Bibliography for DT3314: Contemporary British Theatre: Politics & Philosophy

Abrams, J. (2010a). State of the Nation: New British Theatre. PAJ: A Journal of Performance and Art, 32(2), 8–16. https://doi.org/10.1162/pajj.2010.32.2.8

Abrams, J. (2010b). State of the Nation: New British Theatre. PAJ: A Journal of Performance and Art, 32(2), 8–16. https://doi.org/10.1162/pajj.2010.32.2.8

Adaptation After Darwin: Timberlake Wertenbaker’s Evolving Texts. (2002a). Modern Drama, 45(4). https://doi.org/10.1353/mdr.2002.0042

Adaptation After Darwin: Timberlake Wertenbaker’s Evolving Texts. (2002b). Modern Drama, 45(4). https://doi.org/10.1353/mdr.2002.0042

Adiseshiah, S. (2016). Twenty-First Century Drama: What Happens Now (L. LePage, Ed.). Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4719834

Adiseshiah, S. H. (2009). Churchill’s socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars.

Adiseshiah, S. H., & LePage, L. (Eds.). (2016a). Twenty-first century drama: what happens now. Palgrave Macmillan.

Adiseshiah, S. H., & LePage, L. (Eds.). (2016b). Twenty-first century drama: what happens now. Palgrave Macmillan.

Agbaje, B. (2009). Detaining Justice. In Not black and white. Methuen Drama. https://doi.org/10.5040/9781408167175.00000050

Andrea Peghinelli. (2012a). Polly Stenham and Mark Ravenhill: Astonishing Debuts and Court Scandals. Status Quaestionis, 1(2). http://statusquaestionis.uniroma1.it/index.php/statusquaestionis/article/view/10062/9956

Andrea Peghinelli. (2012b). Polly Stenham and Mark Ravenhill: Astonishing Debuts and Court Scandals. Status Quaestionis, 1(2). http://statusquaestionis.uniroma1.it/index.php/statusquaestionis/article/view/10062/9955

Andrea Peghinelli. (2012c). Polly Stenham and Mark Ravenhill: Astonishing Debuts and Court Scandals [open access]. Status Quaestionis, 1(2). http://statusquaestionis.uniroma1.it/index.php/statusquaestionis/article/view/10062/9956

Angelaki, V. (n.d.-a). Contemporary British Theatre: Breaking New Ground. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1431430

Angelaki, V. (n.d.-b). Contemporary British Theatre: Breaking New Ground. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1431430

Angelaki, V. (n.d.-c). ‘Politics for the Middle Classes: Contemporary Audiences and the Violence of Now’ IN Contemporary British theatre: breaking new ground. In V. Angelaki (Ed.), Contemporary British theatre: breaking new ground (pp. 57–78). http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137010131

Angelaki, V. (2012). The plays of Martin Crimp: making theatre strange. Palgrave Macmillan.

Angelaki, V. (Ed.). (2013a). Contemporary British theatre: breaking new ground. Palgrave Macmillan.

Angelaki, V. (Ed.). (2013b). Contemporary British theatre: breaking new ground. Palgrave Macmillan.

Angelaki, V. (2013c). Politics for the Middle Classes: Contemporary Audiences and the Violence of Now. In V. Angelaki (Ed.), Contemporary British Theatre: Breaking New Ground (pp. 57–78). Palgrave Macmillan.

Angelaki, V. (2013d). Politics for the Middle Classes: Contemporary Audiences and the Violence of Now. In V. Angelaki (Ed.), Contemporary British Theatre: Breaking New Ground (pp. 57–78). Palgrave Macmillan. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781137010131

Angelaki, V. (2013e). Politics for the Middle Classes: Contemporary Audiences and the Violence of Now. In V. Angelaki (Ed.), Contemporary British Theatre: Breaking New Ground (pp. 57–78). Palgrave Macmillan.

Angelaki, V. (2013f). Politics for the Middle Classes: Contemporary Audiences and the Violence of Now. In V. Angelaki (Ed.), Contemporary British Theatre: Breaking New Ground (pp. 57–78). Palgrave Macmillan.

Angelaki, V. (2014a). ‘Witness or Accomplice? Unsafe Spectatorship in the Work of Anthony Neilson and Simon Stephens’ IN Ethical speculations in contemporary British theatre. In M. Aragay & E. Monforte (Eds.), Ethical speculations in contemporary British theatre (pp. 135–151). Palgrave Macmillan.

Angelaki, V. (2014b). ‘Witness or Accomplice? Unsafe Spectatorship in the Work of Anthony Neilson and Simon Stephens’ IN Ethical speculations in contemporary British theatre. In M. Aragay & E. Monforte (Eds.), Ethical speculations in contemporary British theatre (pp. 135–151). Palgrave Macmillan. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781137297570

Angelaki, V. (2014c). ‘Witness or Accomplice? Unsafe Spectatorship in the Work of Anthony Neilson and Simon Stephens’ IN Ethical speculations in contemporary British theatre. In M. Aragay & E. Monforte (Eds.), Ethical speculations in contemporary British theatre (pp. 135–151). Palgrave Macmillan. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781137297570

Angelaki, V. (2014d). ‘Witness or Accomplice? Unsafe Spectatorship in the Work of Anthony Neilson and Simon Stephens’ IN Ethical speculations in contemporary British theatre. In M. Aragay & E. Monforte (Eds.), Ethical speculations in contemporary British theatre (pp. 135–151). Palgrave Macmillan.

Angelaki, V. (2014e). ‘Witness or Accomplice? Unsafe Spectatorship in the Work of Anthony Neilson and Simon Stephens’ IN Ethical speculations in contemporary British theatre. In M. Aragay & E. Monforte (Eds.), Ethical speculations in contemporary British theatre (pp. 135–151). Palgrave Macmillan.

Angelaki, V. (2017). Social and political theatre in 21st-century Britain: staging crisis: Vol. Methuen drama engage. Bloomsbury Academic. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781474213196

Angel-Perez, E. (n.d.). ‘Language Games and Literary Constraints: Playing with Tragedy in the Theatre of Caryl Churchill and Martin Crimp’ IN Contemporary British theatre: breaking new ground. In V. Angelaki (Ed.), Contemporary British theatre: breaking new ground (pp. 79–95). http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137010131

Angel-Perez, E. (2013). ‘Language Games and Literary Constraints: Playing with Tragedy in the Theatre of Caryl Churchill and Martin Crimp’ IN Contemporary British Theatre: Breaking New Ground. In V. Angelaki (Ed.), Contemporary British theatre: breaking new ground (pp. 79–95). Palgrave Macmillan. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=8935623130002671&institutionId=2671&customerId=2670

Annabelle Singer. (2004a). Don’t Want to Be This: The Elusive Sarah Kane. TDR (1988-), 48(2), 139–171. http://www.jstor.org/stable/4488558

Annabelle Singer. (2004b). Don’t Want to Be This: The Elusive Sarah Kane. TDR (1988-), 48(2), 139–171. https://www.jstor.org/stable/4488558?seq=1#page_scan_tab_contents

Aragay, M. (2007a). British theatre of the 1990s: interviews with directors, playwrights, critics, and academics. Palgrave Macmillan.

Aragay, M. (2007b). British Theatre of the 1990s: Interviews With Directors, Playwrights, Critics and Academics. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=339164

Aragay, M. (2007c). British theatre of the 1990s: interviews with directors, playwrights, critics, and academics. Palgrave Macmillan.

Aragay, M. (2007d). British Theatre of the 1990s: Interviews With Directors, Playwrights, Critics and Academics. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=339164

Aragay, M., & Monforte, E. (2013a). Racial Violence, Witnessing and Emancipated Spectatorship in the Colour of Justice, Fallout and Random. In Contemporary British theatre: breaking new ground (pp. 297–313). http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137010131

Aragay, M., & Monforte, E. (2013b). Racial Violence, Witnessing and Emancipated Spectatorship in The Colour of Justice, Fallout and random. In V. Angelaki (Ed.), Contemporary British Theatre: Breaking New Ground (pp. 297–313). Palgrave Macmillan.

Aragay, M., & Monforte, E. (2013c). Racial Violence, Witnessing and Emancipated Spectatorship in the Colour of Justice, Fallout and Random. In Contemporary British Theatre: Breaking New Ground (pp. 96–120). http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137010131

Aragay, M., & Monforte, E. (2013d). "Racial Violence, Witnessing and Emancipated Spectatorship in The Colour of Justice, Fallout and random’" IN Contemporary British theatre: breaking new ground. In V. Angelaki (Ed.), Contemporary British theatre: breaking new ground (pp. 96–120). Palgrave Macmillan. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=8984141830002671&institutionId=2671&customerId=2670

Aragay, M., & Monforte, E. (Eds.). (2014). Ethical speculations in contemporary British theatre. Palgrave Macmillan. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13401091540002671&institutionId=2671&customerId=2670

Aston, E. (2003a). Feminist Views on the English Stage: Women Playwrights, 1990-2000. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=16040

Aston, E. (2003b). Feminist views on the English stage: women playwrights, 1990-2000. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=16040

Aston, E. (2003c). Feminist Views on the English Stage: Women Playwrights, 1990-2000: Vol. Cambridge studies in modern theatre. Cambridge University Press.

