Bibliography for MU5550: Techniques in Ethnomusicology BETA

Agar, M. (1996a) ‘Beginning Fieldwork’, in The Professional Stranger: An Informal Introduction to Ethnography. 2nd ed. San Diego: Academic Press, pp. 133–166.

Agar, M. (1996b) ‘Who Are You to Do This?’, in The Professional Stranger: An Informal Introduction to Ethnography. 2nd Edition. San Diego: Academic Press, pp. 91–111.

Agawu, K. (2003a) ‘Polymeter, Additive Rhythm, and Other Enduring Myths’, in Representing African Music: Postcolonial Notes, Queries, Positions. New York: Routledge, pp. 71–96.

Agawu, K. (2003b) ‘Polymeter, Additive Rhythm, and Other Enduring Myths’, in Representing African Music: Postcolonial Notes, Queries, Positions. New York: Routledge, pp. 71–96. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315810942.

Agawu, K. (2003c) ‘The Invention of African Rhythm’, in Representing African Music: Postcolonial Notes, Queries, Positions. New York: Routledge, pp. 55–70.

Agawu, K. (2003d) ‘The Invention of African Rhythm’, in Representing African Music: Postcolonial Notes, Queries, Positions. New York: Routledge, pp. 55–70. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315810942.

Alvarez-Pereyre, F. and Arom, S. (1993) ‘Ethnomusicology and the Emic/Etic Issue’, World of Music, 35(1), pp. 7–33. Available at: https://www.jstor.org/stable/43616455#metadata_info_tab_contents.

Anthony Seeger (2006) ‘Lost Lineages and Neglected Peers: Ethnomusicologists outside Academia’, Ethnomusicology, 50(2), pp. 214–235. Available at: https://www.jstor.org/stable/20174450?seq=1#metadata_info_tab_contents.

Atkinson, P. et al. (eds) (2001) Handbook of Ethnography. London: Sage.

Atkinson, P. (2011a) The Ethnographic Imagination: Textual Constructions of Reality. Abingdon: Routledge.

Atkinson, P. (2011b) The Ethnographic Imagination: Textual Constructions of Reality. Abingdon: Routledge. Available at: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315852065.

Atkinson, P. (2014a) ‘Introduction: Ethnography as Method and as Genre’, in The Ethnographic Imagination: Textual Constructions of Reality. Abingdon: Routledge, pp. 1–9.

Atkinson, P. (2014b) ‘Introduction: Ethnography as Method and as Genre’, in The Ethnographic Imagination: Textual Constructions of Reality. Abingdon: Routledge, pp. 1–9. Available at: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315852065.

Aubert, L., Seeger, A. and Ribeiro, C. (2007) The Music of the Other: New Challenges for Ethnomusicology in a Global Age. Aldershot, England: Ashgate.

Baily, J. (1989) ‘Filmmaking as Musical Ethnography’, World of Music, 31(3), pp. 3–20. Available at: https://www.jstor.org/stable/43561226.

Baily, J. (2009) ‘The Art of the “Fieldwork Movie”: 35 Years of Making Ethnomusicological Films’, Ethnomusicology Forum, 18(1), pp. 55–64. Available at: https://doi.org/10.1080/17411910902781589.

Barbash, I. and Taylor, L. (1997) Cross-Cultural Film Making: A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley: University of California Press.

Barz, G. (2008a) ‘Confronting the Field(note) in and Out of the Field: Music, Voices, Texts, and Experiences in DialogueConfronting the Field(note) in and Out of the Field: Music, Voices, Texts, and Experiences in Dialogue’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York: Oxford University Press, pp. 206–223.

Barz, G. (2008b) ‘Confronting the Field(note) in and Out of the Field: Music, Voices, Texts, and Experiences in DialogueConfronting the Field(note) in and Out of the Field: Music, Voices, Texts, and Experiences in Dialogue’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. 2nd Edition. Oxford: Oxford University Press, USA, pp. 206–223. Available at: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780199717194.

Barz, G.F. and Cooley, T.J. (1997) Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York: Oxford University Press.

Barz, G.F. and Cooley, T.J. (2008) Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. 2nd Edition. Oxford: Oxford University Press, USA. Available at: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780199717194.

