@book{Adorno_Eisler_1994a, address={London}, title={Composing for the Films}, publisher={Athlone}, author={Adorno, Theodor W. and Eisler, Hanns}, year={1994} }
@book{Adorno_Eisler_1994b, edition={New ed}, title={Composing for the Films}, publisher={Athlone P.}, author={Adorno, Theodor W. and Eisler, Hanns}, year={1994} }
@book{Altman_1987, address={Bloomington}, title={The American Film Musical}, publisher={Indiana University Press}, author={Altman, Rick}, year={1987} }
@inbook{Altman_2004a, address={New York}, title={Music For Films}, booktitle={Silent Film Sound}, publisher={Columbia University Press}, author={Altman, Rick}, year={2004}, pages={249–271} }
@inbook{Altman_2004b, address={New York}, title={Music For Films}, booktitle={Silent Film Sound}, publisher={Columbia University Press}, author={Altman, Rick}, year={2004}, pages={249–271} }
@article{Altman_Handzo_1995, title={The Sound of Sound: A Brief History of the Reproduction of Sound in Movie Theaters}, volume={21}, url={http://www.jstor.org/stable/41688110}, number={1}, journal={Cinéaste}, publisher={Cineaste Publishers, Inc.}, author={Altman, Rick and Handzo, Stephen}, year={1995}, pages={68–71} }
@inbook{Brown_2009a, address={Cambridge}, title={Music in Film and Television}, booktitle={An Introduction to Music Studies}, publisher={Cambridge University Press}, author={Brown, Julie}, year={2009}, pages={201–218} }
@inbook{Brown_2009b, address={Cambridge, UK}, title={Music in Film and Television}, url={https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Product/Index/2007214?page=0&startBookmarkId=-1}, booktitle={An Introduction to Music Studies}, publisher={Cambridge University Press}, author={Brown, Julie}, year={2009}, pages={201–218} }
@inbook{Brown_Davison_2013a, address={New York}, title={Overture}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13278222410002671&institutionId=2671&customerId=2670}, booktitle={The Sounds of the Silents in Britain}, publisher={Oxford University Press}, author={Brown, Julie and Davison, Annette}, year={2013}, pages={1–16} }
@inbook{Brown_Davison_2013b, address={New York}, title={Overture}, booktitle={The Sounds of the Silents in Britain}, publisher={Oxford University Press}, author={Brown, Julie and Davison, Annette}, year={2013}, pages={1–12} }
@book{Brown_1994a, title={Overtones and Undertones: Reading Film Music}, publisher={University of California Press}, author={Brown, Royal S.}, year={1994} }
@inbook{Brown_1994b, title={Actions/Interactions: The Source Beyond the Source}, url={https://www-fulcrum-org.ezproxy01.rhul.ac.uk/concern/monographs/z316q2161}, booktitle={Overtones and Undertones: Reading Film Music}, publisher={University of California Press}, author={Brown, Royal S.}, year={1994}, pages={67–92} }
@book{Brown_American Council of Learned Societies_1994, address={Berkeley}, title={Overtones and Undertones: Reading Film Music}, url={http://hdl.handle.net/2027/heb.08124}, publisher={University of California Press}, author={Brown, Royal S. and American Council of Learned Societies}, year={1994} }
@inbook{Buhler_2013, title={Gender, Sexuality and the Soundtrack}, url={https://www-oxfordhandbooks-com.ezproxy01.rhul.ac.uk/view/10.1093/oxfordhb/9780195328493.001.0001/oxfordhb-9780195328493}, DOI={10.1093/oxfordhb/9780195328493.001.0001}, booktitle={The Oxford Handbook of Film Music Studies}, publisher={Oxford University Press}, author={Buhler, James}, editor={Neumeyer, David}, year={2013}, pages={366–382} }
@inbook{Buhler_2015, address={Oxford}, title={Gender, Sexuality and the Soundtrack}, booktitle={The Oxford Handbook of Film Music Studies}, publisher={Oxford University Press}, author={Buhler, James}, editor={Neumeyer, David}, year={2015}, pages={366–382} }
@inbook{Buhler_Lewis_2016a, address={Cambridge}, title={Evolving Practices for Film Music and Sound, 1925–1935}, booktitle={The Cambridge Companion to Film Music}, publisher={Cambridge University Press}, author={Buhler, James and Lewis, Hannah}, editor={Cooke, Mervyn and Ford, Fiona}, year={2016}, pages={7–28} }
@inbook{Buhler_Lewis_2016b, address={Cambridge}, title={Evolving Practices for Film Music and Sound, 1925–1935}, url={https://doi-org.ezproxy01.rhul.ac.uk/10.1017/9781316146781}, booktitle={The Cambridge Companion to Film Music}, publisher={Cambridge University Press}, author={Buhler, James and Lewis, Hannah}, editor={Cooke, Mervyn and Ford, Fiona}, year={2016}, pages={7–28} }
@book{Buhler_Neumeyer_Deemer_2010a, address={New York}, title={Hearing the Movies: Music and Sound in Film History}, publisher={Oxford University Press}, author={Buhler, James and Neumeyer, David and Deemer, Rob}, year={2010} }