Aston, E. (2003d). Feminist views on the English stage: women playwrights, 1990-2000: Vol. Cambridge studies in modern theatre. Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13400858210002671&institutionId=2671&customerId=2670

Aston, E. (2010). Caryl Churchill: Vol. Writers and their work. Northcote. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780746312513

Aston, E. (2011a). Reviewing the Fabric of Blasted. In Sarah Kane in Context (pp. 13–27). Manchester University Press.

Aston, E. (2011b). ‘Reviewing the fabric of Blasted’ IN Sarah Kane in context. In Sarah Kane in context (pp. 13–27). Manchester University Press.

Aston, E. & British Council. (2001). Caryl Churchill: Vol. Writers and their work (2nd ed). Northcote House in association with the British Council.

Aston, E., & Diamond, E. (2009). The Cambridge Companion to Caryl Churchill: Vol. Cambridge companions to authors The Cambridge companion to Caryl Churchill. Cambridge University Press.

Aston, E., & Reinelt, J. (2000). The Cambridge companion to modern British women playwrights: Vol. Cambridge companions to literature. Cambridge University Press.

Barker, H. (1993). Arguments for a theatre (2nd ed). Manchester University Press.

Barnett, D. (2008). When is a Play not a Drama? Two Examples of Postdramatic Theatre Texts. New Theatre Quarterly, 24(01). https://doi.org/10.1017/S0266464X0800002X

Barry, E., & Boles, W. (2006a). Beyond Victimhood: Agency and Identity in the Theatre of Roy Williams. In Alternatives Within the Mainstream: British Black and Asian Theatres (pp. 297–313). Cambridge Scholars Press.

Barry, E., & Boles, W. (2006b). Beyond Victimhood: Agency and Identity in the Theatre of Roy Williams. In Alternatives Within the Mainstream: British Black and Asian Theatres (pp. 297–313). Cambridge Scholars Press.

Barry, E., & Boles, W. (2006c). ‘Beyond Victimhood: Agency and Identity in the Theatre of Roy Williams’ IN Alternatives within the mainstream: British Black and Asian theatres. In Alternatives within the mainstream: British Black and Asian theatres (pp. 297–313). Cambridge Scholars Press. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781443802864

Bartlett, M. (2011a). 13. Methuen Drama.

Bartlett, M. (2011b). 13. In 13. Methuen Drama. https://doi.org/10.5040/9781408175187.00000003

Berninger, M. (2002a). A Crucible of Two Cultures: Timberlake Wertenbaker’s After Darwin and Science in Recent British Theatre. In Gramma: Journal of Theory and Criticism (Vol. 10, pp. 107–120). http://www.enl.auth.gr/gramma/gramma02/Berninger.pdf

Berninger, M. (2002b). A Crucible of Two Cultures: Timberlake Wertenbaker’s After Darwin and Science in Recent British Theatre. In Gramma: Journal of Theory and Criticism (Vol. 10, pp. 107–120). http://www.enl.auth.gr/gramma/gramma02/Berninger.pdf

Billingham, P. (2007a). At the sharp end: uncovering the work of five contemporary dramatists. Methuen Drama.

Billingham, P. (2007b). At the sharp end: uncovering the work of five contemporary dramatists. Methuen Drama.

Billingham, P. (2007c). At the sharp end: uncovering the work of five contemporary dramatists. Methuen Drama.

Billingham, P. (2007d). At the sharp end: uncovering the work of five contemporary dramatists. Methuen Drama.

Billington, M. (2007). State of the nation: British theatre since 1945. Faber and Faber.

Birringer, J. (1991). Theatre, theory, postmodernism: Vol. Drama and performance studies. Indiana University Press.

Boireau, N. (1997). Drama on drama: dimensions of theatricality on the contemporary British stage. Macmillan.

Boll, J. (2013a). The New War plays: from Kane to Harris. Palgrave Macmillan.

Boll, J. (2013b). The New War plays: from Kane to Harris. Palgrave Macmillan.

Bolton, J. (2010). Simon Stephens. In Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009: Vol. Decades (pp. 101–124). Bloomsbury.

Bolton, J. (2012). ‘Simon Stephens’ IN Modern British playwriting: voices, documents, new interpretations, The 1990s. In Modern British playwriting: voices, documents, new interpretations, The 1990s: Vol. Decades (pp. 101–124). Methuen Drama.

Boon, R. (2006a). About Hare: The Playwright and the Work. Faber.

Boon, R. (2006b). About Hare: The Playwright and the Work. Faber.

Boon, R. (2006c). About Hare: The Playwright and the Work. Faber.

Boon, R. (2007a). The Cambridge Companion to David Hare. Cambridge University Press.

Boon, R. (2007b). The Cambridge Companion to David Hare. Cambridge University Press.

Boon, R. (2007c). The Cambridge Companion to David Hare. Cambridge University Press.

Boon, R. (Ed.). (2007d). The Cambridge Companion to David Hare: Vol. Cambridge Companions to Literature. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521850544

Boon, R. (Ed.). (2007e). The Cambridge Companion to David Hare: Vol. Cambridge Companions to Literature. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521850544

Boon, R. (Ed.). (2007f). The Cambridge Companion to David Hare: Vol. Cambridge Companions to Literature. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521850544

Brady, S. (2012a). Performance, politics, and the War on Terror: ‘whatever it takes’: Vol. Performance interventions. Palgrave Macmillan.

Brady, S. (2012b). Performance, politics, and the War on Terror: ‘whatever it takes’: Vol. Performance interventions. Palgrave Macmillan.

Brenton, H. (2005a). Paul. In Paul. Nick Hern. https://doi.org/10.5040/9781784600082.00000002

Brenton, H. (2005b). Paul. Nick Hern.

Brown, I. (2011). The Edinburgh companion to Scottish drama: Vol. Edinburgh companions to Scottish literature. Edinburgh University Press.

Buffini, M. (2010a). Welcome to Thebes. Faber and Faber.

Buffini, M. (2010b). Welcome to Thebes. In Welcome to Thebes. Faber and Faber. https://doi.org/10.5040/9780571289974.00000006

Bush, S. (2013a). The theatre of Timberlake Wertenbaker: Vol. Critical companions. Bloomsbury.

Bush, S. (2013b). The theatre of Timberlake Wertenbaker: Vol. Critical companions. Bloomsbury.

Cambridge Companions Complete Collection. (2000). The Cambridge Companion to Modern British Women Playwrights: Vol. Cambridge Companions to Literature (E. Aston & J. Reinelt, Eds.). Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521594226

Cambridge Companions Complete Collection. (2009a). The Cambridge Companion to Caryl Churchill: Vol. Cambridge Companions to Literature (E. Aston & E. Diamond, Eds.). Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521493222

Cambridge Companions Complete Collection. (2009b). The Cambridge Companion to Harold Pinter: Vol. Cambridge Companions to Literature (P. Raby, Ed.). Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886093

Cambridge Companions Complete Collection. (2009c). The Cambridge Companion to Harold Pinter: Vol. Cambridge Companions to Literature (P. Raby, Ed.). Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886093

Capancioni, C., & Eyrle, S. (2012a). ‘"Have you no compassion?”: Danny Boyle’s and Nick Dear’s Re-examination of Monstrosity in Frankenstein’. Textus: English Studies in Italy, 3, 133–146.

Capancioni, C., & Eyrle, S. (2012b). ‘"Have you no compassion?”: Danny Boyle’s and Nick Dear’s Re-examination of Monstrosity in Frankenstein’. Textus: English Studies in Italy, 3, 133–146.

Cave, R. A. (1989). New British drama in performance on the London stage, 1970 to 1985. Colin Smythe.

Chambers, C. (2002). The Continuum companion to twentieth century theatre. Continuum.

Chambers, C. (2004). Inside the Royal Shakespeare Company: creativity and the institution. Routledge.

Chambers, C. (2011a). Black and Asian theatre in Britain: a history. Routledge.

Chambers, C. (2011b). Black and Asian theatre in Britain: a history. Routledge.

Chambers, C., & Gottlieb, V. (1999). Theatre in a cool climate. Amber Lane.

Christopher Wixson. (2005a). ‘In Better Places’: Space, Identity, and Alienation in Sarah Kane’s ‘Blasted’. Comparative Drama, 39(1), 75–91. http://www.jstor.org/stable/41154260

Christopher Wixson. (2005b). ‘In Better Places’: Space, Identity, and Alienation in Sarah Kane’s ‘Blasted’. Comparative Drama, 39(1), 75–91. http://www.jstor.org/stable/41154260?seq=1#page_scan_tab_contents

Churchill, C. (2000a). Far away. Nick Hern.

Churchill, C. (2000b). Far Away. In Far away. Nick Hern. https://doi.org/10.5040/9781784602420.00000003

Churchill, C. (2002a). Serious Money: Vol. Methuen student edition. Methuen.

Churchill, C. (2002b). Serious Money: Vol. Methuen student edition. Methuen. https://doi.org/10.5040/9781408169520.00000121

Clements, R. (2014). Deconstructive Techniques and Spectral Technologies in Katie Mitchell’s. Contemporary Theatre Review, 24(3), 331–341. https://doi.org/10.1080/10486801.2014.921051

Cousin, G. (1989). Churchill: the playwright: Vol. Modern theatre profiles. Methuen.

Dan Rebellato Blog. (n.d.). http://www.danrebellato.co.uk/links/

de Vos, L., & Saunders, G. (2011). Sarah Kane in Context. Manchester University Press.