Baumann, Max Peter (1993) ‘Listening as an Emic/Etic Process in the Context of Observation and Inquiry’, World of Music, 35(1), pp. 34–62. Available at: https://www.jstor.org/stable/43616456?seq=1#metadata_info_tab_contents.

Beaudry, N. (2008a) ‘The Challenges of Human Relations in Ethnographic Enquiry: Examples from Arctic and Subarctic Fieldwork’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. 2nd Edition. Oxford: Oxford University Press, pp. 224–245.

Beaudry, N. (2008b) ‘The Challenges of Human Relations in Ethnographic Enquiry: Examples from Arctic and Subarctic Fieldwork’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. Oxford: Oxford University Press, pp. 224–245. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199717194.

Berger, H. (2008) ‘Phenomenology and the Ethnography of Popular Music: Ethnomusicology at the Juncture of Cultural Studies and Folklore’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York: Oxford University Press, pp. 62–75.

Blacking, J. (1973a) How Musical Is Man? Seattle: University of Washington Press.

Blacking, J. (1973b) How Musical Is Man? Seattle: University of Washington Press. Available at: https://www.fulcrum.org/concern/monographs/ww72bb84h.

Blacking, J., Byron, R. and Nettl, B. (1995a) Music, Culture, & Experience: Selected Papers of John Blacking. Chicago: University of Chicago Press.

Blacking, J., Byron, R. and Nettl, B. (1995b) Music, Culture, & Experience: Selected Papers of John Blacking. Chicago: University of Chicago Press.

Bohlman, P.V. and Nettl, B. (1991) Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. University of Chicago Press.

Born, G. (2010) ‘For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn: The 2007 Dent Medal Address’, Journal of the Royal Musical Association, 135(2), pp. 205–243. Available at: https://www.jstor.org/stable/40961943.

British Forum for Ethnomusicology (2016) BFE Ethics Statement. British Forum for Ethnomusicology. Available at: https://bfe.org.uk/bfe-ethics-statement.

Caputo, V. (2000) ‘At “Home” and “Away”: Reconfiguring the Field for Late Twentieth-Century Anthropology’, in Constructing the Field: Ethnographic Fieldwork in the Contemporary World. London: Routledge, pp. 19–31.

Cooley, Timothy J. and Barz, G. (2008) ‘Casting Shadows in the Field: An Introduction’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. 2nd Edition. Oxford: Oxford University Press, pp. 3–19.

Cooley, Timothy J and Barz, G. (2008) ‘Casting Shadows in the Field: An Introduction’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. 2nd Edition. Oxford: Oxford University Press, pp. 3–19. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=415761.

Danielson, V. (2007) ‘The Canon of Ethnomusicology: Is There One?’, Notes, 64(2), pp. 223–231. Available at: https://www.jstor.org/stable/30163080.

DeWalt, K.M. and DeWalt, B.R. (2011a) ‘Chapter 1 - What Is Participant Observation?’, in Participant Observation: A Guide for Fieldworkers. 2nd ed. Lanham, Md: AltaMira, pp. 1–15.

DeWalt, K.M. and DeWalt, B.R. (2011b) ‘Chapter 8 - Informal Interviewing in Participant Observation’, in Participant Observation: A Guide for Fieldworkers. 2nd ed. Lanham, Md: AltaMira, pp. 137–156.

DeWalt, K.M. and DeWalt, B.R. (2011c) ‘Chapter 8 - Informal Interviewing in Participant Observation’, in Participant Observation: A Guide for Fieldworkers. 2nd ed. Lanham, Md: AltaMira, pp. 137–156.

DeWalt, K.M. and DeWalt, B.R. (2011d) ‘Chapter 10 - Ethical Concerns in Participant Observation’, in Participant Observation: A Guide for Fieldworkers. 2nd ed. Lanham, Md: AltaMira, pp. 195–208.

DeWalt, K.M. and DeWalt, B.R. (2011e) ‘Chapter 10 - Ethical Concerns in Participant Observation’, in Participant Observation: A Guide for Fieldworkers. 2nd ed. Lanham, Md: AltaMira, pp. 195–208.

