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H. G. Wells, The Time Machine, New Edition. London: Penguin, 2007.
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D. Edgar and R. L. Stevenson, The Strange Case of Dr Jekyll and Mr Hyde. London: Hern, 1992.
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B. Stoker and M. Hindle, Dracula, Revised edition. London: Penguin Books, 2003.
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C. Baudelaire and J. McGowan, The Flowers of Evil, [New ed.]. Oxford: Oxford University Press, 1998.
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C. Baudelaire and J. McGowan, The Flowers of Evil. Oxford: Oxford University Press, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5891617
[6]
J.-K. Huysmans, R. Baldick, and P. McGuinness, Against Nature. London: Penguin, 2003.
[7]
W. Pater, ‘Preface’, in Studies in the History of the Renaissance, Andesite Press, 2017.
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W. Pater, ‘Leonardo da Vinci’, in Studies in the History of the Renaissance, [Place of publication not identified]: Andesite Press, 2017.
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W. Pater, ‘The School of Giorgione’, in Studies in the History of the Renaissance, [Place of publication not identified]: Andesite Press, 2017.
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W. Pater, ‘Conclusion’, in Studies in the History of the Renaissance, [Place of publication not identified]: Andesite Press, 2017.
[11]
O. Wilde and M. P. Gillespie, The Picture of Dorian Gray, 2nd Edition. New York: W. W. Norton, 2007.
[12]
O. Wilde, The Importance of Being Earnest. London: Bloomsbury, 2013 [Online]. Available: http://dx.doi.org/10.5040/9781408162521.00000018
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O. Wilde, ‘The Soul of Man Under Socialism’, 1891 [Online]. Available: https://www.marxists.org/reference/archive/wilde-oscar/soul-man/
[14]
W. Morris and C. Wilmer, News From Nowhere and Other Writings. London: Penguin, 1993.
[15]
H. James and P. G. Beidler, The Turn of the Screw. Boston: Bedford Books of St. Martin’s Press, 1995.
[16]
C. P. Gilman, The Yellow Wallpaper. London: Virago, 1981.
[17]
G. Egerton, Keynotes. New York: Garland, 1977.
[18]
K. Chopin and S. M. Gilbert, The Awakening: And Selected Stories. Harmondsworth: Penguin, 1986.
[19]
H. R. Haggard and D. Karlin, She, New Edition. Oxford: Oxford University Press, 2008.
[20]
H. G. Wells, The Time Machine. London: Penguin, 2007.
[21]
K. E. Beckson, ‘The Damnation of Decadence’, in London in the 1890s: A Cultural History, New York: Norton, 1992, pp. 32–70.
[22]
P. Brantlinger, Energy and Entropy: Science & Culture in Victorian Britain. Bloomington: Indiana University Press, 1989.
[23]
J. E. Chamberlin and S. L. Gilman, Degeneration: The Dark Side of Progress. New York: Columbia University Press, 1985.
[24]
W. Greenslade, Degeneration, Culture and the Novel, 1880-1940. Cambridge: Cambridge University Press, 2010.
[25]
D. Pick, Faces of Degeneration: A European Disorder, c.1848–1918. Cambridge: Cambridge University Press, 1989.
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D. Pick, Faces of Degeneration: A European Disorder, c.1848–1918, vol. Ideas in context. Cambridge: Cambridge University Press, 1989 [Online]. Available: http://dx.doi.org/10.1017/CBO9780511558573
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J. B. Taylor and S. Shuttleworth, Embodied Selves: An Anthology of Psychological Texts 1830-1890. Oxford: Clarendon, 1998.
[28]
R. K. R. Thornton, ‘‘Decadence’ in Later Nineteenth-Century England’, in Decadence and the 1890s, I. Fletcher, Ed. London: Arnold, 1979, pp. 15–29.
[29]
P. Kemp, H.G. Wells and the Culminating Ape. London: Macmillan, 1982.
[30]
F. D. McConnell, The Science Fiction of H.G. Wells. New York: Oxford University Press, 1981.
[31]
P. Parrinder, H. G. Wells: The Critical Heritage, vol. The Critical heritage series. London: Routledge, 2013.
[32]
P. Parrinder, H. G. Wells: The Critical Heritage, vol. The Critical heritage series. London: Taylor and Francis, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179700
[33]
R. L. Stevenson and R. Mighall, The Strange Case of Dr Jekyll and Mr Hyde, vol. Penguin classics. London: Penguin Books, 2002.