Dear, N., & Shelley, M. W. (2011a). Frankenstein. Faber and Faber.

Dear, N., & Shelley, M. W. (2011b). Frankenstein. In Frankenstein. Faber and Faber. https://doi.org/10.5040/9780571294060.00000006

Derbyshire, H. (2007). Roy Williams: Representing Multicultural Britain in Fallout. Modern Drama, 50(3), 414–434. https://doi.org/10.1353/mdr.2007.0054

Devine, H. (2006a). Looking Back: Playwrights at the Royal Court, 1956-2006. Faber and Faber.

Devine, H. (2006b). Looking Back: Playwrights at the Royal Court, 1956-2006. Faber and Faber.

Devine, H. (2006c). Looking Back: Playwrights at the Royal Court, 1956-2006. Faber and Faber.

Devine, H. (2006d). Looking Back: Playwrights at the Royal Court, 1956-2006. Faber and Faber.

Devine, H. (2006e). Looking Back: Playwrights at the Royal Court, 1956-2006. Faber and Faber.

(Dis)continuities: Trends and traditions in contemporary theatre and drama in English : papers given on the occasion of the tenth annual conference of ... in English. (n.d.).

D’Monté, R., & Saunders, G. (2007a). Cool Britannia?: British Political Drama in the 1990s. Palgrave Macmillan.

D’Monté, R., & Saunders, G. (2007b). Cool Britannia?: British Political Drama in the 1990s. Palgrave Macmillan.

D’Monté, R., & Saunders, G. (2007c). Cool Britannia?: British Political Drama in the 1990s. Palgrave Macmillan.

Doing a Geographical. (2006a). Contemporary Theatre Review, 16(1), 144–164. https://doi.org/10.1080/10486800600671502

Doing a Geographical. (2006b). Contemporary Theatre Review, 16(1), 144–164. https://doi.org/10.1080/10486800600671502

Dorney, K. (2009a). The Changing Language of Modern English Drama 1945-2005. Palgrave Macmillan.

Dorney, K. (2009b). The Changing Language of Modern English Drama 1945-2005. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=555475

Dorney, K. (2009c). The Changing Language of Modern English Drama 1945-2005. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=555475

Dorney, K. (2009d). The Changing Language of Modern English Drama 1945-2005. Palgrave Macmillan.

Dorney, K. (2009e). The Changing Language of Modern English Drama 1945-2005. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=555475

Dorney, K. (2009f). The Changing Language of Modern English Drama 1945-2005. Palgrave Macmillan.

Dorney, K. (2009g). The Changing Language of Modern English Drama 1945-2005. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=555475

Dorney, K. (2009h). The Changing Language of Modern English Drama 1945-2005. Palgrave Macmillan.

Dromgoole, D. (2000). The full room: an A-Z of contemporary playwriting. Methuen.

Duggan, P. (2012a). Trauma-Tragedy: Symptoms of Contemporary Performance. Manchester University Press.

Duggan, P. (2012b). Trauma-tragedy: symptoms of contemporary performance. Manchester University Press.

Duggan, P. (2012c). Trauma-tragedy: symptoms of contemporary performance. Manchester University Press.

Duggan, P. (2012d). Trauma-Tragedy: Symptoms of Contemporary Performance. Manchester University Press.

Eatough, G., & Rebellato, D. (2013a). The Suspect Culture Book. Oberon Books.

Eatough, G., & Rebellato, D. (2013b). The Suspect Culture Book. Oberon Books.

Edelman, J. (n.d.-a). Performing Religion in Public (C. Chambers & S. Du Toit, Eds.). https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1514274

Edelman, J. (n.d.-b). Performing Religion in Public (C. Chambers & S. Du Toit, Eds.). https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1514274

Edelman, J., Chambers, C., & Du Toit, S. (Eds.). (2013a). Performing religion in public. Palgrave Macmillan.

Edelman, J., Chambers, C., & Du Toit, S. (Eds.). (2013b). Performing religion in public. Palgrave Macmillan.

Edgar, D. (1999a). Playwrights on playwriting: Vol. State of play. Faber.

Edgar, D. (1999b). Playwrights on playwriting: Vol. State of play. Faber.

Eldridge, D. (2006). Market boy. Methuen Drama.

Eldridge, D. (2012). Market Boy. In Plays 2: Vol. Methuen Drama contemporary dramatists. Methuen Drama. https://doi.org/10.5040/9781408174982.00000005

Eyre, R., & Wright, N. (2000). Changing stages: a view of British theatre in the twentieth century. Bloomsbury.

Fisher, J. (2011a). To Have or Have Not: Essays on Commerce and Capital in Modernist Theatre. McFarland & Co.

Fisher, J. (2011b). To Have or Have Not: Essays on Commerce and Capital in Modernist Theatre. McFarland & Co. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=793726

Fisher, J. (2011c). To Have or Have Not: Essays on Commerce and Capital in Modernist Theatre. McFarland & Co. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=793726

Fisher, J. (2011d). To Have or Have Not: Essays on Commerce and Capital in Modernist Theatre. McFarland & Co.

Fisher, J. (2011e). To Have or Have Not: Essays on Commerce and Capital in Modernist Theatre. McFarland & Co. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=793726

Fisher, J. (2011f). To Have or Have Not: Essays on Commerce and Capital in Modernist Theatre. McFarland & Co.

Forsyth, A., & Megson, C. (2009a). Get Real: Documentary Theatre Past and Present. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=485309

Forsyth, A., & Megson, C. (2009b). Get Real: Documentary Theatre Past and Present. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=485309

Forsyth, A., & Megson, C. (2009c). Get Real: Documentary Theatre Past and Present. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=485309

Forsyth, A., & Megson, C. (2011a). Get Real: Documentary Theatre Past and Present: Vol. Performance interventions ([New ed.]). Palgrave Macmillan.

Forsyth, A., & Megson, C. (2011b). Get Real: Documentary Theatre Past and Present: Vol. Performance interventions ([New ed.]). Palgrave Macmillan.

Forsyth, A., & Megson, C. (2011c). Get Real: Documentary Theatre Past and Present: Vol. Performance interventions ([New ed.]). Palgrave Macmillan.

Fuchs, E. (1996). The death of character: perspectives on theater after modernism: Vol. Drama and performance studies. Indiana University Press.

Gary Cassidy. (2013a). Psychological Liminality in Anthony Neilson’s The Wonderful World of Dissocia. International Journal of Scottish Theatre and Screen, 6(1), 54–81. http://journals.qmu.ac.uk/index.php/IJOSTS/article/view/165/pdf_3

Gary Cassidy. (2013b). Psychological Liminality in Anthony Neilson’s The Wonderful World of Dissocia. International Journal of Scottish Theatre and Screen, 6(1), 54–81. http://journals.qmu.ac.uk/index.php/IJOSTS/article/view/165/pdf_3

Gharavi, L. (2012a). Religion, theatre, and performance: acts of faith: Vol. Routledge advances in theatre&performing studies. Routledge.

Gharavi, L. (2012b). Religion, theatre, and performance: acts of faith: Vol. Routledge advances in theatre&performing studies. Routledge.

God is behind some of our greatest art. (n.d.). https://www.theguardian.com/stage/theatreblog/2008/apr/14/godisbehindsomeofourgrea

Goddard, L. (2007a). Staging black feminisms: identity, politics, performances. Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=85740

Goddard, L. (2007b). Staging black feminisms: identity, politics, performances. Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=85740

Goddard, L. (2007c). Staging black feminisms: identity, politics, performances: Vol. Performance interventions. Palgrave Macmillan.

Goddard, L. (2007d). Staging black feminisms: identity, politics, performances: Vol. Performance interventions. Palgrave Macmillan.

Goddard, L. (2015a). ‘Chapter One: Beyond Identity Politics: Black British Playwrights on the Mainstream’ IN Contemporary Black British playwrights: margins to mainstream. In Contemporary Black British playwrights: margins to mainstream (pp. 3–17). Palgrave Macmillan.

Goddard, L. (2015b). Contemporary Black British playwrights: margins to mainstream. Palgrave Macmillan.

Goddard, L. (2015c). Contemporary Black British playwrights: margins to mainstream. Palgrave Macmillan.

Godiwala, D. (2006). Alternatives within the mainstream: British Black and Asian theatres. Cambridge Scholars Press.

Green, D. T. (2008). Random. Nick Hern.

Green, D. T. (2013). Nut. Nick Hern Books.

green, debbie tucker. (2008). random. In random. Nick Hern Books. https://doi.org/10.5040/9781784601256.00000002

green, debbie tucker. (2013). nut. In Nut. Nick Hern Books. https://doi.org/10.5040/9781784601270.00000002

Greig, D. (2003). San Diego: Vol. StageScripts. Faber and Faber.

Greig, D. (2007a). "Rough Theatre’" IN Cool Britannia?: British political drama in the 1990s. In Cool Britannia?: British political drama in the 1990s (pp. 208–221). Palgrave Macmillan.

Greig, D. (2007b). ‘Rough Theatre’ IN Cool Britannia? British Political Drama in the 1990s. In Cool Britannia?: British political drama in the 1990s (pp. 208–221). Palgrave Macmillan.