DeWalt, K.M. and DeWalt, B.R. (2011f) ‘Chapters 2 - 5’, in Participant Observation: A Guide for Fieldworkers. 2nd ed. Lanham, Md: AltaMira, pp. 16–91.

Djenda, M. (1996) ‘Emics and Etics Re-Examined, Part 2: L’Importance de la Fonction Musicale pour la classification des instruments de musique en langue Mpyεmᴐ - une contribution à la discussion sur la dichotomic “emics/etics”’, African Music: Journal of the International Library of African Music, 7(3), pp. 11–20. Available at: https://doi.org/10.21504/amj.v7i3.1959.

Emerson, R.M., Fretz, R.I. and Shaw, L.L. (2011a) ‘Fieldnotes in Ethnographic Research’, in Writing ethnographic fieldnotes. 2nd ed. Chicago: The University of Chicago Press, pp. 1–20.

Emerson, R.M., Fretz, R.I. and Shaw, L.L. (2011b) ‘Pursuing Members’ Meanings’, in Writing Ethnographic Fieldnotes. 2nd ed. Chicago: The University of Chicago Press, pp. 129–170.

Emerson, R.M., Fretz, R.I. and Shaw, L.L. (2011c) Writing Ethnographic Fieldnotes. 2nd ed. Chicago: The University of Chicago Press.

Emerson, R.M., Fretz, R.I. and Shaw, L.L. (2011d) Writing Ethnographic Fieldnotes. 2nd ed. Chicago: The University of Chicago Press.

Fargion, J.T. (2009) ‘“For My Own Research Purposes”?: Examining Ethnomusicology Field Methods for a Sustainable Music                Original Text’, The World of Music, 51(1), pp. 75–93. Available at: http://www.jstor.org/stable/41699864?seq=1#page_scan_tab_contents.

feministkilljoys (2018) Warnings. Available at: https://feministkilljoys.com/.

Fielding, N. (2001a) ‘Computer Applications in Qualitative Research’, in P. Atkinson et al. (eds) Handbook of Ethnography. London: Sage, pp. 453–467.

Fielding, N. (2001b) ‘Computer Applications in Qualitative Research’, in Handbook of ethnography. London: SAGE Publications, pp. 453–467. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781446204825.

Geertz, C. (1973a) ‘Thick Description: Toward an Interpretive Theory of Culture’, in The interpretation of cultures: selected essays. New York: Basic, pp. 3–30.

Geertz, C. (1973b) ‘Thick Description: Toward an Interpretive Theory of Culture’, in The Interpretation of Cultures: Selected Essays. New York: Basic Books, pp. 3–30. Available at: http://hdl.handle.net/2027/heb.01005.

Gerhard Kubik (1996) ‘Emics and Etics Re-Examined, Part 1: Emics and Etics: Theoretical Considerations’, African Music, 7(3). Available at: https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/30250055?seq=1#metadata_info_tab_contents.

Gibson, C. and Dunbar-Hall, P. (2006a) ‘Nitmiluk: Place, Politics and Empowerment in Australian Aboriginal Popular Music’, in Ethnomusicology: a contemporary reader. New York: Routledge, pp. 383–400.

Gibson, C. and Dunbar-Hall, P. (2006b) ‘Nitmiluk: Place, Politics and Empowerment in Australian Aboriginal Popular Music’, in Ethnomusicology: a contemporary reader. New York: Routledge, pp. 383–400. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203036037.

Hammersley, M. and Atkinson, P. (2007a) ‘Chapter 10 - Ethics’, in Ethnography: Principles in Practice. 3rd ed. London: Routledge, pp. 209–229.

Hammersley, M. and Atkinson, P. (2007b) ‘Chapter 10 - Ethics’, in Ethnography: principles in practice. 3rd ed. London: Routledge, pp. 209–229. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203944769.

Hammersley, M. and Atkinson, P. (2007c) Ethnography: Principles in Practice. 3rd Edition. London: Routledge.

Hammersley, M. and Atkinson, P. (2007d) Ethnography: Principles in Practice. 3rd Edition. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=308687.

