Akin, F. (2007) ‘Auf der Anderen Seite / The Edge of Heaven’. Artificial Eye.
Assmann, J. and Czaplicka, J. (1995) ‘Collective Memory and Cultural Identity’, New German Critique, (65), pp. 125–133. Available at: https://doi.org/10.2307/488538.
Bachmann, I. and Kyle, F. (1976) ‘Das Gebell / The Dogs’, in German Short Stories = Deutsche Kurzgeschichten: 2. Harmondsworth: Penguin, pp. 135–179.
Baldick, C. (2015) The Oxford dictionary of literary terms. Fourth edition. [Oxford]: Oxford University Press. Available at: http://www.oxfordreference.com/view/10.1093/acref/9780198715443.001.0001/acref-9780198715443.
Barry, P. (2009) Beginning Theory: An Introduction to Literary and Cultural Theory. 3rd Edition. Manchester: Manchester University Press.
Bergfelder, T., Carter, E. and Göktürk, D. (2002) The German Cinema Book. London: BFI.
Boyle, N. (2008a) German Literature: A Very Short Introduction. Oxford: Oxford University Press.
Boyle, N. (2008b) German Literature: A Very Short Introduction. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=415341.
Braad Thomsen, C. (2004) Fassbinder: The Life and Work of a Provocative Genius. 1st University of Minnesota Press Edition. Minneapolis: University of Minnesota Press.
Breger, C. (2014) ‘Configuring Affect: Complex World Making in Fatih Akin’s “Auf der anderen Seite (The Edge of Heaven)”’, Cinema Journal, 54(1), pp. 65–87. Available at: https://www.jstor.org/stable/43653657.
Brockmann, S. (2010a) A Critical History of German Film. Columbia, S.C.: Camden House.
Brockmann, S. (2010b) A Critical History of German Film. Rochester, NY: Camden House. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3003717.
Celan, P. (no date a) Death Fugue | Poets. Available at: https://www.poets.org/poetsorg/poem/death-fugue.
Celan, P. (no date b) Todesfuge | Lyrik Line. Available at: https://www.lyrikline.org/de/gedichte/todesfuge-66#.V86h4VsrLcs.
Cohen-Pfister, L. (2005) ‘The Suffering of the Perpetrators: Unleashing Collective Memory in German Literature of the Twenty-First Century’, Forum for Modern Language Studies, 41(2), pp. 123–135. Available at: https://doi.org/10.1093/fmls/cqi006.
Corrigan, T. (1994) New German Film: The Displaced Image. Revised Edition. Bloomington: Indiana University Press.
Corrigan, T. (2015a) A Short Guide to Writing About Film. Global Edition of 9th Edition. Harlow: Pearson Education.
Corrigan, T. (2015b) A Short Guide to Writing About Film. Global Edition of 9th Edition. Harlow: Pearson Education. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5174301.
Culler, J. (1997) ‘What is Theory?’, in Literary Theory: A Very Short Introduction. Oxford: Oxford University Press, pp. 1–17.
Culler, J. (2000) ‘What is Theory?’, in Literary Theory: A Very Short Introduction. Oxford: Oxford University Press, pp. 1–17. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4963499.
von Droste-Hülshoff, A. (1957) ‘Im Grase / In the Long Grass’, in The Penguin Book of German Verse. Harmondsworth: Penguin, pp. 323–324.
von Droste-Hülshoff, A. (1991) ‘Der Weiher / The Pond’, in Introduction to German Poetry: A Dual-Language Book. New York: Dover Publications, pp. 82–83.
Dunne, K. (2013) ‘Side by Side: Depicting Semblance and Difference in Fatih Akın’s Auf der anderen Seite [The Edge of Heaven]’, Journal of Language, Literature and Culture, 60(1), pp. 34–48. Available at: https://doi.org/10.1179/2051285613Z.0000000001.
Eagleton, T. (1996) Literary Theory: An Introduction. 2nd Edition. Oxford: Blackwell.
Eagleton, T. (2008) Literary Theory: An Introduction. 2nd Edition. Malden, Mass: Blackwell. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=827065.
von Eichendorff, J. (1957) ‘Sehnsucht / Longing’, in The Penguin Book of German Verse. Harmondsworth: Penguin, pp. 318–319.
Elsaesser, T. (1989) New German Cinema: A History. Basingstoke: Macmillan Education.
Elsaesser, T. (1996a) Fassbinder’s Germany: History, Identity, Subject. Amsterdam: Amsterdam University Press.
Elsaesser, T. (1996b) Fassbinder’s Germany: History, Identity, Subject. Amsterdam: Amsterdam University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=437582.
Ezra, E. (2004) European Cinema. Oxford: Oxford University Press.