Greig, D. (2010). San Diego. In Selected Plays 1999-2009. Faber and Faber. https://doi.org/10.5040/9780571286447.00000007

Greig, D., Holdsworth, N., Rebellato, D., Ridout, N., & Svich, C. (2005a). New Theatre Writing: Simon Stephens’. Contemporary Theatre Review, 15(1), 156–187. https://doi.org/10.1080/1048680052000342557

Greig, D., Holdsworth, N., Rebellato, D., Ridout, N., & Svich, C. (2005b). New Theatre Writing: Simon Stephens’. Contemporary Theatre Review, 15(1), 156–187. https://doi.org/10.1080/1048680052000342557

Griffin, G. (2003). Contemporary Black and Asian women playwrights in Britain: Vol. Cambridge studies in modern theatre. Cambridge University Press. http://dx.doi.org/10.1017/CBO9780511486036

Griffin, G. & American Council of Learned Societies. (2003). Contemporary Black and Asian women playwrights in Britain: Vol. Cambridge studies in modern theatre. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.07607

Griffiths, T. R., & Llewellyn-Jones, M. (1993). British and Irish women dramatists since 1958: a critical handbook: Vol. Gender in writing. Open University Press.

Habermas, J. (n.d.-a). Notes on a post-secular society. http://www.signandsight.com/features/1714.html

Habermas, J. (n.d.-b). Notes on a post-secular society. http://www.signandsight.com/features/1714.html

Hare, D. (n.d.-a). Obedience, Struggle and Revolt. Faber and Faber.

Hare, D. (n.d.-b). Obedience, Struggle and Revolt. Faber and Faber.

Hare, D. (1990). Racing demon. Faber.

Hare, D. (1991a). Writing Left-Handed. Faber and Faber.

Hare, D. (1991b). Writing left-handed. Faber and Faber.

Hare, D. (1991c). Writing left-handed. Faber and Faber.

Hare, D. (1991d). Writing Left-Handed. Faber and Faber.

Hare, D. (2001). Racing Demon. Faber and Faber. http://www.dramaonlinelibrary.com/plays/racing-demon-iid-19583

Hare, D. (2007). Obedience, Struggle & Revolt: Lectures on Theatre. Faber.

Hare, D. (2009a). The Power of Yes: A Dramatist Seeks to Understand the Financial Crisis: Vol. FF plays. Faber and Faber.

Hare, D. (2009b). The Power of Yes: A Dramatist Seeks to Understand the Financial Crisis: Vol. FF plays. Faber and Faber. https://doi.org/10.5040/9780571286461.10000005

Hare, D., & Haill, L. (1993a). Asking around: background to the David Hare trilogy. Faber and Faber.

Hare, D., & Haill, L. (1993b). Asking around: background to the David Hare trilogy. Faber and Faber.

Harpin, A., & Foster, J. L. H. (Eds.). (2014a). Performance, madness and psychiatry: isolated acts. Palgrave Macmillan.

Harpin, A., & Foster, J. L. H. (Eds.). (2014b). Performance, madness and psychiatry: isolated acts. Palgrave Macmillan.

Harry Derbyshire. (2007). Roy Williams: Representing Multicultural Britain in Fallout. Modern Drama, 50(3), 414–434. https://doi.org/10.1353/mdr.2007.0054

Harvie, J. (2005). Staging the UK. Manchester University Press.

Hingorani, D. (2010). British Asian theatre: dramaturgy, process and performance. Palgrave Macmillan.

Holdsworth, N. (2003a). Travelling Across Borders: Re-Imagining the Nation and Nationalism in Contemporary Scottish Theatre. Contemporary Theatre Review, 13(2), 25–39. https://doi.org/10.1080/920087167

Holdsworth, N. (2003b). Travelling Across Borders: Re-Imagining the Nation and Nationalism in Contemporary Scottish Theatre. Contemporary Theatre Review, 13(2), 25–39. https://doi.org/10.1080/920087167

Holdsworth, N. (2007). The Landscape of Contemporary Scottish Identity: Place, Politics and Identity. In A Concise Companion to Contemporary British and Irish Drama (pp. 125–145). Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=106920

Holdsworth, N. (2008a). The Landscape of Contemporary Scottish Identity: Place, Politics and Identity. In A Concise Companion to Contemporary British and Irish Drama: Vol. Blackwell concise companions to literature and culture (pp. 125–145). Blackwell.

Holdsworth, N. (2008b). ‘The Landscape of Contemporary Scottish Identity: Place, Politics and Identity’ IN A concise companion to contemporary British and Irish drama. In A concise companion to contemporary British and Irish drama: Vol. Blackwell concise companions to literature and culture (pp. 125–145). Blackwell. http://lib.myilibrary.com/Open.aspx?id=106920

Holdsworth, N. (2013a). ‘David Greig’ IN Modern British playwriting: voices, documents, new interpretations, 2000-2009. In D. Rebellato (Ed.), Modern British playwriting: voices, documents, new interpretations, 2000-2009: Vol. Decades (pp. 169–189). Bloomsbury.

Holdsworth, N. (2013b). ‘David Greig’ IN Modern British playwriting: voices, documents, new interpretations, 2000-2009. In D. Rebellato (Ed.), Modern British playwriting: voices, documents, new interpretations, 2000-2009: Vol. Decades (pp. 169–189). Bloomsbury.

Holdsworth, N., & Luckhurst, M. (2007). A concise companion to contemporary British and Irish drama. Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=106920

Homden, C. (1995a). The Plays of David Hare. Cambridge University Press.

Homden, C. (1995b). The Plays of David Hare. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511627668

Homden, C. (1995c). The Plays of David Hare. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511627668

Homden, C. (1995d). The Plays of David Hare. Cambridge University Press.

Iball, H. (2008a). Sarah Kane’s Blasted: Vol. Continuum modern theatre guides. Continuum.

Iball, H. (2008b). Sarah Kane’s Blasted: Vol. Continuum modern theatre guides. Continuum. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=601787

Iball, H. (2008c). Sarah Kane’s Blasted: Vol. Continuum modern theatre guides. Continuum. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=601787

Iball, H. (2008d). Sarah Kane’s Blasted: Vol. Continuum modern theatre guides. Continuum.

Innes, C. (2002). Modern British drama: the twentieth century. Cambridge University Press.

Innes, C. (2011a). Simon Stephens. In The Methuen Drama Guide to Contemporary British Playwrights (pp. 445–465). Methuen Drama.

Innes, C. (2011b). ‘Simon Stephens’ IN The Methuen drama guide to contemporary British playwrights. In The Methuen drama guide to contemporary British playwrights (pp. 445–465). Methuen Drama. http://lib.myilibrary.com?id=604121

Innes, C. (2011c). ‘Simon Stephens’ IN The Methuen drama guide to contemporary British playwrights. In The Methuen drama guide to contemporary British playwrights (pp. 445–465). Methuen Drama. http://lib.myilibrary.com?id=604121

Innes, C. (2011d). ‘Simon Stephens’ IN The Methuen Drama guide to contemporary British playwrights. In The Methuen Drama guide to contemporary British playwrights (pp. 445–465). Methuen Drama.

Jones, C. (2001). Humble boy: Vol. FF plays. Faber and Faber.

Jones, C. (2004). Humble Boy. In Charlotte Jones Plays 1. Faber and Faber. https://doi.org/10.5040/9780571289509.00000069

Jürs-Munby, K., Carroll, J., & Giles, S. (Eds.). (2013). Postdramatic theatre and the political: international perspectives on contemporary performance: Vol. Methuen Drama engage. Bloomsbury.

Kane, S., & Urban, K. (2011). Blasted: Vol. Methuen drama student editions. Methuen Drama.

Kelleher, J. (2009). Theatre & Politics: Vol. Theatre&. Palgrave Macmillan.

King, M. (2009a). Postsecularism: the hidden challenge to extremism. James Clarke.

King, M. (2009b). Postsecularism: the hidden challenge to extremism. James Clarke.

Kirkwood, L. (2013a). Chimerica (Revised edition). Nick Hern Books.

Kirkwood, L. (2013b). Chimerica. In Chimerica (Revised edition). Nick Hern Books. https://doi.org/10.5040/9781784600266.00090006

Kritzer, A. H. (1990). The plays of Caryl Churchill: theatre of empowerment. Macmillan.

Kritzer, A. H. (2008a). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan.

Kritzer, A. H. (2008b). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=416863

Kritzer, A. H. (2008c). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=416863

Kritzer, A. H. (2008d). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan.

Kritzer, A. H. (2008e). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=416863

Kritzer, A. H. (2008f). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan.

Kritzer, A. H. (2008g). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=416863

Kritzer, A. H. (2008h). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan.

Kritzer, A. H. (2008i). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=416863

Kritzer, A. H. (2008j). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan.

Kritzer, A. H. (2008k). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=416863

Kritzer, A. H. (2008l). Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005: Vol. Performance interventions. Palgrave Macmillan.

Kustow, M. (2000). Theatre@risk. Methuen.

Kwei-Armah, K. (2003). Elmina’s kitchen: Vol. Methuen modern plays. Methuen.

Kwei-Armah, K. (2009). Elmina’s Kitchen. In Plays :1: Vol. Contemporary dramatists. Methuen Drama. https://doi.org/10.5040/9781350025882.00000012

Lane, D. (2010a). Contemporary British Drama: Vol. Edinburgh critical guides to literature. Edinburgh University Press.

Lane, D. (2010b). Contemporary British Drama: Vol. Edinburgh critical guides to literature. Edinburgh University Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=289981

Lane, D. (2010c). Contemporary British Drama: Vol. Edinburgh critical guides to literature. Edinburgh University Press.