Harrison, K. (2012) ‘Epistemologies of Applied Ethnomusicology’, Ethnomusicology, 56(3), pp. 505–529. Available at: https://doi.org/10.5406/ethnomusicology.56.3.0505.

Headland, T.N., Pike, K.L. and Harris, M. (1990) Emics and etics: the insider/outsider debate. Newbury Park, Calif: Sage Publications.

Hemetek, U. (2006) ‘Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma’, Yearbook for Traditional Music, 38, pp. 35–57. Available at: https://www.jstor.org/stable/20464971.

Herndon, M. (1974) ‘Analysis: The Herding of Sacred Cows?’, Ethnomusicology, 18(2), pp. 219–262. Available at: https://doi.org/10.2307/850580.

Heyl, B.S. (2001) ‘Ethnographic Interviewing’, in P. Atkinson et al. (eds) Handbook of Ethnography. London: Sage, pp. 369–383.

Heyl, B.S. (2007) ‘Ethnographic Interviewing’, in Handbook of Ethnography. London: SAGE Publications, pp. 369–383. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781446204825.

Howard, K. (2012a) ‘Introduction: East Asian Music as Intangible Cultural Heritage’, in Music as Intangible Cultural Heritage: Policy, Ideology, and Practice in the Preservation of East Asian Traditions. Farnham: Ashgate, pp. 1–21.

Howard, K. (2012b) ‘Introduction: East Asian Music as Intangible Cultural Heritage’, in Music as Intangible Cultural Heritage: Policy, Ideology, and Practice in the Preservation of East Asian Traditions. Farnham: Ashgate, pp. 1–21. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781409439080.

Impey, A. (2002) ‘Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Participatory Action Research in Northern Kwazulu Natal’, Yearbook for Traditional Music, 34, pp. 9–24. Available at: https://doi.org/10.2307/3649187.

Impey, A. (2006) ‘Sounding Place in the Western Maputaland Borderlands’, Journal of Musical Arts in Africa, 3(1), pp. 55–79. Available at: https://doi.org/10.2989/18121000609486709.

Jackson, B. (1987a) ‘Chapter 15. Records’, in Fieldwork. Urbana: University of Illinois Press, pp. 244–258.

Jackson, B. (1987b) ‘Chapter 16. Being Fair’, in Fieldwork. Urbana: University of Illinois Press, pp. 259–280.

Jackson, B. (1987c) Fieldwork. Urbana: University of Illinois Press.

Jackson, B. (1987d) Fieldwork. Urbana: University of Illinois Press.

Jackson, M. (1995a) At Home in the World. Durham: Duke University Press.

Jackson, M. (1995b) At Home in the World. Durham, {North Carolina]: Duke University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822396123.

Jackson, M. (2017a) ‘Coda: Emotions in the Field’, in How Lifeworlds Work: Emotionality, Sociality, and the Ambiguity of Being. The University of Chicago Press, pp. 191–201.

Jackson, M. (2017b) ‘Coda: Emotions in the field’, in How Lifeworlds Work: Emotionality, Sociality, and the Ambiguity of Being. University of Chicago Press, pp. 191–201. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/reader.action?docID=4942133&ppg=208.

Jairazbhoy, N.A. (1977) ‘The “Objective” and Subjective View in Music Transcription’, Ethnomusicology, 21(2). Available at: https://doi.org/10.2307/850947.

John Baily (2001) ‘Learning to Perform as a Research Technique in Ethnomusicology’, British Journal of Ethnomusicology, 10(2). Available at: https://www.jstor.org/stable/3060663?seq=1#metadata_info_tab_contents.

Jones-Bamman, R. (2003) ‘Following in the Footsteps of a Giant: When Fieldwork Past Influences Field-Work Present, Karl Tirén and Die lappische Volksmusik’, British Journal of Ethnomusicology, 12(1), pp. 35–54. Available at: https://www.jstor.org/stable/30036868?seq=1#metadata_info_tab_contents.

Kisliuk, M. (2008a) ‘(Un)Doing Fieldwork: Sharing Songs, Sharing Lives’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. 2nd ed. Oxford: Oxford University Press, pp. 183–205.