@book{Buhler_Neumeyer_Deemer_2010b, address={New York}, title={Hearing the Movies: Music and Sound in Film History}, publisher={Oxford University Press}, author={Buhler, James and Neumeyer, David and Deemer, Rob}, year={2010} }
@inbook{Buhler_Neumeyer_Deemer_2010c, address={New York}, title={The Transition to Sound Film (1926–1932)}, booktitle={Hearing the Movies: Music and Sound in Film History}, publisher={Oxford University Press}, author={Buhler, James and Neumeyer, David and Deemer, Rob}, year={2010} }
@article{Catherine Haworth_2012, title={Introduction: Gender, Sexuality, and the Soundtrack}, volume={6}, url={https://muse.jhu.edu/article/495229}, number={2}, journal={Music, Sound, and the Moving Image}, publisher={Liverpool University Press}, author={Catherine Haworth}, year={2012}, pages={113–135} }
@book{Chion_Gorbman_1994a, address={New York}, title={Audio-Vision: Sound on Screen}, publisher={Columbia University Press}, author={Chion, Michel and Gorbman, Claudia}, year={1994} }
@book{Chion_Gorbman_1994b, address={New York}, title={Audio-Vision: Sound on Screen}, publisher={Columbia University Press}, author={Chion, Michel and Gorbman, Claudia}, year={1994} }
@inbook{Cook_1997a, address={Oxford [England]}, title={Models of Multimedia}, booktitle={Analysing Musical Multimedia}, publisher={Clarendon Press}, author={Cook, Nicholas}, year={1997}, pages={98–129} }
@book{Cook_1997b, address={Oxford [England]}, title={Analysing Musical Multimedia}, publisher={Clarendon Press}, author={Cook, Nicholas}, year={1997} }
@inbook{Cooke_2008a, address={Cambridge}, title={The Silent Cinema}, booktitle={A History of Film Music}, publisher={Cambridge University Press}, author={Cooke, Mervyn}, year={2008}, pages={1–42} }
@book{Cooke_2008b, address={Cambridge}, title={A History of Film Music}, publisher={Cambridge University Press}, author={Cooke, Mervyn}, year={2008} }
@misc{Cooper_2001, address={[S.l.]}, title={King Kong}, publisher={Universal}, author={Cooper, Merian C.}, year={2001} }
@misc{Crosland_Jolson_2007, title={The Jazz Singer}, publisher={Warner Home Entertainment}, author={Crosland, Alan and Jolson, Al}, year={2007} }
@misc{Curtiz_2004, title={Casablanca}, publisher={Warner Home Video}, author={Curtiz, Michael}, year={2004} }
@misc{Curtiz_2009, title={The Adventures of Robin Hood}, publisher={Warner Home Video}, author={Curtiz, Michael}, year={2009} }
@misc{Curtiz_2014, title={The Adventures of Robin Hood | Box of Broadcasts}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0056511F?bcast=114756158}, publisher={Channel 5}, author={Curtiz, Michael}, year={2014} }
@inbook{Davison_2013, address={New York, NY}, title={Title Sequences for Contemporary Television Serials}, booktitle={The Oxford Handbook of New Audiovisual Aesthetics}, publisher={Oxford University Press}, author={Davison, Annette}, editor={Richardson, John and Gorbman, Claudia}, year={2013}, pages={146–167} }
@inbook{Davison, title={Title Sequences for Contemporary Television Serials}, url={http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199733866.001.0001/oxfordhb-9780199733866}, booktitle={The Oxford Handbook of New Audiovisual Aesthetics Less... Moreaudiovisualaestheticsimmersionparticipationsensorysemioticcinematiccyberspaceaudio-visionaural dimension}, author={Davison, Annette}, pages={146–167} }
@article{Denisoff_Plasketes_1990, title={Synergy in 1980s Film and Music: Formula for Success or Industry Mythology?}, volume={4}, url={http://www.jstor.org/stable/3815137}, number={3}, journal={Film History}, publisher={Indiana University Press}, author={Denisoff, R. Serge and Plasketes, George}, year={1990}, pages={257–276} }
@inbook{Donnelly_2001, address={Edinburgh}, title={‘Analytical and Interpretive Approaches to Film Music (I): Analysing the Music’ and ‘Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film’}, booktitle={Film Music: Critical Approaches}, publisher={Edinburgh University Press}, author={Donnelly, K. J.}, year={2001}, pages={16–61} }
@inbook{Donnelly_2005a, title={Music for Television 1: Music for Television Drama}, booktitle={The Spectre of Sound: Music in Film and Television}, publisher={BFI}, author={Donnelly, K. J.}, year={2005}, pages={110–133} }
@book{Donnelly_2005b, address={London}, title={The Spectre of Sound: Music in Film and Television}, publisher={BFI}, author={Donnelly, K. J.}, year={2005} }