Lane, D. (2010d). Contemporary British drama: Vol. Edinburgh critical guides to literature. Edinburgh University Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=289981

Lane, D. (2010e). Contemporary British Drama: Vol. Edinburgh critical guides to literature. Edinburgh University Press.

Lane, D. (2010f). Contemporary British drama: Vol. Edinburgh critical guides to literature. Edinburgh University Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=289981

Lane, D. (2010g). Contemporary British Drama: Vol. Edinburgh critical guides to literature. Edinburgh University Press.

Lane, D. (2010h). Contemporary British drama: Vol. Edinburgh critical guides to literature. Edinburgh University Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=289981

Lehmann, H.-T. (2006a). Postdramatic Theatre. Routledge.

Lehmann, H.-T. (2006b). Postdramatic Theatre. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=274406

Lehmann, H.-T. (2006c). Postdramatic Theatre. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=274406

Lehmann, H.-T. (2006d). Postdramatic Theatre. Routledge.

Little, R., & McLaughlin, E. (2007). The Royal Court Theatre inside out. Oberon Books.

Luckhurst, M. (2003). Political Point-Scoring: Martin Crimp’s Attempts on her Life. Contemporary Theatre Review, 13(1), 47–60. https://doi.org/10.1080/1048680032000086468

Luckhurst, M. (2005a). Infamy and Dying Young: Sarah Kane, 1971-1999. In Theatre and Celebrity in Britain, 1660-2000 (pp. 107–126). Palgrave Macmillan.

Luckhurst, M. (2005b). Infamy and Dying Young: Sarah Kane, 1971-1999. In Theatre and Celebrity in Britain, 1660-2000 (pp. 107–126). Palgrave Macmillan. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780230523845

Luckhurst, M. (2005c). Infamy and Dying Young: Sarah Kane, 1971-1999. In Theatre and Celebrity in Britain, 1660-2000 (pp. 107–126). Palgrave Macmillan.

Luckhurst, M. (2006). A Companion to Modern British and Irish Drama, 1880-2005: Vol. Blackwell companions to literature and culture. Blackwell. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=350880

Luckhurst, M. (2010a). A companion to modern British and Irish drama, 1880-2005: Vol. Blackwell companions to literature and culture (Pbk. ed). Wiley-Blackwell.

Luckhurst, M. (2010b). Sarah Kane: From Terror to Trauma. In A Companion to Modern British and Irish Drama, 1880-2005: Vol. Blackwell companions to literature and culture (Pbk. ed, pp. 371–382). Wiley-Blackwell. http://ezproxy01.rhul.ac.uk/login?url=https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780470751473

Lustgarten, A. (2010). A Day At The Racists. In A Day at the Racists. Bloomsbury Publishing. https://doi.org/10.5040/9781408184608.00000002

Lustgarten, A. (2013a). If you don’t let us dream, we won’t let you sleep. Bloomsbury Methuen Drama.

Lustgarten, A. (2013b). If You Don’t Let Us Dream, We Won’t Let You Sleep. In If you don’t let us dream, we won’t let you sleep. Bloomsbury Methuen Drama. https://doi.org/10.5040/9781472506733.00000006

Marsh, N. (2011a). Desire and Disease in the Speculative Economy: a critique of the language of crisis. Journal of Cultural Economy, 4(3), 301–314. https://doi.org/10.1080/17530350.2011.586851

Marsh, N. (2011b). Desire and Disease in the Speculative Economy: a critique of the language of crisis. Journal of Cultural Economy, 4(3), 301–314. https://doi.org/10.1080/17530350.2011.586851

McConachie, B. A. (2013a). Theatre & mind: Vol. Theatre&. Palgrave Macmillan.

McConachie, B. A. (2013b). Theatre & mind: Vol. Theatre&. Palgrave Macmillan.

McDowell, L. (2011a). Making a Drama Out of a Crisis: Representing Financial Failure, or a Tragedy in Five Acts. Transactions of the Institute of British Geographers, 36(2), 193–205. http://www.jstor.org/stable/23020812

McDowell, L. (2011b). Making a Drama Out of a Crisis: Representing Financial Failure, or a Tragedy in Five Acts. Transactions of the Institute of British Geographers, 36(2), 193–205. http://www.jstor.org/stable/23020812

Megson, C. (n.d.-a). "And I was struck still by time”: Contemporary British Theatre and the Metaphysical Imagination’ IN Contemporary British theatre: breaking new ground. In V. Angelaki (Ed.), Contemporary British theatre: breaking new ground (pp. 32–56). http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137010131

Megson, C. (n.d.-b). "And I was struck still by time”: Contemporary British Theatre and the Metaphysical Imagination" IN Contemporary British theatre: breaking new ground. In V. Angelaki (Ed.), Contemporary British theatre: breaking new ground (pp. 32–56). http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137010131

Megson, C. (2012). Modern British playwriting: voices, documents, new interpretations, The 1970s: Vol. Decades. Methuen Drama.

Megson, C. (2013a). ‘"And I was struck still by time”: Contemporary British Theatre and the Metaphysical Imagination’ IN Contemporary British Theatre: Breaking New Ground. In V. Angelaki (Ed.), Contemporary British theatre: breaking new ground (pp. 32–56). Palgrave Macmillan. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=8935623130002671&institutionId=2671&customerId=2670

Megson, C. (2013b). "And I was struck still by time”: Contemporary British Theatre and the Metaphysical Imagination" IN Contemporary British theatre: breaking new ground. In V. Angelaki (Ed.), Contemporary British theatre: breaking new ground (pp. 32–56). Palgrave Macmillan. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=8984141830002671&institutionId=2671&customerId=2670

Megson, C. (2016a). Beyond Belief: British Theatre and the ‘Re-Enchantment of the World’. In Twenty-First Century Drama: What Happens Now (pp. 37–57). Palgrave Macmillan. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137484031

Megson, C. (2016b). Beyond Belief: British Theatre and the ‘Re-Enchantment of the World’. In Twenty-First Century Drama: What Happens Now (pp. 37–57). Palgrave Macmillan. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137484031

Megson, C. (2016c). "Beyond Belief: British Theatre and the ‘re-enchantment of the world’ IN Twenty-first century drama: what happens now. In S. H. Adiseshiah & L. LePage (Eds.), Twenty-first century drama: what happens now (pp. 37–57). Palgrave Macmillan.

Megson, C. (2016d). "Beyond Belief: British Theatre and the ‘re-enchantment of the world’ IN Twenty-first century drama: what happens now. In S. H. Adiseshiah & L. LePage (Eds.), Twenty-first century drama: what happens now (pp. 37–57). Palgrave Macmillan.

Middeke, M. (2014a). The Undecidable and the Event: Ethics of Unrest in Martin Crimp’s Attempts on Her Life and Debbie Tucker Green’s Truth and Reconciliation. In Ethical Speculations in Contemporary British Theatre (pp. 96–113). http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137297570

Middeke, M. (2014b). ‘The Undecidable and the Event: Ethics of Unrest in Martin Crimp’s Attempts on Her Life and debbie tucker green’s truth and reconciliation’ IN Ethical speculations in contemporary British theatre. In M. Aragay & E. Monforte (Eds.), Ethical speculations in contemporary British theatre (pp. 96–113). Palgrave Macmillan. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=9002485320002671&institutionId=2671&customerId=2670

Middeke, M., Schnierer, P. P., & Sierz, A. (2011a). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama.

Middeke, M., Schnierer, P. P., & Sierz, A. (2011b). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama. http://lib.myilibrary.com?id=604121

Middeke, M., Schnierer, P. P., & Sierz, A. (2011c). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama. http://lib.myilibrary.com?id=604121

Middeke, M., Schnierer, P. P., & Sierz, A. (2011d). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama.

Middeke, M., Schnierer, P. P., & Sierz, A. (2011e). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama. http://lib.myilibrary.com?id=604121

Middeke, M., Schnierer, P. P., & Sierz, A. (2011f). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama.

Middeke, M., Schnierer, P. P., & Sierz, A. (2011g). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama. http://lib.myilibrary.com?id=604121

Middeke, M., Schnierer, P. P., & Sierz, A. (2011h). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama.

Middeke, M., Schnierer, P. P., & Sierz, A. (2011i). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama. http://lib.myilibrary.com?id=604121

Middeke, M., Schnierer, P. P., & Sierz, A. (2011j). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama.

Middeke, M., Schnierer, P. P., & Sierz, A. (2011k). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama. http://lib.myilibrary.com?id=604121

Middeke, M., Schnierer, P. P., & Sierz, A. (2011l). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama.

Middeke, M., Schnierer, P. P., & Sierz, A. (2011m). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama. http://lib.myilibrary.com?id=604121

Middeke, M., Schnierer, P. P., & Sierz, A. (2011n). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama.

Middeke, M., Schnierer, P. P., & Sierz, A. (2011o). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama. http://lib.myilibrary.com?id=604121

Middeke, M., Schnierer, P. P., & Sierz, A. (2011p). The Methuen Drama Guide to Contemporary British Playwrights. Methuen Drama.

Milling, J. (2012a). Modern British playwriting: voices, documents, new interpretations, The 1980s: Vol. Decades. Methuen Drama.