Kisliuk, M. (2008b) ‘(Un)Doing Fieldwork: Sharing Songs, Sharing Lives’, in Shadows in the field: new perspectives for fieldwork in ethnomusicology. Oxford: Oxford University Press, pp. 183–205. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199717194.

Kolovos, N. (no date) Digital Audio Field Recording Equipment Guide — Vermont Folklife Center. Available at: https://www.vermontfolklifecenter.org/field-recording-equipment-guide/.

Kvale, S. and Brinkmann, S. (2008a) ‘Chapter 1 - Introduction to Interview Research’, in Interviews: An Introduction to Qualitative Research Interviewing. 2nd ed. Thousand Oaks, Calif: Sage Publications, pp. 1–20.

Kvale, S. and Brinkmann, S. (2008b) ‘Chapter 1 - Introduction to Interview Research’, in Interviews: An Introduction to Qualitative Research Interviewing. 2nd ed. Thousand Oaks, Calif: Sage Publications, pp. 1–20.

Kvale, S. and Brinkmann, S. (2009a) ‘Chapter 15 and 16’, in Interviews: An Introduction to Qualitative Research Interviewing. 2nd ed. Thousand Oaks, Calif: Sage Publications, pp. 241–292.

Kvale, S. and Brinkmann, S. (2009b) Interviews: An Introduction to Qualitative Research Interviewing. 2nd ed. Thousand Oaks, Calif: Sage Publications.

Lassiter, L.E. (2005) The Chicago Guide to Collaborative Ethnography. Chicago, Ill: University of Chicago Press.

Lassiter, L.E. (no date) Defining Collaborative Ethnography, an excerpt from The Chicago Guide to Collaborative Ethnography by. Available at: https://www.press.uchicago.edu/Misc/Chicago/468909.html.

Löfgren, K. (no date) ‘Qualitative Analysis of Interview Data: A Step-by-Step Guide’. YouTube. Available at: https://www.youtube.com/watch?v=DRL4PF2u9XA&feature=youtu.be.

Lysloff, R.T.A. (2006a) ‘Mozart in Mirrorshades: Ethnomusicology, Technology, and the Politics of Representation’, in Ethnomusicology: A Contemporary Reader. New York: Routledge, pp. 189–198.

Lysloff, R.T.A. (2006b) ‘Mozart in Mirrorshades: Ethnomusicology, Technology, and the Politics of Representation’, in Ethnomusicology: A Contemporary Reader. New York: Routledge, pp. 189–198. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203036037.

MacDougall, D. (1995) ‘The Subjective Voice in Ethnographic Film’, in Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press, pp. 217–255. Available at: https://www.fulcrum.org/concern/monographs/2514nm002.

Maciszewski, A. (2007) ‘Texts, Tunes, and Talking Heads: Discourses about Socially Marginal North Indian Musicians’, twentieth-century music, 3(01), pp. 121–144. Available at: https://doi.org/10.1017/S1478572207000357.

Marcia Herndon (1993) ‘Insiders, Outsiders: Knowing Our Limits, Limiting Our Knowing’, The World of Music, 35(1), pp. 63–80. Available at: https://www.jstor.org/stable/43616457?seq=1#metadata_info_tab_contents.

Maso, Ilia (2001) ‘Phenomenology and Ethnography’, in P. Atkinson et al. (eds) Handbook of Ethnography. London: Sage, pp. 136–144.

Maso, Ilja (2001) ‘Phenomenology and Ethnography’, in Handbook of Ethnography. London: SAGE Publications, pp. 136–144. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781446204825.

Meyers, H. (1992) ‘Fieldwork’, in Ethnomusicology: 1: An Introduction. London: Macmillan Academic & Professional, pp. 21–49.

Murphy, E. and Dingwall, R. (2001a) ‘The Ethics of Ethnography’, in P. Atkinson et al. (eds) Handbook of Ethnography. London: Sage, pp. 339–351.

Murphy, E. and Dingwall, R. (2001b) ‘The Ethics of Ethnography’, in Handbook of Ethnography. London: SAGE Publications, pp. 339–351. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781446204825.

Myers, Helen (1992) Ethnomusicology - 1: An Introduction. London: Macmillan Academic & Professional.