Fassbinder, R.W. (2006) ‘Die Ehe der Maria Braun / The Marriage of Maria Braun’. S.l.: Arrow.
Fuchs, A. and Cosgrove, M. (2006) ‘Introduction’, German Life and Letters, 59(2), pp. 163–168. Available at: https://doi.org/10.1111/j.0016-8777.2006.00342.x.
Garland, H. and Garland, M. (1976) The Oxford Companion to German Literature. Oxford: Clarendon.
Garland, H.B. and Garland, M. (1997) The Oxford companion to German literature. 3rd ed. Oxford: Oxford University Press. Available at: http://www.oxfordreference.com/view/10.1093/acref/9780198158967.001.0001/acref-9780198158967.
Gueneli, B. (2014) ‘The Sound of Fatih Akın’s Cinema: Polyphony and the Aesthetics of Heterogeneity in The Edge of Heaven’, German Studies Review, 37(2), pp. 337–356. Available at: https://doi.org/10.1353/gsr.2014.0073.
Hake, S. (2008a) German National Cinema. 2nd Edition. London: Routledge.
Hake, S. (2008b) German National Cinema. 2nd Edition. London: Routledge. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1112427.
Hermann, J. (2003) ‘Lascia / Lascia’, in Short Stories in German. London: Penguin, pp. 80–89.
Hotschnig, A. (2006) ‘Du Kennst Sie Nicht, es Sind Fremde’, in Die Kinder Beruhigte Das Nicht. 1. Auflage. Köln: Kiepenheuer und Witsch, pp. 117–127.
Hotschnig, A. (2011) ‘You Don’t Know Them, They’re Strangers’, in Maybe This Time. London: Peirene, pp. 99–107.
Kaes, A. (1992) From Hitler to Heimat: The Return of History as Film. Cambridge, Massachusetts: Harvard University Press.
Kaes, A. (2001) ‘The Presence of the Past: Rainer Werner Fassbinder’s The Marriage of Maria Braun’, in The Historical Film: History and Memory in Media. London: Athlone, pp. 173–200.
Kafka, F. (2000) ‘Before the Law’, in The Trial. London: Penguin, pp. 166–167.
Kafka, F. (2007a) Sämtliche Erzählungen. Köln: Anaconda Verlag.
Kafka, F. (2007b) ‘The Rejection’, in Metamorphosis and Other Stories. London: Penguin.
Kafka, F. (2007c) ‘Window onto the Street’, in Metamorphosis and Other Stories. London: Penguin.
Kaschnitz, M.L. (1995) ‘The Fat Girl’, in Long Shadows. 1st ed. Columbia, S.C.: Camden House, pp. 84–90.
Kaschnitz, M.L. (2016) ‘Das dicke Kind’, in Das dicke Kind und andere Erzählungen. Dritte Auflage. Frankfurt am Main: Suhrkamp, pp. 27–35.
Landfester, P. (2017) ‘Local and Transnational Claims in the Films of Fatih Akin: Recognition and the Gaze at the Body in Akin and Fassbinder’s Films’, Monatshefte, 109(1), pp. 81–99. Available at: https://muse.jhu.edu/article/650358.
Lenz, S. (1976) ‘Der Verzicht / The Renunciation’, in German Short Stories = Deutsche Kurzgeschichten: 2. Harmondsworth: Penguin, pp. 110–133.
Naiboğlu, G. (2010) ‘“Sameness” in Disguise of “Difference”? Gender and National Identity in Fatih Akin’s Gegen Die Wand and Auf Der Anderen Seite’, German as a Foreign Language, 3, pp. 75–98. Available at: https://librarysearch.royalholloway.ac.uk/permalink/f/vavv8/TN_cdi_chadwyckhealey_abell_R04958745.
O’Sickey, I.M. (2001) ‘Representing Blackness: Instrumentalizing Race and Gender in Rainer Werner Fassbinder’s The Marriage of Maria Braun’, Women in German Yearbook, 17, pp. 15–21. Available at: https://www.jstor.org/stable/20688922.
Rheuban, J. (1986) ‘The Marriage of Maria Braun: History, Melodrama, Ideology’, in The Marriage of Maria Braun. New Brunswick, N.J.: Rutgers University Press, pp. 3–20.
Taberner, S. (2002) ‘Hans-Ulrich Treichel’s “Der Verlorene” and the Problem of German Wartime Suffering’, The Modern Language Review, 97(1), pp. 123–134. Available at: https://doi.org/10.2307/3735624.
Treichel, H.U. (2000) Lost. 1st Vintage International ed. New York: Vintage Books.
Treichel, H.U. (2003) Die Verlorene. Frankfurt: Suhrkamp.