[34]
R. L. Stevenson and R. Luckhurst, Strange Case of Dr Jekyll and Mr Hyde and Other Tales. Oxford: Oxford University Press, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431299
[35]
W. Veeder and G. Hirsch, Dr Jekyll and Mr Hyde After One Hundred Years. Chicago: University of Chicago Press, 1988.
[36]
S. Heath, ‘Psychopathia Sexualis: Stevenson’s Strange Case’, in Reading Fin de Siècle Fictions, London: Longmans, 1996, pp. 64–79.
[37]
S. Heath, ‘Psychopathia Sexualis: Stevenson’s Strange Case’, in Reading Fin De Siècle Fictions, vol. Longman critical readers, London: Longman, 1996, pp. 64–79 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1746770
[38]
E. Showalter, ‘Dr Jekyll’s Closet’, in Sexual Anarchy: Gender and Culture at the Fin de Siècle, London: Bloomsbury, 1991, pp. 105–126.
[39]
J. R. Walkowitz, City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London. Chicago: University of Chicago Press, 1992.
[40]
J. R. Walkowitz, City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London. Chicago: University of Chicago Press, 1992 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3038380
[41]
B. Stoker and M. Hindle, Dracula, Revised Edition. London: Penguin Books, 2003.
[42]
B. Stoker, Dracula, vol. Cambridge library collection. Fiction and Poetry. Place of publication not identified: publisher not identified, 1897 [Online]. Available: http://dx.doi.org/10.1017/CBO9781139541138
[43]
S. D. Arata, ‘The Occidental Tourist: Dracula and the Anxiety of Reverse Colonisation’, in Dracula, vol. New casebooks, Macmillan, 1999, pp. 119–144.
[44]
C. Craft, ‘Kiss Me With Those Red Lips: Gender & Inversion in Bram Stoker’s Dracula’, in Speaking of Gender, New York: Routledge, 1989.
[45]
C. Craft, ‘“Kiss Me with those Red Lips”: Gender and Inversion in Bram Stoker’s Dracula’, Representations, vol. 8, no. October, pp. 107–133, 1984, doi: 10.2307/2928560.
[46]
P. Holden, ‘Castle, Coffin, Stomach: Dracula and the Banality of the Occult’, Victorian Literature and Culture, vol. 29, no. 2, pp. 469–485, 2001, doi: 10.1017/S1060150301002121.
[47]
F. A. Kittler and M. Metteer, Discourse Networks 1800/1900. Stanford, Calif: Stanford University Press, 1990.
[48]
F. Moretti, Signs Taken For Wonders, Rev. ed. London: Verso, 1988.
[49]
D. Pick, ‘Terrors of the Night: Dracula and Degeneration in the Late Nineteenth-Century’, in Reading Fin de Siècle Fictions, London: Longmans, 1996.
[50]
D. Pick, ‘Terrors of the Night: Dracula and Degeneration in the Late Nineteenth-Century’, in Reading Fin De Siècle Fictions, vol. Longman critical readers, London: Longman, 1996 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1746770
[51]
D. Pick, ‘Terrors of the Night: Dracula and Degeneration in the Late Nineteenth-Century’, Critical Quarterly, vol. 30, no. 4, pp. 71–87, 1988, doi: 10.1111/j.1467-8705.1988.tb00345.x.
[52]
R. Stott, ‘Dracula: A Social Purity Crusade’, in The Fabrication of the Late-Victorian Femme Fatale: The Kiss of Death, vol. Women’s studies at York/Macmillan series, Basingstoke: Macmillan, 1992, pp. 52–87.
[53]
R. Stott, ‘Dracula: A Social Purity Crusade’, in The Fabrication of the Late-Victorian Femme Fatale, Basingstoke: Macmillan, 1992, pp. 52–87 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1040152
[54]
K. L. Spencer, ‘Purity and Danger: Dracula, the Urban Gothic, and the Late Victorian Degeneracy Crisis’, ELH, vol. 59, no. 1, pp. 179–225, 1992, doi: 10.2307/2873424.