Myers, H. (1992) ‘Field Technology’, in Ethnomusicology: 1: An Introduction. London: Macmillan Academic & Professional, pp. 50–86.

Nas, P.J.M. (2002) ‘Masterpieces of Oral and Intangible Culture’, Current Anthropology, 43(1), pp. 139–148. Available at: https://doi.org/10.1086/338287.

Ndlovu-Gatsheni, S. (2017) ‘Decolonising Research Methodology Must Include Undoing Its Dirty History’, The Conversation [Preprint]. Available at: http://theconversation.com/decolonising-research-methodology-must-include-undoing-its-dirty-history-83912.

Nettl, B. (2005a) ‘Come Back and See Me Next Tuesday: Essentials of Fieldwork’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts. Urbana: University of Illinois Press, pp. 133–148. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414043.

Nettl, B. (2005b) ‘I Can’t Say a Thing Until I’ve Seen the Score: Transcription’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts. 2nd Edition. Urbana: University of Illinois Press, pp. 74–91. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414043.

Nettl, B. (2005c) The Study of Ethnomusicology: Thirty-One Issues and Concepts. Urbana: University of Illinois Press. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414043.

Nettl, B. (2005d) The Study of Ethnomusicology: Thirty-One Issues and Concepts. Urbana: University of Illinois Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585.

Nettl, B. (2006a) ‘Chapter 11 - You Will Never Understand This Music: Insiders and Outsiders’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts. 2nd ed. Urbana, Ill: University of Illinois Press, pp. 149–160.

Nettl, B. (2006b) ‘Come Back and See Me Next Tuesday: Essentials of Fieldwork’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts. 2nd Edition. Urbana, Ill: University of Illinois Press, pp. 133–148.

Nettl, B. (2006c) ‘I Can’t Say a Thing Until I’ve Seen the Score: Transcription’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts. 2nd Edition. Chesham: University of Illinois Press, pp. 74–91.

Nettl, B. (2006d) The Study of Ethnomusicology: Thirty-One Issues and Concepts. 2nd Edition. Urbana, Ill: University of Illinois Press.

Nettl, B. (2006e) The Study of Ethnomusicology: Thirty-One Issues and Concepts. 2nd ed. Urbana, Ill: University of Illinois Press.

Nettl, B. (2015) ‘Are You Doing Anyone Any Good?: Thoughts on Applied Ethnomusicology’, in The Study of Ethnomusicology: Thirty-Three Discussions. Third edition. Urbana: University of Illinois Press, pp. 423–428.

Nettl, B. and MyiLibrary (2005) ‘Chapter 11 - You Will Never Understand This Music: Insiders and Outsiders.’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts. Urbana: University of Illinois Press, pp. 149–160. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585.

Porcello, T. (1998) ‘“Tails out”: Social Phenomenology and the Ethnographic Representation of Technology in Music-Making’, Ethnomusicology, 42(3). Available at: https://doi.org/10.2307/852851.

Post, J.C. (2006a) Ethnomusicology: A Contemporary Reader. New York: Routledge.

Post, J.C. (2006b) Ethnomusicology: A Contemporary Reader. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203036037.

Post, J.C. (2006c) Ethnomusicology: A Contemporary Reader. New York: Routledge.

Post, J.C. (2006d) Ethnomusicology: A Contemporary Reader. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203036037.

Pratt, M.L. (1986) ‘Fieldwork in Common Places’, in Writing Culture: The Poetics and Politics of Ethnography. Berkeley: University of California Press, pp. 27–50.

Priyamvada Gopal (2017) ‘Yes, We Must Decolonise: Our Teaching Has to Go Beyond Elite White Men’, Guardian [Preprint]. Available at: https://www.theguardian.com/commentisfree/2017/oct/27/decolonise-elite-white-men-decolonising-cambridge-university-english-curriculum-literature.

Queensland Conservatorium (no date) Sustainable Futures: Towards an Ecology of Musical Diversity. Available at: https://web.archive.org/web/20130514213532/http://musecology.griffith.edu.au.