@inbook{Franklin_2011, address={New York}, title={Into the Mists . . . Subjective Realms (and the Undoing of Men?): Film’s Critique of Music}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054209}, booktitle={Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores}, publisher={Oxford University Press}, author={Franklin, Peter}, year={2011}, pages={62–85} }
@inbook{Franklin_2016a, address={Cambridge}, title={Returning to Casablanca}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13286810060002671&institutionId=2671&customerId=2670}, booktitle={The Cambridge Companion to Film Music}, publisher={Cambridge University Press}, author={Franklin, Peter}, editor={Cooke, Mervyn and Ford, Fiona}, year={2016}, pages={126–137} }
@inbook{Franklin_2016b, address={Cambridge}, title={Returning to Casablanca}, url={https://doi-org.ezproxy01.rhul.ac.uk/10.1017/9781316146781}, booktitle={The Cambridge Companion to Film Music}, publisher={Cambridge University Press}, author={Franklin, Peter}, editor={Cooke, Mervyn and Ford, Fiona}, year={2016}, pages={126–137} }
@book{Frayling_1998, address={London}, edition={Rev. ed}, title={Spaghetti Westerns: Cowboys and Europeans From Karl May to Sergio Leone}, publisher={I. B. Tauris}, author={Frayling, Christopher}, year={1998} }
@misc{Fred M Wilcox_2007, title={Forbidden Planet}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127630590002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Forbidden%20Planet%20%20U,AND&sortby=date&mode=advanced&offset=0}, publisher={Warner Home Video S.l.}, author={Fred M Wilcox}, year={2007} }
@article{Fred Steiner_1983, title={Keeping Score of the Scores: Music for Star Trek}, volume={40}, url={https://www.jstor.org/stable/29781960?seq=1#metadata_info_tab_contents}, number={1}, journal={The Quarterly Journal of the Library of Congress}, publisher={Library of Congress}, author={Fred Steiner}, year={1983} }
@book{George_1914, address={London}, title={Playing to Pictures: A Guide to Pianists and Conductors of Motion Picture Theatres}, url={http://www.victorianpopularculture.amdigital.co.uk/Documents/Details/EXEBD_33687}, publisher={E.T. Heron & Co.}, author={George, W. Tyacke}, year={1914} }
@inbook{Getman_2015, title={The Venus Drug: Gender in the Music of Star Trek}, url={https://deepblue.lib.umich.edu/bitstream/handle/2027.42/113404/jgetman_1.pdf?sequence=1&isAllowed=y}, booktitle={Music, Race, and Gender in the Original Series of Star Trek (1966-1969)}, publisher={University of Michigan}, author={Getman, Jessica}, year={2015} }
@book{Godsall_2018, address={London}, title={Reeled In: Pre-Existing Music in Narrative Film}, publisher={Routledge}, author={Godsall, Jonathan}, year={2018} }
@misc{Godsall, title={Listening to Beethoven in and Through the King’s Speech | The Avid Listener}, url={https://theavidlistenerblog.com/2020/07/27/listening-to-beethoven-in-and-through-the-kings-speech/}, author={Godsall, Jonathan} }
@book{Goldmark_2005, address={Berkeley}, title={Tunes for ’Toons: Music and the Hollywood Cartoon}, publisher={University of California Press}, author={Goldmark, Daniel}, year={2005} }
@book{Gorbman_1987a, address={London}, title={Unheard Melodies: Narrative Film Music}, publisher={BFI}, author={Gorbman, Claudia}, year={1987} }
@book{Gorbman_1987b, address={London}, title={Unheard Melodies: Narrative Film Music}, publisher={BFI}, author={Gorbman, Claudia}, year={1987} }
@inbook{Gorbman_2007a, address={Berkeley}, title={Auteur Music}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5147133170002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Beyond%20the%20Soundtrack:%20Representing%20Music%20in%20Cinema&sortby=rank}, booktitle={Beyond the Soundtrack Representing Music in Cinema}, publisher={University of California Press}, author={Gorbman, Claudia}, year={2007}, pages={149–162} }
@inbook{Gorbman_2007b, address={Berkeley}, title={Auteur Music}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=922914}, booktitle={Beyond the Soundtrack: Representing Music in Cinema}, publisher={University of California Press}, author={Gorbman, Claudia}, year={2007}, pages={149–162} }
@article{Guido Heldt_2012, title={‘... There’s No Music Playing, and It’s Not Snowing’: Songs and Self-Reflexivity in Curtisland}, volume={6}, url={https://muse.jhu.edu/article/481181}, number={1}, journal={Music, Sound, and the Moving Image}, publisher={Liverpool University Press}, author={Guido Heldt}, year={2012}, pages={73–91} }
@inbook{Halfyard_Hancock_2014, address={Sheffield UK}, title={Scoring Fantasy Girls: Music and Female Agency in Indiana Jones and the Mummy Films}, booktitle={The Music of Fantasy Cinema}, publisher={Equinox Publishing Ltd}, author={Halfyard, Janet and Hancock, Victoria}, editor={Halfyard, Janet K.}, year={2014}, pages={175–192} }