[55]
J. Wicke, ‘Vampiric Typewriting: Dracula and Its Media’, ELH, vol. 59, no. 2, pp. 467–493, 1992, doi: 10.2307/2873351.
[56]
J. Halberstam, Skin Shows: Gothic Horror and the Technology of Monsters. Duke University Press, 1996.
[57]
T. Schaffer, ‘“A Wilde Desire Took Me”: the Homoerotic History of Dracula’, ELH, vol. 61, no. 2, pp. 381–425, 1994 [Online]. Available: https://www.jstor.org/stable/2873274
[58]
A. Warwick, ‘Vampires and the Empire: Fears and Fictions of the 1890s’, in Cultural Politics at the Fin de Siècle, Cambridge: Cambridge University Press, 1995.
[59]
A. Warwick, ‘Vampires and the Empire: Fears and Fictions of the 1890s’, in Cultural Politics at the Fin de Siècle, S. Ledger and S. McCracken, Eds. Cambridge: Cambridge University Press, 1995, pp. 202–220 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511553707
[60]
J.-K. Huysmans, M. Mauldon, and N. White, Against Nature, vol. Oxford world’s classics. Oxford: Oxford University Press, 1998.
[61]
W. Benjamin, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. London: NLB, 1973.
[62]
P. Clements, Baudelaire and the English Tradition. Princeton, N.J.: Princeton University Press, 1985.
[63]
P. Clements, Baudelaire and the English Tradition. 1985 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3030611
[64]
R. Lloyd, Baudelaire’s Literary Criticism. Cambridge: Cambridge University Press, 1981.
[65]
R. Baldick, The Life of J.-K. Huysmans, 1st Dedalus Edition. Sawtry: Dedalus, 2006.
[66]
J. Birkett, The Sins of the Fathers: Decadence in France, 1870-1914. London: Quartet, 1986.
[67]
R. Felski, ‘The Counterdiscourse of the Feminine in Three Texts by Wilde, Huysmans, and Sacher-Masoch’, PMLA, vol. 106, no. 5, pp. 1094–1195, 1991, doi: 10.2307/462682.
[68]
P. Nicholls, ‘“Ironies of the Modern”, “Breaking the Rules: Symbolism in France” and “Decadence and the Art of Death”’, in Modernisms: A Literary Guide, Basingstoke: Macmillan, 1995, pp. 5–62.
[69]
N. White, ‘Introduction’, in Against Nature, Oxford: Oxford University Press, 1998.
[70]
C. Baudelaire, The Flowers of Evil. Oxford: Oxford University Press, 1993.
[71]
C. Baudelaire, The Flowers of Evil, vol. Oxford world’s classics. Oxford: Oxford University Press, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5891617
[72]
W. Pater and M. Beaumont, ‘Preface’, in Studies in the History of the Renaissance, New Edition., vol. Oxford world’s classics, Oxford: Oxford University Press, 2010, pp. 3–6.
[73]
W. Pater, ‘Leonardo da Vinci’, in Studies in the History of the Renaissance, Andesite Press, 2017.
[74]
W. Pater, ‘The School of Giorgione’, in Studies in the History of the Renaissance, M. Beaumont, Ed. Andesite Press, 2017.
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W. Pater, ‘Conclusion’, in Studies in the History of the Renaissance, M. Beaumont, Ed. Andesite Press, 2017.
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A. C. Swinburne, ‘Notes on Poems and Reviews’, 1866. [Online]. Available: http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:pr:Z000729133:0
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L. Brake, Walter Pater. Plymouth: Northcote House, 1994.
[78]
R. Dellamora, Masculine Desire: The Sexual Politics of Victorian Aestheticism. Chapel Hill: University of North Carolina Press, 1990.
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I. Fletcher, Walter Pater. London: Longmans, Green for the British Council and the National Book League, 1959.
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R. M. Seiler, Walter Pater: The Critical Heritage. London: Routledge and Kegan Paul, 1980.
[81]
D. Stanford, Critics of the ’Nineties. London: John Baker, 1970.
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A. Ward, Walter Pater: The Idea in Nature. London: MacGibbon & Kee, 1966.
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O. Wilde, The Picture of Dorian Gray, vol. Dover Thrift Editions. New York: Dover Publications, 1993.
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O. Wilde, The Picture of Dorian Gray, vol. Oxford world’s classics. Oxford: Oxford University Press, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=430407
[85]
J. Bristow, ‘Introduction’, in The Importance of Being Earnest and Related Writings, London: Routledge, 1992, pp. 1–24.
[86]
E. Cohen, Talk on the Wilde Side: Toward a Genealogy of a Discourse on Male Sexualities. New York: Routledge, 1993.
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E. Cohen, Talk on the Wilde Side: Towards a Genealogy of a Discourse on Male Sexualities. New York: Routledge, 1993 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1123171
[88]
T. Eagleton, ‘Introduction’, in Plays, Prose Writings and Poems, vol. Everyman’s library, London: Everyman’s Library, 1991, pp. xi–xxvii.
