Bibliography for DT2401: The Idea of Live Art BETA

‘About Us | Forced Entertainment’. N.p., n.d. Web. <https://www.forcedentertainment.com/about/>.

Abramovic, Marina, and Klaus Peter Biesenbach. Marina Abramovic: The Artist Is Present. New York: Museum of Modern Art, 2010. Print.

Auslander, Philip. Liveness: Performance in a Mediatized Culture. 2nd Edition. London: Routledge, 2008. Print.

---. Liveness: Performance in a Mediatized Culture. London: Routledge, 2008. Print.

---. Liveness: Performance in a Mediatized Culture. 2nd Edition. London: Routledge, 2008. Print.

---. Liveness: Performance in a Mediatized Culture. London: Routledge, 2008. Print.

---. ‘The Performativity of Performance Documentation’. PAJ: A Journal of Performance and Art 28.3 (2006): 1–10. Web.

---. ‘The Performativity of Performance Documentation’. PAJ: A Journal of Performance and Art 28.3 (2006): 1–10. Web.

Banes, Sally, and Andre Lepecki. The Senses in Performance. New York: Routledge, 2007. Print.

Bishop, Claire. Participation. London: Whitechapel, 2006. Print.

Bleeker, Maaike et al., eds. Thinking through Theatre and Performance. London: Bloomsbury Methuen Drama, 2019. Web. <https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9781472579638&uid=^u>.

---, eds. Thinking through Theatre and Performance. London: Bloomsbury Methuen Drama, 2019. Web. <https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9781472579638&uid=^u>.

---. Visuality in the Theatre: The Locus of Looking. Houndmills, Basingstoke: Palgrave Macmillan, 2008. Print.

---. Visuality in the Theatre: The Locus of Looking. Basingstoke, Hampshire: Palgrave Macmillan, 2008. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230583368>.

Burden, Chris. ‘Shoot | Media Art Net’. N.p., n.d. Web. <http://www.medienkunstnetz.de/works/shoot/>.

Carlson, Marvin. Performance: A Critical Introduction. 2nd ed. New York: Routledge, 2004. Print.

---. Performance: A Critical Introduction. New York: Routledge, 2004. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315016153>.

---. Performance: A Critical Introduction. 2nd ed. New York: Routledge, 2004. Print.

---. Performance: A Critical Introduction. New York: Routledge, 2004. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315016153>.

‘Catalogue - Live Art Development Agency’. N.p., n.d. Web. <https://www.thisisliveart.co.uk/resources/search/>.

Chrysochou, Panayiota. Performing Identity and Gender in Literature, Theatre and the Visual Arts. Newcastle upon Tyne: Cambridge Scholars Publishing, 2017. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4820227>.

Concannon, Kevin. ‘Yoko Ono’s Cut Piece : From Text to Performance and Back Again’. Journal Of Performance And Art 30.3 (2008): 81–93. Web. <https://librarysearch.royalholloway.ac.uk/permalink/f/vavv8/TN_jstor_archive_330135150>.

DeFrantz, Thomas, and Anita Gonzalez, eds. Black Performance Theory. Durham: Duke University Press, 2014. Print.

---. Black Performance Theory. N.p., 2014. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1666607>.

Etchells, Tim. ‘Introduction: Performing Questions, Producing Witnesses’. Certain Fragments: Contemporary Performance and Forced Entertainment. London: Routledge, 1999. 9–23. Print.

---. ‘Introduction: Performing Questions, Producing Witnesses’. Certain Fragments: Contemporary Performance and Forced Entertainment. 1st ed. London: Routledge, 1999. 9–23. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=166451>.

Finbow, Acatia. ‘Multiplicity in the Documentation of Performance-Based Artworks: Displaying Multi-Media Documentation in Rebecca Horn’s Body Sculptures at Tate’. Journal of New Music Research 47.4 (2018): 291–299. Web.

Friedman, Andrew. ‘Kindertotenlieder Created by Gisèle Vienne’. Theatre Journal 67.2 (2015): 319–320. Web.

Giannachi, Gabriella, and Jonah Westerman, eds. Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices. London: Routledge, 2018. Print.

---, eds. Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices. London: Routledge, Taylor & Francis Group, 2018. Web. <https://www.taylorfrancis.com/books/9781315645384>.