Milling, J. (2012b). Modern British Playwriting: Voices, Documents, New Interpretations, the 1980s: Vol. Decades. Methuen Drama. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1080374

Neilson, A. (1998a). Penetrator. In Plays 1: Vol. Methuen contemporary dramatists. Methuen.

Neilson, A. (1998b). Penetrator. In Plays 1: Vol. Methuen contemporary dramatists. Methuen. https://doi.org/10.5040/9781408175088.00000041

Neilson, A. (2007a). The wonderful world of Dissocia. Methuen Drama.

Neilson, A. (2007b). The wonderful world of Dissocia. Methuen Drama.

Nevitt, L. (2013a). Theatre & Violence: Vol. Theatre&. Palgrave Macmillan.

Nevitt, L. (2013b). Theatre & Violence: Vol. Theatre&. Palgrave Macmillan.

Nicholas Ruddick. (n.d.). The Search for a Quantum Ethics: Michael Frayn’s Copenhagen and Other Recent British Science Plays. Hungarian Journal of English and American Studies (HJEAS), 6(1), 119–137. http://www.jstor.org/stable/41274077?seq=1#page_scan_tab_contents

Nicholson, S. (2012a). Modern British playwriting: voices, documents, new interpretations, the 1960s: Vol. Decades. Methuen Drama.

Nicholson, S. (2012b). Modern British Playwriting: Voices, Documents, New Interpretations, the 1960s: Vol. Decades. Methuen Drama. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1080373

Nick Ruddick. (2001). The Search for a Quantum Ethics: Michael Frayn’s ‘Copenhagen’ and Other Recent British Science Plays. Journal of the Fantastic in the Arts, 11(4), 415–431. http://www.jstor.org/stable/43308478

Nield, S. (2015a). Tahrir Square, EC4M: The Occupy Movement and the Dramaturgy of Public Order. In The Grammar of Politics and Performance: Vol. Interventions (pp. 121–133). Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315879871

Nield, S. (2015b). Tahrir Square, EC4M: The Occupy Movement and the Dramaturgy of Public Order. In The Grammar of Politics and Performance: Vol. Interventions (pp. 121–133). Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315879871

Nield, S. (2016). Tahrir Square, EC4M: The Occupy Movement and the Dramaturgy of Public Order. In S. Rai & J. G. Reinelt (Eds.), The grammar of politics and performance (pp. 121–133). Routledge.

Nielsen, L. D., & Ybarra, P. A. (2012a). Neoliberalism and global theatres: performance permutations: Vol. Studies in international performance. Palgrave Macmillan.

Nielsen, L. D., & Ybarra, P. A. (2012b). Neoliberalism and Global Theatres: Performance Permutations: Vol. Studies in international performance. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1016590

Nielsen, L. D., & Ybarra, P. A. (2012c). Neoliberalism and Global Theatres: Performance Permutations: Vol. Studies in international performance. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1016590

Nielsen, L. D., & Ybarra, P. A. (2012d). Neoliberalism and global theatres: performance permutations: Vol. Studies in international performance. Palgrave Macmillan.

Obedience, Struggle and Revolt. (n.d.-a). Faber and Faber. https://doi.org/10.5040/9780571284870

Obedience, Struggle and Revolt. (n.d.-b). Faber and Faber. http://www.dramaonlinelibrary.com/context-and-criticism/obedience-struggle-and-revolt-iid-19027

Osborne, D. (2011a). Roy Williams. In The Methuen Drama Guide to Contemporary British Playwrights (pp. 487–509). Methuen Drama.

Osborne, D. (2011b). ‘Roy Williams’ IN The Methuen drama guide to contemporary British playwrights. In The Methuen drama guide to contemporary British playwrights (pp. 487–509). Methuen Drama. http://lib.myilibrary.com?id=604121

Osborne, D. (2011c). ‘Roy Williams’ IN The Methuen drama guide to contemporary British playwrights. In The Methuen Drama guide to contemporary British playwrights (pp. 487–509). Methuen Drama.

Osborne, D. (2011d). ‘Roy Williams’ IN The Methuen drama guide to contemporary British playwrights. In The Methuen drama guide to contemporary British playwrights (pp. 487–509). Methuen Drama. http://lib.myilibrary.com?id=604121

O’Thomas, M. (2016a). Translating Austerity: Theatrical Responses to the Financial Crisis. In S. H. Adiseshiah & L. LePage (Eds.), Twenty-First Century Drama: What Happens Now (pp. 129–148). Palgrave Macmillan.

O’Thomas, M. (2016b). Translating Austerity: Theatrical Responses to the Financial Crisis. In S. H. Adiseshiah & L. LePage (Eds.), Twenty-First Century Drama: What Happens Now (pp. 129–148). Palgrave Macmillan. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781137484031

O’Thomas, M. (2016c). ‘Translating Austerity: Theatrical Responses to the Financial Crisis’ IN Twenty-first century drama: what happens now. In S. H. Adiseshiah & L. LePage (Eds.), Twenty-first century drama: what happens now (pp. 129–148). Palgrave Macmillan.

Owen, L. (2016a). ‘Gendering the Economy in Twenty-First Century Drama’ IN Twenty-first century drama: what happens now. In S. H. Adiseshiah & L. LePage (Eds.), Twenty-first century drama: what happens now (pp. 107–127). Palgrave Macmillan.

Owen, L. (2016b). ‘Gendering the Economy in Twenty-First Century Drama’ IN Twenty-first century drama: what happens now. In S. Adiseshiah & L. LePage (Eds.), Twenty-first century drama: what happens now (pp. 107–127). Palgrave Macmillan. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137484031

Owen, L. (2016c). ‘Gendering the Economy in Twenty-First Century Drama’ IN Twenty-first century drama: what happens now. In S. Adiseshiah & L. LePage (Eds.), Twenty-first century drama: what happens now (pp. 107–127). Palgrave Macmillan. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137484031

Owen, L. (2016d). ‘Gendering the Economy in Twenty-First Century Drama’ IN Twenty-first century drama: what happens now. In S. H. Adiseshiah & L. LePage (Eds.), Twenty-first century drama: what happens now (pp. 107–127). Palgrave Macmillan.

Patterson, M. (2003). Strategies of political theatre: post-war British playwrights: Vol. Cambridge studies in modern theatre. Cambridge University Press.

Patterson, M. & American Council of Learned Societies. (2003). Strategies of political theatre: Vol. Cambridge studies in modern theatre. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.07610

Pattie, D. (2012a). Modern British playwriting: voices, documents, new interpretations, The 1950s: Vol. Decades. Methuen Drama.

Pattie, D. (2012b). Modern British Playwriting: Voices, Documents, New Interpretations, the 1950s: Vol. Decades. Methuen Drama. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1085187

Payne, N. (2012a). Constellations. Faber.

Payne, N. (2012b). Constellations. In Constellations. Faber. https://doi.org/10.5040/9780571313655.00000006

Peacock, D. (1999). Thatcher’s theatre: British theatre and drama in the eighties: Vol. Contributions in drama and theatre studies. Greenwood Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=495161

Peacock, D. K. (1999). Thatcher’s theatre: British theatre and drama in the Eighties: Vol. Contributions in drama and theatre studies. Greenwood.

Peacock, K. (2006). The Question of Multiculturalism: The Plays of Roy Williams. In A Companion to Modern British and Irish Drama, 1880-2005: Vol. Blackwell companions to literature and culture (pp. 530–540). Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470751473

Peacock, K. (2007a). Black British Drama and the Politics of Identity. In A Concise Companion to Contemporary British and Irish Drama (pp. 48–65). Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=106920

Peacock, K. (2007b). ‘Black British Drama and the Politics of Identity’ IN A concise companion to contemporary British and Irish drama. In A concise companion to contemporary British and Irish drama (pp. 48–65). Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=106920

Peacock, K. (2007c). ‘Black British Drama and the Politics of Identity’ IN A concise companion to contemporary British and Irish drama. In A concise companion to contemporary British and Irish drama (pp. 48–65). Blackwell.

Peacock, K. (2010a). The Question of Multiculturalism: The Plays of Roy Williams. In A Companion to Modern British and Irish Drama, 1880-2005: Vol. Blackwell companions to literature and culture (Pbk. ed, pp. 530–540). Wiley-Blackwell.

Peacock, K. (2010b). The Question of Multiculturalism: The Plays of Roy Williams. In A Companion to Modern British and Irish Drama, 1880-2005: Vol. Blackwell companions to literature and culture (Pbk. ed, pp. 530–540). Wiley-Blackwell. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780470751473

Peacock, K. (2010c). ‘The Question of Multiculturalism: The Plays of Roy Williams’ IN. In A companion to modern British and Irish drama, 1880-2005: Vol. Blackwell companions to literature and culture (Pbk. ed, pp. 530–540). Wiley-Blackwell.

Pearce, M. (2013a). Roy Williams. In D. Rebellato (Ed.), Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009: Vol. Decades (pp. 145–168). Bloomsbury.

Pearce, M. (2013b). ‘Roy Williams’ IN Modern British playwriting: voices, documents, new interpretations, 2000-2009. In D. Rebellato (Ed.), Modern British playwriting: voices, documents, new interpretations, 2000-2009: Vol. Decades (pp. 145–168). Bloomsbury.

Penhall, J. (2000). Blue/orange. Methuen.

Pinter, H. (1993). The New World Order. In Party Time ; And, the New World Order: Two Plays. Grove Press.