[89]
R. Ellmann, Oscar Wilde. London: Penguin, 1987.
[90]
R. Gagnier, Idylls of the Marketplace: Oscar Wilde and the Victorian Public. Aldershot: Scolar, 1987.
[91]
R. Jackson, ‘The Importance of Being Earnest’, in The Cambridge Companion to Oscar Wilde, Cambridge: Cambridge University Press, 1997, pp. 161–180.
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R. Jackson, ‘The Importance of Being Earnest’, in The Cambridge Companion to Oscar Wilde, P. Raby, Ed. Cambridge: Cambridge University Press, 1997, pp. 161–180 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL052147471X
[93]
J. H. McCormack, Wilde the Irishman. New Haven: Yale University Press, 1998.
[94]
A. Sinfield, The Wilde Century: Effeminacy, Oscar Wilde and the Queer Movement. New York: Columbia University Press, 1994.
[95]
J. Stokes, Oscar Wilde: Myths, Miracles and Imitations. Cambridge: Cambridge University Press, 2006.
[96]
O. Wilde, ‘The Soul of Man under Socialism’, in Collins Complete Works of Oscar Wilde, 5th ed., Glasgow: HarperCollins, 2003 [Online]. Available: https://www.proquest.com/docview/2407289765/Z001921538/276F096CADC94D84PQ/1?accountid=11455
[97]
O. Wilde, ‘The Soul of Man under Socialism’, 1891. [Online]. Available: http://www.gutenberg.org/ebooks/1017
[98]
J. E. Chamberlin, Ripe Was the Drowsy Hour: The Age of Oscar Wilde. New York: Seabury Press, 1977.
[99]
N. Kohl and D. H. Wilson, Oscar Wilde: The Works of a Conformist Rebel, 1st Paperback Edition., vol. European studies in English literature. Cambridge: Cambridge University Press, 2011.
[100]
J. Stokes, Oscar Wilde: Myths, Miracles, and Imitations. Cambridge: Cambridge University Press, 2006.
[101]
S. Ledger and S. McCracken, Cultural Politics at the Fin de Siècle. Cambridge: Cambridge University Press, 1995.
[102]
S. Ledger and S. McCracken, Cultural Politics at the Fin de Siècle. Cambridge: Cambridge University Press, 1995 [Online]. Available: https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CBO9780511553707
[103]
R. Livesey, Socialism, Sex and the Culture of Aestheticism in Britain, 1880-1914. Oxford: Oxford University Press, 2007.
[104]
E. P. Thompson, William Morris: Romantic to Revolutionary, Revised Edition. New York: Pantheon Books, 1976.
[105]
R. Williams, ‘Art and Society’, in Culture and Society 1780-1950, London: Chatto & Windus, 1958, pp. 137–165.
[106]
H. James and T. J. Lustig, The Turn of the Screw, vol. Oxford world’s classics. Oxford: Oxford University Press, 2008.
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H. James, ‘The Turn of the Screw’, 1898. [Online]. Available: http://www.gutenberg.org/ebooks/209
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C. P. Gilman, The Yellow Wallpaper, vol. Virago modern classics. London: Virago, 1981.
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C. P. Gilman, The Yellow Wallpaper. 1899 [Online]. Available: http://www.gutenberg.org/ebooks/1952#download
[110]
H. James and P. G. Beidler, The Turn of the Screw, vol. Case studies in contemporary criticism. Boston: Bedford Books of St. Martin’s Press, 1995.
[111]
E. Ender, Sexing the Mind: Nineteenth-Century Fictions of Hysteria. Ithaca: Cornell University Press, 1995.
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S. Felman, ‘Turning the Screw of Interpretation’, Yale French Studies, vol. 55–56, pp. 94–207, 1977 [Online]. Available: https://www.jstor.org/stable/2930436
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S. M. Gilbert and S. Gubar, The Madwoman in the Attic, 2nd Edition. New Haven: Yale University Press, 2000 [Online]. Available: https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=3421136
[114]
S. M. Gilbert and S. Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. London: Yale University Press, 1980 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421136
[115]
C. Golden, The Captive Imagination: A Casebook on The Yellow Wallpaper. New York: Feminist Press at the City University of New York, 1992.