@book{Halfyard_2016, address={London}, title={Sounds of Fear and Wonder: Music in Cult TV}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4890500}, publisher={I.B. Tauris}, author={Halfyard, Janet K.}, year={2016} }
@article{Hanson_2009, title={Sound Affects: Post-production Sound, Soundscapes and Sound Design in Hollywood’s Studio Era}, volume={1}, url={https://muse.jhu.edu/article/268999}, number={1}, journal={Music, Sound, and the Moving Image}, publisher={Liverpool University Press}, author={Hanson, Helen}, year={2009}, pages={27–49} }
@article{Harrison_1911, title={Jackass Music}, url={http://archive.org/stream/moviwor08chal#page/124/mode/2up}, journal={Moving Picture World}, author={Harrison, Louise Reeves}, year={1911}, pages={125–125} }
@book{Heldt_2013a, address={Bristol, UK}, title={Music and Levels of Narration in Film: Steps Across the Border}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13278235420002671&institutionId=2671&customerId=2670}, publisher={Intellect}, author={Heldt, Guido}, year={2013} }
@inbook{Heldt_2013b, address={Bristol, UK}, title={The Conceptual Toolkit: Music and Levels of Narration}, booktitle={Music and Levels of Narration in Film: Steps Across the Border}, publisher={Intellect}, author={Heldt, Guido}, year={2013} }
@inbook{Heldt_2016a, address={Cambridge}, title={Film-Music Theory}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13286810060002671&institutionId=2671&customerId=2670}, booktitle={The Cambridge Companion to Film Music}, publisher={Cambridge University Press}, author={Heldt, Guido}, editor={Cooke, Mervyn and Ford, Fiona}, year={2016}, pages={97–113} }
@inbook{Heldt_2016b, address={Cambridge}, title={Film-Music Theory}, url={https://doi-org.ezproxy01.rhul.ac.uk/10.1017/9781316146781}, booktitle={The Cambridge Companion to Film Music}, publisher={Cambridge University Press}, author={Heldt, Guido}, editor={Cooke, Mervyn and Ford, Fiona}, year={2016}, pages={97–113} }
@misc{Hitchcock_2007, address={S.l.}, title={Rebecca}, publisher={Fremantle Home Entertainment}, author={Hitchcock, Alfred}, year={2007} }
@article{Howard_2007, title={The Popular Reception of Samuel Barber’s ‘Adagio for Strings’}, volume={25}, DOI={10.2307/40071643}, number={1}, journal={American Music}, author={Howard, Luke}, year={2007} }
@inbook{Hubbert_2015, address={Oxford}, title={The Compilation Soundtrack From the 1960s to the Present}, booktitle={The Oxford handbook of film music studies}, publisher={Oxford University Press}, author={Hubbert, Julie}, editor={Neumeyer, David}, year={2015}, pages={291–318} }
@inbook{Hubbert, title={The Compilation Soundtrack From the 1960s to the Present}, url={http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195328493.001.0001/oxfordhb-9780195328493}, booktitle={The Oxford Handbook of Film Music Studies film music studiessilent film erasound film erafilm soundtrackThe Ten CommandmentsCecil B. DeMille12 MonkeysTerry Gilliamvideo game music}, author={Hubbert, Julie}, pages={291–318} }
@article{Huron_1989, title={Music in Advertising: An Analytic Paradigm}, volume={73}, url={http://www.jstor.org/stable/741819}, number={4}, journal={The Musical Quarterly}, publisher={Oxford University Press}, author={Huron, David}, year={1989}, pages={557–574} }
@book{Inglis_2003, address={London}, title={Popular Music and Film}, publisher={Wallflower}, author={Inglis, Ian}, year={2003} }
@misc{Jenkins_2017, title={Wonder Woman}, publisher={Warner Bros. Home Ent}, author={Jenkins, Patty}, year={2017} }
@inbook{Joe_2006, address={Bloomington}, title={The Cocktail Siren in David Lynch’s Blue Velvet}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=288364}, booktitle={Music of the Sirens}, publisher={Indiana University Press}, author={Joe, Jeongwon}, year={2006}, pages={349–370} }
@book{Kalinak_1992, title={Settling the Score: Music and the Classical Hollywood Film}, publisher={University of Wisconsin Press}, author={Kalinak, Kathryn}, year={1992} }
@book{Kalinak_2010a, address={New York}, title={Film Music: A Very Short Introduction}, publisher={Oxford University Press}, author={Kalinak, Kathryn Marie}, year={2010} }
@book{Kalinak_2010b, address={New York}, title={Film Music: A Very Short Introduction}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=497617}, publisher={Oxford University Press}, author={Kalinak, Kathryn Marie}, year={2010} }
@book{Kassabian_2001a, address={New York}, title={Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music}, publisher={Routledge}, author={Kassabian, Anahid}, year={2001} }
