, ‘Exhibitions of Power and Powers of Exhibition: An Introduction to the Politics of Display’, in The Politics of Display: Museums, Science, Culture, London: Routledge, 1998.
[102]
S. Macdonald, ‘Exhibitions of Power and Powers of Exhibition: An Introduction to the Politics of Display’, in The Politics of Display: Museums, Science, Culture, London: Routledge, 1998 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=618865
[103]
British Museum, Statutes and Rules, Relating to the Inspection and Use of the British Museum: And for the Better Security, and Preservation of the Same. London: Printed by Dryden Leach; and sold by L. Davis, and C. Reymers, 1759 [Online]. Available: http://www.biodiversitylibrary.org/bibliography/85958#/summary
[104]
A. E. Coombes, ‘Ethnography, Popular Culture, and Institutional Power: Narratives of Benin Culture in the British Museum, 1897–1992’, Studies In The History Of Art, vol. 47, 1996 [Online]. Available: https://www.jstor.org/stable/42622122
[105]
Y. Hamilakis, ‘Stories From Exile: Fragments From the Cultural Biography of the Parthenon (Or ‘Elgin’) Marbles’, World Archaeology, vol. 31, no. 2, pp. 303–320, 1999, doi: 10.1080/00438243.1999.9980448.