‘Gisèle Vienne: Disturbance in Representation - Dansens Hus’. N.p., n.d. Web. <https://www.dansenshus.com/en/articles/om-forestillingen-crowd>.

Goldberg, RoseLee. Performance Art: From Futurism to the Present. 3rd Edition. London: Thames & Hudson, 2011. Print.

---. Performance Art: From Futurism to the Present. 3rd Edition. London: Thames & Hudson, 2011. Print.

---. Performance: Live Art Since the 60s. London: Thames & Hudson, 1998. Print.

Grehan, Helena. Performance, Ethics and Spectatorship in a Global Age. Basingstoke: Palgrave Macmillan, 2009. Print.

Guy, Georgina. ‘“NOTES on a Return” to a Not-Forgotten: Durations of the Missed and the Previously Unvisited’. Performance Research 17.5 (2012): 135–139. Web.

---. Theatre, Exhibition, and Curation: Displayed & Performed. Vol. 46. New York: Routledge, 2016. Print.

---. Theatre, Exhibition, and Curation: Displayed & Performed. Vol. 46. New York: Routledge, 2016. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315735719>.

Heathfield, Adrian. Small Acts: Performance, the Millennium and the Marking of Time. London: Black Dog, 2000. Print.

Heathfield, Adrian, and Hugo Glendinning. Live: Art and Performance. London: Tate, 2004. Print.

---. Live: Art and Performance. London: Tate, 2004. Print.

---. Live: Art and Performance. London: Tate, 2004. Print.

Heathfield, Adrian, and Tehching Hsieh. ‘Impress of Time’. Out of Now: The Lifeworks of Tehching Hsieh. London: Live Art Development Agency, 2009. 10–61. Print.

---. Out of Now: The Lifeworks of Tehching Hsieh. London: Live Art Development Agency, 2009. Print.

Heddon, Deirdre, and Jennie Klein, eds. Histories and Practices of Live Art. Basingstoke, Hampshire: Palgrave Macmillan, 2012. Print.

Hoffmann, Jens, and Joan Jonas. Perform. New York: Thames & Hudson, 2005. Print.

Jaimangal-Jones, Dewi, Annette Pritchard, and Nigel Morgan. ‘Exploring Dress, Identity and Performance in Contemporary Dance Music Culture’. Leisure Studies 34.5 (2015): 603–620. Web.

Johnson, Dominic, ed. Critical Live Art: Contemporary Histories of Performance in the UK. London: Routledge, 2014. Print.

---. ‘Introduction: The What, When and Where of Live Art’. Contemporary Theatre Review 22.1 (2012): 4–16. Web.

---. ‘Introduction: The What, When and Where of Live Art’. Contemporary Theatre Review 22.1 (2012): 4–16. Web.

---. Theatre & the Visual. Basingstoke: Palgrave Macmillan, 2012. Print.

Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998. Print.

---. ‘Introduction’. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998. 1–19. Print.

---. ‘“Presence” in Absentia: Experiencing Performance as Documentation’. Art Journal 56.4 (1997): n. pag. Web.

---. ‘“Presence” in Absentia: Experiencing Performance as Documentation’. Art Journal 56.4 (1997): n. pag. Web.

---. ‘"The Artist Is Present”: Artistic Re-Enactments and the Impossibility of Presence’. TDR/The Drama Review 55.1 (2011): 16–45. Web.

Jones, Amelia, and Adrian Heathfield. Perform, Repeat, Record: Live Art in History. Bristol: Intellect, 2012. Print.

Kaye, Nick. Site-Specific Art: Performance, Place, and Documentation. New York: Routledge, 2000. Print.

---. Site-Specific Art: Performance, Place, and Documentation. London: Routledge, 2000. Print.

Kelleher, Joe. ‘Everybody Acts (On Friendship)’. The Illuminated Theatre: Studies on the Suffering of Images. London: Routledge, 2015. 126–145. Print.

---. The Illuminated Theatre: Studies on the Suffering of Images. London: Routledge, 2015. Print.

‘Leap into the Void’. N.p., n.d. Web. <https://www.metmuseum.org/toah/works-of-art/1992.5112/>.