@book{Kassabian_2001b, address={London}, title={Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=178428}, publisher={Routledge}, author={Kassabian, Anahid}, year={2001} }
@book{Kassabian_2001c, address={New York}, title={Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music}, publisher={Routledge}, author={Kassabian, Anahid}, year={2001} }
@book{Kassabian_2001d, address={London}, title={Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=178428}, publisher={Routledge}, author={Kassabian, Anahid}, year={2001} }
@inbook{Kerins_2010, address={Bloomington}, title={The Look of 5.1: Visual Aesthetics}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=624327}, booktitle={Beyond Dolby (Stereo): Cinema in the Digital Sound Age}, publisher={Indiana University Press}, author={Kerins, Mark}, year={2010}, pages={84–112} }
@inbook{Kerins_2011, address={Bloomington}, title={The Look of 5.1: Visual Aesthetics}, booktitle={Beyond Dolby (Stereo): Cinema in the Digital Sound Age}, publisher={Indiana University Press}, author={Kerins, Mark}, year={2011}, pages={84–112} }
@article{Kulezic-Wilson_2009, title={Sound Design is the New Score}, volume={2}, url={https://muse.jhu.edu/article/269098}, number={2}, journal={Music, Sound, and the Moving Image}, publisher={Liverpool University Press}, author={Kulezic-Wilson, Danijela}, year={2009}, pages={127–131} }
@book{Lampe_Zamecnik_Breil_Simon_Lake_Goldmark_2013, address={Mineola, New York}, title={Sounds for the Silents: Photoplay Music From the Days of Early Cinema}, publisher={Dover Publications}, author={Lampe, J. B. and Zamecnik, J. S. and Breil, Joseph Carl and Simon, Walter C. and Lake, Mayhew and Goldmark, Daniel}, year={2013} }
@misc{Lang_Abel_Helm_2010, address={[S.l.]}, edition={2 disc special edition}, title={Metropolis}, publisher={Kino}, author={Lang, Fritz and Abel, Alfred and Helm, Brigitte}, year={2010} }
@inbook{Lerner_2004, address={London}, title={Nostalgia, Masculinist Discourse, and Authoritarianism in John Williams’s Scores for Star Wars and Close Encounters of the Third Kind}, booktitle={Off the Planet: Music, Sound and Science Fiction Cinema}, publisher={J. Libbey/Perfect Beat Publications}, author={Lerner, Neil}, year={2004}, pages={96–108} }
@inbook{Leydon_2004, address={London}, title={Forbidden Planet: Effects and Affects in the Electro Avant Garde}, booktitle={Off the Planet: Music, Sound and Science Fiction Cinema}, publisher={J. Libbey/Perfect Beat Publications}, author={Leydon, Rebecca}, year={2004}, pages={61–76} }
@misc{Lucas_Hamill_Ford_Fisher_2004, address={[S.l.]}, title={Star Wars Trilogy: The Empire Strikes Back}, publisher={Twentieth Century Fox}, author={Lucas, George and Hamill, Mark and Ford, Harrison and Fisher, Carrie}, year={2004} }
@article{Luz_1912, title={The Toning Method}, url={http://archive.org/stream/movingpicturenew06unse#page/n627/mode/2up}, journal={Moving Picture News}, author={Luz, Ernst J.}, year={1912}, pages={29–29} }
@article{Martin_1819, title={Playing the Pictures}, url={http://archive.org/stream/filmindex06film#page/n693/mode/2up}, journal={The Film Index}, author={Martin, Clyde}, year={1819}, pages={26–27} }
@article{McQueen_2014, title={‘Bring the Noise!’: Sonic Intensified Continuity in the Films of Edgar Wright}, volume={7}, url={https://muse.jhu.edu/article/536550}, number={2}, journal={Music, Sound, and the Moving Image}, publisher={Liverpool University Press}, author={McQueen, Amanda}, year={2014}, pages={141–165} }
@book{McQuiston_2013a, address={New York}, title={We’ll Meet Again: Musical Design in the Films of Stanley Kubrick}, publisher={Oxford University Press}, author={McQuiston, Kate}, year={2013} }
@book{McQuiston_2013b, address={Oxford}, title={We’ll Meet Again: Musical Design in the Films of Stanley Kubrick}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4842477}, publisher={Oxford University Press}, author={McQuiston, Kate}, year={2013} }
@book{Mera_Burnand_2006, address={Aldershot}, title={European Film Music}, publisher={Ashgate}, author={Mera, Miguel and Burnand, David}, year={2006} }
@article{Miguel Mera_2012, title={Outing the Score: Music, Narrative, and Collaborative Process in Little Ashes}, volume={6}, url={https://muse.jhu.edu/article/481182}, number={1}, journal={Music, Sound, and the Moving Image}, publisher={Liverpool University Press}, author={Miguel Mera}, year={2012}, pages={93–109} }
@misc{Morrison_2010, title={Little Ashes}, publisher={Kaleidoscope Home Entertainment Ltd. KAL8024}, author={Morrison, Paul}, year={2010} }