Pinter, H. (2012). The New World Order. In Harold Pinter: Plays 4. Faber and Faber. https://doi.org/10.5040/9780571291793.00000064

Playwright’s Podcast - Royal Court. (n.d.). https://royalcourttheatre.com/podcasts/

Prebble, L. (2009a). Enron. Methuen Drama.

Prebble, L. (2009b). Enron. Methuen Drama. http://www.dramaonlinelibrary.com/plays/enron-iid-128921

Prebble, L. (2013a). The effect. Bloomsbury Methuen Drama.

Prebble, L. (2013b). The Effect. In The effect. Bloomsbury Methuen Drama. https://doi.org/10.5040/9781408185094.00000006

Price, T. (2012). The Radicalisation of Bradley Manning. In The Radicalisation of Bradley Manning. Bloomsbury Publishing. https://doi.org/10.5040/9781408172902.00000002

Rabey, D. I. (2003). English drama since 1940: Vol. Longman literature in English series. Longman.

Rabillard, S. M. (1998). Essays on Caryl Churchill: contemporary representations. Blizzard Pub.

Raby, P. (2009a). The Cambridge Companion to Harold Pinter: Vol. Cambridge companions to literature (2nd ed). Cambridge University Press.

Raby, P. (2009b). The Cambridge companion to Harold Pinter: Vol. Cambridge companions to literature (2nd ed). Cambridge University Press.

Rae, P. (2009a). Theatre & Human Rights: Vol. Theatre&. Palgrave Macmillan.

Rae, P. (2009b). Theatre & Human Rights: Vol. Theatre&. Palgrave Macmillan.

Rai, S. (2015). The Grammar of Politics and Performance: Vol. Interventions (J. G. Reinelt, Ed.). Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315879871

Randall, P. R. (1989). Caryl Churchill: a casebook: Vol. Garland reference library of the humanities. Garland.

Ravenhill, M. (n.d.). God is behind some of our greatest art. https://www.theguardian.com/stage/theatreblog/2008/apr/14/godisbehindsomeofourgrea

Ravenhill, M. (2008a). Product. In Plays 2. Methuen Drama. https://doi.org/10.5040/9781408167670.00000037

Ravenhill, M. (2008b). The Cut. In Plays 2. Methuen Drama. https://doi.org/10.5040/9781408167670.00000041

Ravenhill, M., & Ravenhill, M. (2006a). Product. Methuen Drama.

Ravenhill, M., & Ravenhill, M. (2006b). The cut. Methuen Drama.

Ravenhill, M., & Rebellato, D. (2005a). Shopping and fucking (Student ed). Methuen.

Ravenhill, M., & Rebellato, D. (2005b). Shopping and Fucking. In Shopping and fucking (Student ed). Methuen. https://doi.org/10.5040/9781408168509.00000026

Rebellato, D. (2003a). ‘And I Will Reach Out My Hand With A Kind of Infinite Slowness And Say The Perfect Thing’: The Utopian Theatre of Suspect Culture. Contemporary Theatre Review, 13(1), 61–80. https://doi.org/10.1080/1048680031000077825

Rebellato, D. (2003b). ‘And I Will Reach Out My Hand With A Kind of Infinite Slowness And Say The Perfect Thing’: The Utopian Theatre of Suspect Culture. Contemporary Theatre Review, 13(1), 61–80. https://doi.org/10.1080/1048680031000077825

Rebellato, D. (Ed.). (2013). Modern British playwriting: voices, documents, new interpretations, 2000-2009: Vol. Decades. Bloomsbury.

Rebellato, D., & Ravenhill, M. (2009a). Theatre & Globalization: Vol. Theatre&. Palgrave Macmillan.

Rebellato, D., & Ravenhill, M. (2009b). Theatre & Globalization: Vol. Theatre&. Palgrave Macmillan.

Rees, C. (2012a). ‘Anthony Neilson’ IN Modern British playwriting: voices, documents, new interpretations, The 1990s. In Modern British playwriting: voices, documents, new interpretations, The 1990s: Vol. Decades (pp. 137–163). Methuen Drama.

Rees, C. (2012b). Sarah Kane. In Modern British Playwriting: Voices, Documents, New Interpretations, the 1990s: Vol. Decades (pp. 112–137). Methuen Drama.

Rees, C. (2012c). ‘Sarah Kane’ IN Modern British playwriting: voices, documents, new interpretations, The 1990s. In Modern British playwriting: voices, documents, new interpretations, The 1990s: Vol. Decades (pp. 112–137). Methuen Drama. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1748076

Reid, T. (2011a). ‘Post-Devolutionary Drama’ IN The Edinburgh companion to Scottish drama. In The Edinburgh companion to Scottish drama: Vol. Edinburgh companions to Scottish literature (pp. 188–199). Edinburgh University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410222700002671&institutionId=2671&customerId=2670

Reid, T. (2011b). ‘Post-Devolutionary Drama’ IN The Edinburgh companion to Scottish drama. In The Edinburgh companion to Scottish drama: Vol. Edinburgh companions to Scottish literature (pp. 188–199). Edinburgh University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409327080002671&institutionId=2671&customerId=2670

Reid, T. (2011c). ‘Post-Devolutionary Drama’ IN The Edinburgh companion to Scottish drama. In The Edinburgh companion to Scottish drama: Vol. Edinburgh companions to Scottish literature (pp. 188–199). Edinburgh University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13410222700002671&institutionId=2671&customerId=2670

Reid, T. (2016a). ‘Sexy Kilts with Attitude Scottish Theatre in the Twenty-First Century’ IN Twenty-first century drama: what happens now. In S. Adiseshiah & L. LePage (Eds.), Twenty-first century drama: what happens now (pp. 191–211). Palgrave Macmillan. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137484031

Reid, T. (2016b). ‘Sexy Kilts with Attitude Scottish Theatre in the Twenty-First Century’ IN Twenty-first century drama: what happens now. In S. H. Adiseshiah & L. LePage (Eds.), Twenty-first century drama: what happens now (pp. 191–211). Palgrave Macmillan.

Reinelt, J. (1994a). After Brecht: British epic theater: Vol. Theater : theory/text/performance. University of Michigan Press.

Reinelt, J. (1994b). After Brecht: British epic theater: Vol. Theater : theory/text/performance. University of Michigan Press.

Reinelt, J. (2011a). David Greig. In The Methuen Drama Guide to Contemporary British Playwrights (pp. 203–222). Methuen Drama. http://lib.myilibrary.com?id=604121

Reinelt, J. (2011b). ‘David Greig’ IN The Methuen Drama guide to contemporary British playwrights. In The Methuen Drama guide to contemporary British playwrights (pp. 203–222). Methuen Drama.

Reinelt, J. (2011c). ‘David Greig’ IN The Methuen Drama guide to contemporary British playwrights. In The Methuen Drama guide to contemporary British playwrights (pp. 203–222). Methuen Drama. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=9264764140002671&institutionId=2671&customerId=2670

Reinelt, J. (2011d). ‘David Greig’ IN The Methuen drama guide to contemporary British playwrights. In The Methuen drama guide to contemporary British playwrights (pp. 203–222). Methuen Drama. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13409282230002671&institutionId=2671&customerId=2670

Reinelt, J. G. (2007a). Selective Affinities: British Playwrights at Work. Modern Drama, 50(3), 305–345. https://doi.org/10.1353/mdr.2007.0060

Reinelt, J. G. (2007b). Selective Affinities: British Playwrights at Work. Modern Drama, 50(3), 305–345. https://doi.org/10.1353/mdr.2007.0060

Ridley, P. (2005a). Mercury Fur. Methuen Drama.

Ridley, P. (2005b). Mercury Fur. Methuen Drama. https://doi.org/10.5040/9781408182826.00000002

Roberts, P. (1999). The Royal Court Theatre and the modern stage. Cambridge University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13401176580002671&institutionId=2671&customerId=2670

Roberts, P. (2008). About Churchill: the playwright and the work. Faber and Faber.

Roberts, P. & American Council of Learned Societies. (1999). The Royal Court Theatre and the modern stage: Vol. Cambridge studies in modern theatre. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.07570

Roth, M. (2008a). Engaging Cultural Translations: Timberlake Wertenbaker’s History Plays from New Anatomies to After Darwin. In International Dramaturgy: Translation & Transformations in the Theatre of Timberlake Wertenbaker: Vol. Dramaturgies (Scientific international ed, pp. 155–176). P.I.E. Peter Lang.

Roth, M. (2008b). ‘Engaging Cultural Translations: Timberlake Wertenbaker’s History Plays from New Anatomies to After Darwin’ IN International dramaturgy: translation & transformations in the theatre of Timberlake Wertenbaker. In International dramaturgy: translation & transformations in the theatre of Timberlake Wertenbaker: Vol. Dramaturgies (Scientific international ed, pp. 155–176). P.I.E. Peter Lang.

Roth, M., & Freeman, S. (2008a). International dramaturgy: translation & transformations in the theatre of Timberlake Wertenbaker: Vol. Dramaturgies (Scientific international ed). P.I.E. Peter Lang.

Roth, M., & Freeman, S. (2008b). International dramaturgy: translation & transformations in the theatre of Timberlake Wertenbaker: Vol. Dramaturgies (Scientific international ed). P.I.E. Peter Lang.