‘Live Art in the UK: Lois Keidan Interview with British Library (Parts 1 and 2)’. N.p., n.d. Web. <http://www.thisisliveart.co.uk/blog/live-art-in-the-uk-lois-keidan-interview-with-british-library/>.

MacRitchie, Lynn. ‘Marina Abramovic: Exchanging Energies’. Performance Research 1.2 (1996): 27–34. Web.

‘“One Year Performance1980-1981”, Tehching Hsieh, 1980-1 | Tate’. N.p., n.d. Web. <https://www.tate.org.uk/art/artworks/hsieh-one-year-performance1980-1981-t13875>.

Phelan, James, and Peter J. Rabinowitz. A Companion to Narrative Theory. Malden, Mass: Blackwell, 2008. Print.

---. A Companion to Narrative Theory. Oxford: Blackwell, 2005. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=243554>.

Phelan, Peggy. Live Art in LA: Performance in Southern California, 1970-1983. 1st Edition. New York: Routledge, 2012. Print.

---. ‘Marina Abramovic: Witnessing Shadows’. Theatre Journal 56.4 (2004): 569–577. Web.

---. Unmarked: The Politics of Performance. London: Routledge, 1993. Print.

---. Unmarked: The Politics of Performance. London: Routledge, 1992. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179272>.

Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. London: Continuum, 2004. Print.

Read, Alan. Theatre in the Expanded Field. Bloomsbury Publishing, 2014. Web. <http://www.dramaonlinelibrary.com/context-and-criticism/theatre-in-the-expanded-field-iid-115137>.

Read, Alan, and Beryl Robinson. Theatre in the Expanded Field: Seven Approaches to Performance. London: Bloomsbury, 2013. Print.

Sayre, Henry M. The Object of Performance: The American Avant-Garde Since 1970. New ed. Chicago, IL: The University of Chicago Press, 1992. Print.

Schmidt, Theron, ed. ‘Bodies: Introduction’. AGENCY: A Partial History of Live Art. Bristol: Intellect, 2019. Print.

---, ed. ‘Bodies: Introduction’. Agency: A Partial History of Live Art. Bristol: Intellect, 2019. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5748642>.

Schneemann, Carolee, and Bruce R. McPherson. More Than Meat Joy: Performance Works and Selected Writings. 2nd ed. Kingston, NY: McPherson & Co, 1997. Print.

Schneider, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge, 2011. Print.

---. Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge, 2011. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668786>.

---. The Explicit Body in Performance. 1st ed. London: Taylor and Francis, 1997. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366>.

---. The Explicit Body in Performance. London: Routledge, 1997. Print.

---. The Explicit Body in Performance. 1st ed. London: Taylor and Francis, 1997. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366>.

---. The Explicit Body in Performance. London: Routledge, 1997. Print.

Shalson, Lara. ‘Chapter 3 Enduring Life’. Performing Endurance: Art and Politics since 1960. Cambridge: Cambridge University Press, 2018. 109–145. Print.

---. ‘On Duration and Multiplicity’. Performance Research 17.5 (2012): 98–106. Web.

Solga, Kim. Theatre & Feminism. London: Palgrave, an imprint of Macmillan Publishers, 2016. Print.

---. Theatre & Feminism. Basingstoke, England: Palgrave Macmillan, 2016. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763280>.

‘Song Dong: A Pot of Boiling Water’. N.p., n.d. Web. <http://www.tate.org.uk/art/artworks/dong-a-pot-of-boiling-water-p80531>.

Spackman, Helen. ‘Minding the Matter of Representation: Staging the Body (Politic)’. Contemporary Theatre Review 10.3 (2000): 5–22. Web.

‘Study Room Guides - Live Art Development Agency’. N.p., n.d. Web. <http://www.thisisliveart.co.uk/resources/study-room/study-room-guides>.

Wakefield, Nik. ‘Time-Specificity of Performance’. Choreographic Practices 5.2 (2014): 183–197. Print.

Ward, Frazer. ‘Alien Duration: Tehching Hsieh, 1978-99’. Art Journal 65.3 (2006): 6–19. Web.

Wiles, David. Theatre & Time. Basingstoke: Palgrave Macmillan, 2014. Print.

---. Theatre & Time. Basingstoke: Palgrave Macmillan, 2014. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763677>.