[116]
L. Goodman, ‘Reading The Yellow Wallpaper’, in Literature and Gender, London: Routledge in association with The Open University, 1996, pp. 120–144.
[117]
L. Goodman, ‘Reading The Yellow Wallpaper’, in Literature and Gender, London: Routledge in association with The Open University, 1996, pp. 120–144 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1433638
[118]
M. Jacobus, Reading Woman. London: Methuen, 1986.
[119]
C. Kahane, Passions of the Voice: Hysteria, Narrative and the Figure of the Speaking Woman 1850-1915. Baltimore: Johns Hopkins University Press, 1995.
[120]
A. Kolodny, ‘A Map for Rereading: Or, Gender and the Interpretation of Literary Texts’, New Literary History, vol. 11, no. 3, pp. 451–467, 1980 [Online]. Available: http://www.jstor.org/stable/468938
[121]
S. Mills and L. Pearce, ‘The Yellow Wallpaper’, in Feminist Readings / Feminists Reading, 2nd Edition., London: Prentice Hall, 1996.
[122]
A. Mukherjee, Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction. London: Routledge, 2011.
[123]
A. Mukherjee, Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction. 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1123130
[124]
V. R. Pollak, New Essays on Daisy Miller and The Turn of the Screw. Cambridge: Cambridge University Press, 1993.
[125]
E. Showalter, The Female Malady: Women, Madness and English Culture 1830-1980. London: Virago, 1987.
[126]
E. Showalter, Sexual Anarchy: Gender and Culture at the Fin de Siècle. New York: Viking, 1990.
[127]
J. P. Tompkins, Twentieth Century Interpretations of The Turn of the Screw. Englewood Cliffs, N.J.: Prentice-Hall, 1970.
[128]
C. Wiesenthal, Figuring Madness in Nineteenth-Century Fiction. Basingstoke: Macmillan, 1997.
[129]
C. Wiesenthal, Figuring Madness in Nineteenth-Century Fiction. Basingstoke: Macmillan, 1997 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1039734
[130]
G. Egerton, ‘Keynotes (1893)’, in Keynotes and Discords, vol. Late Victorian and early Modernist women writers, London: Continuum, 2006.
[131]
G. Egerton, Keynotes. 1893 [Online]. Available: https://archive.org/details/keynotes00egerrich
[132]
E. Ammons, ‘Women of Color in The Awakening’, in Conflicting Stories: American Women Writers at the Turn into the Twentieth Century, Oxford University Press, 1992, pp. 74–75.
[133]
E. Ammons, ‘Women of Color in The Awakening’, in Conflicting Stories: American Women Writers at the Turn into the Twentieth Century, New York: Oxford University Press, 1992, pp. 74–75 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4702566
[134]
A. L. Ardis, New Women, New Novels: Feminism & Early Modernism. New Brunswick, N.J.: Rutgers University Press, 1990.
[135]
S. Asbee, ‘The Awakening’, in The Nineteenth-Century Novel: Identities, London: Routledge, 2001.
[136]
S. Asbee, ‘The Awakening’, in The Nineteenth-Century Novel: Identities, London: Routledge, 2001 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=672505
[137]
L. S. Boren, Kate Chopin Reconsidered. Louisiana State University Press, 1999.
[138]
L. Chrisman, ‘Empire, “Race” and Feminism at the Fin De Siècle: The Work of George Egerton and Olive Schreiner’, in Cultural Politics at the Fin de Siecle, Cambridge: Cambridge University Press, 1995.
[139]
L. Chrisman, ‘Empire, “Race” and Feminism at the Fin De Siècle: The Work of George Egerton and Olive Schreiner’, in Cultural Politics at the Fin de Siècle, Cambridge: Cambridge University Press, 1995, pp. 45–65 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511553707
[140]
G. Cunningham, The New Woman and the Victorian Novel. London: Macmillan, 1978.
[141]
S. M. Gilbert, ‘Introduction’, in The Awakening and Selected Stories, Harmondsworth: Penguin, 1986, pp. 7–33.
[142]
S. Ledger, ‘The New Woman and the Crisis of Victorianism’, in Cultural Politics at the Fin de Siecle, Cambridge: Cambridge University Press, 1995, pp. 22–44.