Sakellaridou, E. (2014). Cruel or Tender? Protocols of Atrocity, New and Old. Contemporary Theatre Review, 24(3), 363–372. https://doi.org/10.1080/10486801.2014.921055

Sara Freeman. (2010a). Tragedy After Darwin: Timberlake Wertenbaker Remakes ‘Modern’ Tragedy. Comparative Drama, 44(2), 201–227. http://www.jstor.org/stable/23038112

Sara Freeman. (2010b). Tragedy After Darwin: Timberlake Wertenbaker Remakes ‘Modern’ Tragedy. Comparative Drama, 44(2), 201–227. http://www.jstor.org/stable/23038112

Saunders, G. (2002a). ‘Love Me or Kill Me’: Sarah Kane and the Theatre of Extremes. Manchester University Press.

Saunders, G. (2002b). ‘Love me or kill me’: Sarah Kane and the theatre of extremes. Manchester University Press.

Saunders, G. (2012). ‘Mark Ravenhill’ IN Modern British playwriting: voices, documents, new interpretations, The 1990s. In Modern British playwriting: voices, documents, new interpretations, The 1990s: Vol. Decades (pp. 163–188). Methuen Drama.

Saunders, G., & Kane, S. (2009a). About Kane: The Playwright and the Work. Faber.

Saunders, G., & Kane, S. (2009b). About Kane: the playwright and the work. Faber.

Schlote, C. (2014a). ‘From Front Page to Front Stage: War Correspondents and Media Ethics in British Theatre’ IN Ethical speculations in contemporary British theatre. In M. Aragay & E. Monforte (Eds.), Ethical speculations in contemporary British theatre (pp. 173–189). Palgrave Macmillan.

Schlote, C. (2014b). ‘From Front Page to Front Stage: War Correspondents and Media Ethics in British Theatre’ IN Ethical speculations in contemporary British theatre. In M. Aragay & E. Monforte (Eds.), Ethical speculations in contemporary British theatre (pp. 173–189). Palgrave Macmillan. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781137297570

Shank, T. (1994). Contemporary British theatre. Macmillan.

Shellard, D. (1999). British theatre since the war. Yale University Press.

Shepherd, S. (2009). The Cambridge introduction to modern British theatre: Vol. Cambridge introductions to literature. Cambridge University Press.

Shepherd-Barr, K. (2002a). Copenhagen and Beyond: The "Rich and Mentally Nourishing” Interplay of Science and Theatre. Gramma: Journal of Theory and Criticism, 10, 171–182. http://www.enl.auth.gr/gramma/gramma02/Barr.pdf

Shepherd-Barr, K. (2002b). Copenhagen and Beyond: The "Rich and Mentally Nourishing” Interplay of Science and Theatre. Gramma: Journal of Theory and Criticism, 10, 171–182. http://www.enl.auth.gr/gramma/gramma02/Barr.pdf

Shepherd-Barr, K. (2006a). Science on stage: from Doctor Faustus to Copenhagen. Princeton University Press.

Shepherd-Barr, K. (2006b). Science on stage: from Doctor Faustus to Copenhagen. Princeton University Press.

Shepherd-Barr, K. (2008a). Darwin on Stage: Evolutionary Theory in the Theatre. Interdisciplinary Science Reviews, 33(2), 107–115. http://www.menagerie.uk.com/wp-content/uploads/2009/08/darwin-on-stage-kirsten-shepherd-barr.pdf

Shepherd-Barr, K. (2008b). Darwin on Stage: Evolutionary Theory in the Theatre. Interdisciplinary Science Reviews, 33(2), 107–115. http://www.menagerie.uk.com/wp-content/uploads/2009/08/darwin-on-stage-kirsten-shepherd-barr.pdf

Sierz, A. (2001a). In-Yer-Face Theatre: British Drama Today. Faber and Faber.

Sierz, A. (2001b). In-Yer-Face Theatre: British Drama Today. Faber and Faber.

Sierz, A. (2001c). In-Yer-Face Theatre: British Drama Today. Faber and Faber.

Sierz, A. (2001d). In-yer-face theatre: British drama today. Faber and Faber.

Sierz, A. (2006). The theatre of Martin Crimp. Methuen Drama.

Sierz, A. (2011a). Rewriting the Nation: British Theatre Today. Methuen Drama.

Sierz, A. (2011b). Rewriting the Nation: British Theatre Today. Methuen Drama. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=347867

Sierz, A. (2011c). Rewriting the Nation: British Theatre Today. Methuen Drama. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=347867

Sierz, A. (2011d). Rewriting the Nation: British Theatre Today. Methuen Drama.

Sierz, A. (2011e). Rewriting the nation: British theatre today. Methuen Drama.

Sierz, A. (2011f). Rewriting the nation: British theatre today. Methuen Drama. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=347867

Sierz, A. (2011g). Rewriting the nation: British theatre today. Methuen Drama. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=347867

Sierz, A. (2011h). Rewriting the nation: British theatre today. Methuen Drama.

Sierz, A. (2011i). Rewriting the nation: British theatre today. Methuen Drama. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=347867

Sierz, A. (2011j). Rewriting the nation: British theatre today. Methuen Drama.

Sierz, A. (2011k). Rewriting the nation: British theatre today. Methuen Drama. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=347867

Sierz, A. (2011l). Rewriting the nation: British theatre today. Methuen Drama.

Sierz, A. (2011m). Rewriting the nation: British theatre today. Methuen Drama. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=347867

Sierz, A. (2011n). Rewriting the nation: British theatre today. Methuen Drama.

Sierz, A. (2011o). Rewriting the nation: British theatre today. Methuen Drama. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=347867

Sierz, A. (2011p). Rewriting the nation: British theatre today. Methuen Drama.

Sierz, A. (2011q). Rewriting the nation: British theatre today. Methuen Drama. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=347867

Sierz, A. (2011r). Rewriting the nation: British theatre today. Methuen Drama.

Sierz, A. (2012a). ‘Anthony Neilson’ IN Modern British playwriting: voices, documents, new interpretations, The 1990s. In Modern British playwriting: voices, documents, new interpretations, The 1990s: Vol. Decades. Methuen Drama.

Sierz, A. (2012b). ‘Mark Ravenhill’ IN Modern British playwriting: voices, documents, new interpretations, The 1990s. In Modern British playwriting: voices, documents, new interpretations, The 1990s: Vol. Decades (pp. 163–188). Methuen Drama.

Sierz, A. (2012c). Modern British playwriting: voices, documents, new interpretations, The 1990s: Vol. Decades. Methuen Drama.

Sierz, A. (2012d). Philip Ridley. In Modern British Playwriting: Voices, Documents, New Interpretations, the 1990s: Vol. Decades (pp. 112–137). Methuen Drama.

Sierz, A. (2012e). Philip Ridley’e. In Modern British Playwriting: Voices, Documents, New Interpretations, the 1990s: Vol. Decades (pp. 88–111). Methuen Drama.

Sierz, A., & Crimp, M. (2006). The Theatre of Martin Crimp. Methuen Drama. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781408147290

Sinfield, A. (1999). Out on stage: lesbian and gay theatre in the twentieth century. Yale University Press.

Soto-Morettini, D. (2005). Trouble in the house: David Hare’s. Contemporary Theatre Review, 15(3), 309–319. https://doi.org/10.1080/10267160500217640

Stenham, P. (2007). That Face. In That Face. Faber and Faber. https://doi.org/10.5040/9780571285471.00000005

Stenham, P., Mothers and daughters, Mothers and sons, & Royal Court Theatre. (2008). That face (Rev. ed). Faber.

Stephens, S. (2009). Punk Rock. Methuen Drama. https://doi.org/10.5040/9781408167250.00000004

Stephens, S. (2012a). Three Kingdoms. Methuen Drama.

Stephens, S. (2012b). Three Kingdoms. In Three kingdoms. Methuen Drama. https://doi.org/10.5040/9781408172988.00000005

Stephenson, H., & Langridge, N. (1997a). Rage and Reason: Women Playwrights on Playwriting. Methuen.

Stephenson, H., & Langridge, N. (1997b). Rage and reason: women playwrights on playwriting. Methuen.

Stern, T. (2014). Philosophy and theatre: an introduction. Routledge.

Svich, C. (2003a). Trans-global readings: crossing theatrical boundaries: Vol. Theatre: theory-practice-performance. Manchester University Press.

Svich, C. (2003b). Trans-global readings: crossing theatrical boundaries: Vol. Theatre: theory-practice-performance. Manchester University Press.

Svich, C. (2003c). ‘Commerce and Morality in the Theatre of Mark Ravenhill’. Contemporary Theatre Review, 13(1), 81–95. https://doi.org/10.1080/1048680031000077799

Svich, C. (2003d). ‘Commerce and Morality in the Theatre of Mark Ravenhill’. Contemporary Theatre Review, 13(1), 81–95. https://doi.org/10.1080/1048680031000077799

Taylor-Batty, M. (2014a). How to Mourn: Kane, Pinter and Theatre as a Monument to Loss in the 1990. In Ethical Speculations in Contemporary British Theatre (pp. 59–75). http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137297570

Taylor-Batty, M. (2014b). How to Mourn: Kane, Pinter and Theatre as a Monument to Loss in the 1990s. In M. Aragay & E. Monforte (Eds.), Ethical Speculations in Contemporary British Theatre (pp. 59–75). Palgrave Macmillan.

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Bibliography for DT3314: Contemporary British Theatre: Politics & Philosophy BETA