@inbook{Mulvey_2015a, address={Oxford}, title={Introduction: Visual Pleasure and Narrative Cinema}, booktitle={Understanding Sound Tracks Through Film Theory}, publisher={Oxford University Press}, author={Mulvey, Laura}, year={2015}, pages={173–179} }
@inbook{Mulvey_2015b, title={Introduction: Visual Pleasure and Narrative Cinema}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3056445}, booktitle={Understanding Sound Tracks Through Film Theory}, author={Mulvey, Laura}, year={2015}, pages={173–179} }
@book{Mundy_1999, address={Manchester}, title={Popular Music on Screen: From Hollywood Musical to Music Video}, publisher={Manchester University Press}, author={Mundy, John}, year={1999} }
@book{Powrie_Stilwell_2006a, address={Aldershot, Hants, England}, title={Changing Tunes: The Use of Pre-Existing Music in Film}, url={https://www-taylorfrancis-com.ezproxy01.rhul.ac.uk/books/edit/10.4324/9781315095882/changing-tunes-use-pre-existing-music-film-robynn-stilwell}, publisher={Ashgate}, author={Powrie, Phil and Stilwell, Robynn Jeananne}, year={2006} }
@book{Powrie_Stilwell_2006b, address={Aldershot, Hants, England}, title={Changing Tunes: The Use of Pre-Existing Music in Film}, publisher={Ashgate}, author={Powrie, Phil and Stilwell, Robynn Jeananne}, year={2006} }
@article{Priewe_2017, title={The Power of Conformity: Music, Sound, and Vision in Back to the Future}, volume={12}, DOI={10.4000/ejas.12409}, number={4}, journal={European journal of American studies}, author={Priewe, Marc}, year={2017} }
@article{Prock_2014, title={Strange Voices: Subjectivity and Gender in Forbidden Planet’s Soundscape of Tomorrow}, volume={8}, DOI={10.1017/S1752196314000248}, number={03}, journal={Journal of the Society for American Music}, author={Prock, Stephan}, year={2014}, pages={371–400} }
@inbook{Rodman_2011a, address={New York}, title={"Coperettas,” "Detecterns,” and Space Operas: Music and Genre Hybridization in American Television}, booktitle={Music in Television: Channels of Listening}, publisher={Routledge}, author={Rodman, Ron}, year={2011}, pages={35–56} }
@inbook{Rodman_2011b, address={New York}, title={"Coperettas,” "Detecterns,” and Space Operas: Music and Genre Hybridization in American Television}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=668779}, booktitle={Music in Television: Channels of Listening}, publisher={Routledge}, author={Rodman, Ron}, year={2011}, pages={35–56} }
@book{Romney_Wootton_1995, address={London}, title={Celluloid Jukebox: Popular Music and Movies Since the 50s}, publisher={BFI}, author={Romney, Jonathan and Wootton, Adrian}, year={1995} }
@book{Royal S. Brown_1994, address={Berkeley}, title={Overtones and Undertones Reading Film Music}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5147131100002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Overtones%20and%20Undertones:%20Reading%20Film%20Music&sortby=rank&offset=0}, publisher={University of California Press}, author={Royal S. Brown}, year={1994} }
@book{Sergei Eisenstein_1968, address={London}, title={The Film Sense}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123905630002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,The%20Film%20Sense&offset=0}, publisher={Faber and Faber}, author={Sergei Eisenstein}, year={1968} }
@misc{Sergei Eisenstein_2000, address={S.l..}, title={Alexander Nevsky}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122809910002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Alexander%20Nevsky&sortby=rank}, publisher={Eureka}, author={Sergei Eisenstein}, year={2000} }
@misc{Sergio Leone_2004, address={S.l.}, title={Once Upon a Time in the West}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127708710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,once%20upon%20a%20time%20in%20the%20west,AND&sortby=date&facet=frbrgroupid,include,298630503&mode=advanced&offset=0}, publisher={Paramount}, author={Sergio Leone}, year={2004} }
@book{Shail_Stoate_British Film Institute_2010, address={Basingstoke}, title={Back to the Future}, publisher={Palgrave Macmillan}, author={Shail, Andrew and Stoate, Robin and British Film Institute}, year={2010} }
@article{Slowik_2010, title={‘The Plasterers’ and Early Sound Cinema Aesthetics}, volume={4}, url={http://muse.jhu.edu/article/387882}, number={1}, journal={Music, Sound, and the Moving Image}, publisher={Liverpool University Press}, author={Slowik, Michael}, year={2010}, pages={55–75} }
@book{Slowik_2014, address={New York}, title={After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934}, publisher={Columbia University Press}, author={Slowik, Michael}, year={2014} }