[143]
S. Ledger, ‘The New Woman and the Crisis of Victorianism’, in Cultural Politics at the Fin de Siècle, Cambridge: Cambridge University Press, 1995, pp. 22–44 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511553707
[144]
W. Martin, New Essays on The Awakening. Cambridge: Cambridge University Press, 1994.
[145]
L. Pykett, The Improper Feminine: The Woman’s Sensation Novel and the New Woman Writing. London: Routledge, 1992.
[146]
L. Pykett, The Improper Feminine: The Woman’s Sensation Novel and the New Woman Writing. London: Routledge, 1992 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=167885
[147]
E. Showalter, ‘New Women’, in Sexual Anarchy: Gender and Culture at the Fin de Siècle, New York: Viking, 1990, pp. 38–58.
[148]
P. Stubbs, Women and Fiction: Feminism and the Novel, 1880-1920. London: Methuen, 1979.
[149]
H. R. Haggard and D. Karlin, She, New Edition. Oxford: Oxford University Press, 2008.
[150]
H. R. Haggard, ‘She’, 1887. [Online]. Available: http://www.gutenberg.org/ebooks/3155#download
[151]
K. E. Beckson, ‘Empire Builders and Destroyers’, in London in the 1890s: A Cultural History, New York: Norton, 1992, pp. 344–378.
[152]
P. Brantlinger, Rule of Darkness: British Literature and Imperialism, 1830-1914. Ithaca: Cornell University Press, 1988.
[153]
J. Bristow, Empire Boys: Adventures in a Man’s World. London: Harper Collins Academic, 1991.
[154]
J. Bristow, Empire Boys: Adventures in a Man’s World, vol. volume 2. Abingdon, Oxon: Routledge, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4401244
[155]
L. Chrisman, ‘The Imperial Unconscious? Representation of Imperial Discourse’, The Critical Quarterly, vol. 32, no. 3, pp. 38–58, 1990, doi: 10.1111/j.1467-8705.1990.tb00605.x.
[156]
S. Gilbert, ‘Rider Haggard’s Heart of Darkness’, in Reading Fin de Siècle Fictions, London: Longmans, 1996, pp. 39–46.
[157]
S. Gilbert, ‘Rider Haggard’s Heart of Darkness’, in Reading Fin De Siècle Fictions, vol. Longman critical readers, London: Longman, 1996, pp. 39–46 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1746770
[158]
A. McClintock, Imperial Leather: Race, Gender & Sexuality in the Colonial Conquest. New York: Routledge, 1994.
[159]
A. McClintock, Imperial Leather: Race, Gender & Sexuality in the Colonial Conquest. New York: Routledge, 1995 [Online]. Available: https://ezproxy01.rhul.ac.uk/login?url=https://hdl.handle.net/2027/heb.02146
[160]
E. W. Said, Culture and Imperialism. London: Vintage, 1994.
[161]
R. Stott, ‘Rider Haggard’s Black Widow’, in The Fabrication of the Late-Victorian Femme Fatale: The Kiss of Death, vol. Women’s studies at York/Macmillan series, Basingstoke: Macmillan, 1992, pp. 88–125.
[162]
R. Stott, ‘Rider Haggard’s Black Widow’, in The Fabrication of the Late Victorian Femme Fatale, Basingstoke: Macmillan, 1992, pp. 88–125 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1040152
[163]
K. Chopin and S. M. Gilbert, The Awakening: And Selected Stories, vol. Penguin classics. Harmondsworth: Penguin, 1986.
[164]
G. Egerton, Keynotes, vol. The decadent consciousness. New York: Garland, 1977.
[165]
C. P. Gilman, The Yellow Wallpaper, vol. Virago modern classics. London: Virago, 1981.
[166]
H. R. Haggard and D. Karlin, She, New Edition. Oxford: Oxford University Press, 2008.
[167]
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O. Wilde, Plays, Prose Writings and Poems, vol. Everyman’s library. London: Everyman’s Library, 1991.
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W. Greenslade, Degeneration, Culture and the Novel, 1880-1940. Cambridge: Cambridge University Press, 2010.
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E. K. Sedgwick, Between Men: English Literature and Male Homosocial Desire, New Edition., vol. Gender and culture. New York: Columbia University Press, 1993.
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A. J. A. Symons, An Anthology of ‘Nineties’ Verse. London: Mathews & Marrot, 1928.
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W. R. Veeder and G. Hirsch, Dr Jekyll and Mr Hyde: After One Hundred Years. Chicago: University of Chicago Press, 1988.
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