Racy, A.J. (1993) ‘Historical Worldviews of Early Ethnomusicologists: An East-West Encounter in Cairo, 1932’, in Ethnomusicology and Modern Music History. Urbana, IL: University of Illinois Press, pp. 68–91.

Rees, H. (2003) ‘The Age of Consent: Traditional Music, Intellectual Property and Changing Attitudes in the People’s Republic of China’, British Journal of Ethnomusicology, 12(1). Available at: https://www.jstor.org/stable/30036873?seq=1#metadata_info_tab_contents.

Reyes, A. (2009) ‘What Do Ethnomusicologists Do? An Old Question for a New Century’, Ethnomusicology, 53(1), pp. 1–17. Available at: https://www.jstor.org/stable/25653044.

Rice, T. (1987) ‘Toward the Remodeling’, Ethnomusicology, 31(3), pp. 469–488. Available at: https://doi.org/10.2307/851667.

Rice, T. (2003) ‘Time, Place, and Metaphor in Musical Experience and Ethnography’, Ethnomusicology, 47(2). Available at: https://doi.org/10.2307/3113916.

Rice, T. (2008) ‘Toward a Mediation of Field Methods and Field Experience in Ethnomusicology’, in G.F. Barz and T.J. Cooley (eds) Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. 2nd Edition. Oxford: Oxford University Press, pp. 42–61. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=415761.

Rice, T. (2010) ‘Disciplining Ethnomusicology: A Call for a New Approach’, Ethnomusicology, 54(2), pp. 318–325. Available at: https://doi.org/10.5406/ethnomusicology.54.2.0318.

Rice, T. (2013) Ethnomusicology: A Very Short Introduction. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199794584.

Rice, T. (2014a) Ethnomusicology: A Very Short Introduction. New York: Oxford University Press.

Rice, T. (2014b) ‘Ethnomusicology in Times of Trouble’, Yearbook for Traditional Music, 46, pp. 191–209. Available at: https://doi.org/10.5921/yeartradmusi.46.2014.0191.

Richard Moyle (no date) ‘On Preserving Endangered Music’. Available at: https://web.archive.org/web/20130516123849/http://musecology.griffith.edu.au/videos/Richard_Moyle.mp4/view.

Sabaratnam, M. (2017) Decolonising the Curriculum: What’s All the Fuss About? | SOAS. SOAS Blog. Available at: https://web.archive.org/web/20220119174931/https://study.soas.ac.uk/decolonising-curriculum-whats-the-fuss/.

Seeger, A. (1996) ‘Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property’, Yearbook for Traditional Music, 28. Available at: https://doi.org/10.2307/767808.

Shiloah, A. (1993) ‘An Eighteenth-Century Critic of Taste and Good Taste’, in Ethnomusicology and Modern Music History. Urbana, IL: University of Illinois Press, pp. 181–189.

Smith, L.T. (1999) Decolonizing Methodologies: Research and Indigenous Peoples. London: Zed Books.

Society for Ethnomusicology (1998) Position Statement on Ethics. Society for Ethnomusicology. Available at: https://www.ethnomusicology.org/general/custom.asp?page=EthicsStatement.

Society for Ethnomusicology (no date) Position Statement on Ethics. Available at: https://www.ethnomusicology.org/page/EthicsStatement.

Solis, G. (2012) ‘Thoughts on an Interdiscipline: Music Theory, Analysis, and Social Theory in Ethnomusicology’, Ethnomusicology, 56(3), pp. 530–554. Available at: https://doi.org/10.5406/ethnomusicology.56.3.0530.

Stobart, H. (2008a) The New (Ethno)Musicologies. Lanham, Md: Scarecrow Press.

Stobart, H. (2008b) The New (Ethno)Musicologies. Lanham, Md: Scarecrow. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1043748.

Stobart, H. (2008c) The New (Ethno)musicologies. Lanham, Md: Scarecrow Press.

Stobart, H. (2008d) The New (Ethno)musicologies. Lanham, Md: Scarecrow. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1043748.

Stock, J.P.J. (2010) ‘Toward an Ethnomusicology of the Individual, or Biographical Writing in Ethnomusicology’, World of Music, 52(1–3), pp. 332–346. Available at: https://www.jstor.org/stable/41700038?seq=1#metadata_info_tab_contents.