@misc{Slowik_2012, title={Hollywood Film Music in the Early Sound Era, 1926-1934}, url={https://www.google.co.uk/_/chrome/newtab?rlz=1C1CHBD_en-gbGB785GB785&ie=UTF-8}, author={Slowik, Michael James}, year={2012} }
@inbook{Smith_1996, address={Madison}, title={Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music}, booktitle={Post-Theory: Reconstructing Film Studies}, publisher={University of Wisconsin Press}, author={Smith, Jeff}, year={1996}, pages={230–247} }
@book{Smith_1998, title={Sounds of Commerce: Marketing Popular Film Music}, publisher={Columbia U.P.}, author={Smith, Jeff}, year={1998} }
@inbook{Smith_2001a, address={Durham [N.C.]}, title={Popular Songs and Comic Allusion in Contemporary Cinema}, booktitle={Soundtrack Available: Essays on Film and Popular Music}, publisher={Duke University Press}, author={Smith, Jeff}, year={2001}, pages={407–430} }
@inbook{Smith_2001b, address={Durham, [N.C.]}, title={Popular Songs and Comic Allusion in Contemporary Cinema}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1167529}, booktitle={Soundtrack Available: Essays on Film and Popular Music}, publisher={Duke University Press}, author={Smith, Jeff}, year={2001}, pages={407–430} }
@article{Smith_2009, title={Bridging the Gap: Reconsidering the Border between Diegetic and Nondiegetic Music}, volume={2}, url={http://www.jstor.org/stable/10.5406/musimoviimag.2.1.0001}, number={1}, journal={Music and the Moving Image}, publisher={University of Illinois Press}, author={Smith, Jeff}, year={2009}, pages={1–25} }
@inbook{Smith_2013a, title={"The Tunes They Are A-Changing”: Moments of Historical Rupture and Reconfiguration in the Production and Commerce of Music in Film}, url={https://www-oxfordhandbooks-com.ezproxy01.rhul.ac.uk/view/10.1093/oxfordhb/9780195328493.001.0001/oxfordhb-9780195328493}, DOI={10.1093/oxfordhb/9780195328493.001.0001}, booktitle={The Oxford Handbook of Film Music Studies}, publisher={Oxford University Press}, author={Smith, Jeff}, editor={Neumeyer, David}, year={2013}, pages={270–290} }
@inbook{Smith_2013b, address={New York, NY}, title={The Sound of Intensified Continuity}, booktitle={The Oxford Handbook of New Audiovisual Aesthetics}, publisher={Oxford University Press}, author={Smith, Jeff}, editor={Richardson, John and Gorbman, Claudia}, year={2013}, pages={331–356} }
@inbook{Smith_2013c, address={New York, NY}, title={The Sound of Intensified Continuity}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13404802860002671&institutionId=2671&customerId=2670}, DOI={10.1093/oxfordhb/9780199733866.001.0001}, booktitle={The Oxford Handbook of New Audiovisual Aesthetics}, publisher={Oxford University Press}, author={Smith, Jeff}, editor={Richardson, John and Gorbman, Claudia}, year={2013}, pages={331–356} }
@inbook{Smith_2015, address={Oxford}, title={"The Tunes They Are A-Changing”: Moments of Historical Rupture and Reconfiguration in the Production and Commerce of Music in Film}, booktitle={The Oxford Handbook of Film Music Studies}, publisher={Oxford University Press}, author={Smith, Jeff}, editor={Neumeyer, David}, year={2015}, pages={270–290} }
@misc{Snyder_2011, address={Burbank, CA}, title={Sucker Punch}, publisher={Warner Home Video}, author={Snyder, Zack}, year={2011} }
@article{Spadoni_2003, title={The Uncanny Body of Early Sound Film}, volume={51}, DOI={10.1353/vlt.2003.0011}, number={1}, journal={The Velvet Light Trap}, author={Spadoni, Robert}, year={2003}, pages={4–16} }
@article{Spring_2008, title={Pop Go the Warner Bros., et al.: Marketing Film Songs during the Coming of Sound}, volume={48}, DOI={10.1353/cj.0.0066}, number={1}, journal={Cinema Journal}, author={Spring, Katherine}, year={2008}, pages={68–89} }
@book{Spring_2013, address={New York}, title={Saying It With Songs: Popular Music and the Coming of Sound to Hollywood Cinema}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13286809550002671&institutionId=2671&customerId=2670}, publisher={Oxford University Press}, author={Spring, Katherine}, year={2013} }
@inbook{Stilwell_2007a, address={Berkeley}, title={The Fantastical Gap between Diegetic and Nondiegetic}, booktitle={Beyond the Soundtrack: Representing Music in Cinema}, publisher={University of California Press}, author={Stilwell, Robynn J.}, year={2007}, pages={184–202} }
@inbook{Stilwell_2007b, title={The Fantastical Gap Between Diegetic and Nondiegetic}, url={https://www-fulcrum-org.ezproxy01.rhul.ac.uk/concern/monographs/1j92g782p}, booktitle={Beyond the Soundtrack: Representing Music in Cinema}, publisher={University of California Press}, author={Stilwell, Robynn J.}, year={2007}, pages={184–202} }
@article{Tim Summers_2013, title={Star Trek and the Musical Depiction of the Alien Other}, volume={7}, url={https://muse.jhu.edu/article/514829}, number={1}, journal={Music, Sound, and the Moving Image}, publisher={Liverpool University Press}, author={Tim Summers}, year={2013}, pages={19–52} }
@misc{Tod Browning_2002, title={Dracula}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2128079440002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,Dracula&sortby=date&facet=frbrgroupid,include,1288048949&offset=0}, publisher={Universal}, author={Tod Browning}, year={2002} }
@misc{Whale_Karloff_2008, title={Frankenstein}, publisher={Universal}, author={Whale, James and Karloff, Boris}, year={2008} }
@inbook{Whittington_2013a, address={New York}, title={Lost in Sensation: Reevaluating the Role of Cinematic Sound in the Digital Age}, booktitle={The Oxford Handbook of Sound and Image in Digital Media}, publisher={Oxford University Press}, author={Whittington, William}, year={2013}, pages={61–74} }
@inbook{Whittington_2013b, address={New York}, title={Lost in Sensation: Reevaluating the Role of Cinematic Sound in the Digital Age}, url={https://www-oxfordhandbooks-com.ezproxy01.rhul.ac.uk/view/10.1093/oxfordhb/9780199757640.001.0001/oxfordhb-9780199757640}, booktitle={The Oxford Handbook of Sound and Image in Digital Media}, publisher={Oxford University Press}, author={Whittington, William}, year={2013}, pages={61–74} }
@book{Wierzbicki_2005, address={Lanham, Md}, title={Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide}, volume={no. 4}, publisher={Scarecrow Press}, author={Wierzbicki, James Eugene}, year={2005} }
@book{Winters_2007a, address={Lanham, Md}, title={Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide}, volume={6}, publisher={Scarecrow Press}, author={Winters, Ben}, year={2007} }
@book{Winters_2007b, address={Blue Ridge Summit}, title={Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide}, volume={v.6}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1365247}, publisher={Scarecrow Press}, author={Winters, Ben}, year={2007} }
@article{Winters_2010, title={The Non-Diegetic Fallacy: Film, Music, and Narrative Space}, volume={91}, url={http://www.jstor.org/stable/40871578}, number={2}, journal={Music & Letters}, publisher={Oxford University Press}, author={Winters, Ben}, year={2010}, pages={224–244} }
@book{Wojcik_Knight_2001a, address={Durham [N.C.]}, title={Soundtrack Available: Essays on Film and Popular Music}, publisher={Duke University Press}, author={Wojcik, Pamela Robertson and Knight, Arthur}, year={2001} }
@book{Wojcik_Knight_2001b, address={Durham, [N.C.]}, title={Soundtrack Available: Essays on Film and Popular Music}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1167529}, publisher={Duke University Press}, author={Wojcik, Pamela Robertson and Knight, Arthur}, year={2001} }
@misc{Metropolis | Box of Broadcasts_1927, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/000FC741?bcast=116788570}, publisher={FilmFour}, year={1927} }
@misc{The Dickson Experimental Sound Film_2008, url={https://www.youtube.com/watch?v=Y6b0wpBTR1s&feature=youtu.be}, year={2008} }
@misc{Scott Pilgrim vs the World | Box of Broadcasts_2010, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/02FA5FBF?bcast=122280015}, publisher={Channel 4}, year={2010} }
@misc{Once Upon a Time in the West (1968)_2011, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0009752F?bcast=66666992}, publisher={FilmFour}, year={2011} }
@misc{King Kong | Box of Braodcasts_2013, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/000217D1?bcast=101317175}, publisher={BBC4}, year={2013} }
@misc{Rebecca | Box of Broadcasts_2016, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0001C654?bcast=123041682}, publisher={BBC2 England}, year={2016} }
@misc{Forbidden Planet (1956)_2017, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/006BC44F?bcast=124842967}, publisher={BBC2 England}, year={2017} }
@misc{Casablanca | Box of Broadcasts_2018, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/001C11A0?bcast=126670270}, publisher={ITV3}, year={2018} }
@misc{The Empire Strikes Back | Box of Broadcasts_2018, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/00117ADA?bcast=128101233}, publisher={ITV London}, year={2018} }
@misc{The Hunger Games | Box of Broadcasts_2019, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/02E3193E?bcast=128242272}, publisher={FilmFour}, year={2019} }