Tan, S. (2016) Beyond ‘Innocence’: Amis Aboriginal Song in Taiwan as an Ecosystem. London: Routledge. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4907501.

Tan, S.E. (2012) Beyond ‘Innocence’: Amis Aboriginal Song in Taiwan as an Ecosystem. Farnham, Surrey, England: Ashgate.

Terkourafi, M. (2009a) ‘EMIC/ETIC’, in Key Ideas in Linguistics and the Philosophy of Language. Edinburgh: Edinburgh University Press.

Terkourafi, M. (2009b) ‘EMIC/ETIC’, in Key Ideas in Linguistics and the Philosophy of Language. 1st Edition. Edinburgh: Edinburgh University Press. Available at: https://search-credoreference-com.ezproxy01.rhul.ac.uk/content/entry/edinburghilpl/emic_etic/0.

Tiago de Oliveira Pinto (1996) ‘Emics and Etics Re-Examined, Part 3: The Discourse about Others’ Music: Reflecting on African-Brazilian Concepts’, African Music, 7(3). Available at: https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/30250057?seq=8#metadata_info_tab_contents.

Titon, J.T. (2008a) ‘Knowing Fieldwork’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. 2nd Edition. Oxford: Oxford University Press, pp. 25–41.

Titon, J.T. (2008b) ‘Knowing Fieldwork’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. Oxford: Oxford University Press, pp. 25–41. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199717194.

Titon, J.T. (2008c) ‘Toward a Mediation of Field Methods and Field Experience’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. 2nd ed. Oxford: Oxford University Press, pp. 42–61.

Titon, J.T. (2012a) ‘Textual Analysis or Thick Description?’, in The Cultural Study of Music: A Critical Introduction. 2nd ed. New York: Routledge, pp. 75–85.

Titon, J.T. (2012b) ‘Textual Analysis or Thick Description?’, in The Cultural Study of Music: A Critical Introduction. New York: Routledge, pp. 75–85. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454.

Titon, J.T. (no date) Sustainable Music. Available at: https://sustainablemusic.blogspot.com/.

Toelken, B. (1996) ‘From Entertainment to Realization in Navajo Fieldwork’, in The World Observed: Reflections on the Fieldwork Process. Urbana: University of Illinois Press, pp. 1–17.

White, P. (2003) Creative Recording: Pt. 2: Microphones, Acoustics, Soundproofing and Monitoring. New ed. London: SMT.

Whittaker, L. (2014) ‘Refining the Nation’s “New Gold”: Music, Youth Development and Neoliberalism in South Africa’, Culture, Theory and Critique, 55(2), pp. 233–256. Available at: https://doi.org/10.1080/14735784.2014.897244.

Witzleben, J.L. (1997) ‘Whose Ethnomusicology? Western Ethnomusicology and the Study of Asian Music’, Ethnomusicology, 41(2), pp. 220–242. Available at: https://doi.org/10.2307/852604.

Wong, D. (no date) ‘Moving: From Performance to Performative Ethnography and Back Again’, in Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, pp. 76–89. Available at: https://librarysearch.royalholloway.ac.uk/primo_library/libweb/action/display.do?frbrVersion=3&tabs=detailsTab&ct=display&fn=search&doc=TN_ingram_myilibrary9786611868277&indx=4&recIds=TN_ingram_myilibrary9786611868277&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=3&frbg=&&dscnt=0&scp.scps=scope%3A%2844ROY%29%2C44ROY_EbscoLocal%2Cprimo_central_multiple_fe&tb=t&vid=44ROY_VU2&mode=Basic&srt=rank&tab=tab1&dum=true&vl(freeText0)=Shadows%20in%20the%20Field%3A%20New%20Perspectives%20for%20Fieldwork%20in%20Ethnomusicology&dstmp=1538320067075.

Zemp, H. (1988) ‘Filming Music and Looking at Music Films’, Ethnomusicology, 32(3). Available at: https://doi.org/10.2307/851939.

Zemp, H. (1996) ‘The/An Ethnomusicologist and the Record Business’, Yearbook for Traditional Music, 28. Available at: https://doi.org/10.2307/767806.