Adorno, T. (2004a) ‘On Lyric Poetry and Society’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Adorno, T. (2004b) ‘On Lyric Poetry and Society’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Agamben, G. (2006) ‘The Archive and Testimony’, in The Archive. London: Whitechapel.
Alvarez, A. (2006) ‘Finding a Voice’, in The Writer’s Voice. London: Bloomsbury.
Alvi, M. (2000a) ‘The Least International Shop in the World’, in Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Alvi, M. (2000b) ‘The Least International Shop in the World’, in Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Attridge, D. (1995) Poetic Rhythm: An Introduction. Cambridge: Cambridge University Press.
Atwood, M. (2002a) ‘Chapter 5: Communion—Nobody to Nobody’, in Negotiating With the Dead: A Writer on Writing. Cambridge: Cambridge University Press.
Atwood, M. (2002b) ‘Orientation: Who Do You Think You Are?’, in Negotiating With the Dead: A Writer on Writing. Cambridge: Cambridge University Press, pp. 1–28.
Auerbach, E. (2003) ‘The Brown Stocking’, in Mimesis the Representation of Reality in Western Literature. Princeton, N.J.: Princeton University Press, pp. 525–553. Available at: http://hdl.handle.net/2027/heb.09353.
Bachelard, G. (1994a) The Poetics of Space. [New] ed. Boston, Mass: Beacon.
Bachelard, G. (1994b) The Poetics of Space. [New] ed. Boston, Mass: Beacon.
Bachelard, G. (2014) On Poetic Imagination and Reverie. Putnam, Conn: Spring Publications.
Bal, M. (1985) Narratology: Introduction to the Theory of Narrative. 2nd ed. Toronto: University of Toronto Press.
Baraka, A. (2004) ‘Hunting Is Not Those Heads on the Wall’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Baraka, I. (2004) ‘Hunting Is Not Those Heads on the Wall’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Barfield, O. (2010) Poetic Diction: A Study in Meaning. Fourth edition. Oxford, England: Barfield Press.
Barthes, R. (2004) ‘Is There Any Poetic Writing?’, in Poetry In Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell.
Barthes, R. (2008) ‘Chapter 17: The Death of the Author’, in Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman.
Bartlett, P. (1951) Poems in Process. New York: Oxford University Press.
Bate, J. (2001a) ‘The Place of Poetry’, in The Song of the Earth. London: Picador.
Bate, J. (2001b) ‘The Place of Poetry’, in The Song of the Earth. London: Picador.
Baxter, C. (2008a) ‘Dysfunctional Narratives, or: ‘Mistakes Were Made’’, in Burning Down the House: Essays on Fiction. 2nd expanded ed. Saint Paul, Minn: Graywolf.
Baxter, C. (2008b) ‘Stillness’, in Burning Down the House: Essays on Fiction. 2nd expanded ed. Saint Paul, Minn: Graywolf.
Benjamin, W. (2008) ‘Chapter 4: The Task of the Translator’, in Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman.
Bennett, A. and Royle, N. (2009a) ‘Chapter 5: The Uncanny’, in An Introduction to Literature, Criticism and Theory. 4th ed. Harlow: Pearson Longman.
Bennett, A. and Royle, N. (2009b) ‘Chapter 5: The Uncanny’, in An Introduction to Literature, Criticism and Theory. Harlow: Pearson Longman. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315834252.
Bennett, A. and Royle, N. (2009c) ‘“Me”, “Queer”, “Racial Difference”’, in An Introduction to Literature, Criticism and Theory. 4th ed. Harlow: Pearson Longman.
Bennett, A. and Royle, N. (2009d) ‘“Me”, “Queer”, “Racial Difference”’, in An Introduction to Literature, Criticism and Theory. Harlow: Pearson Longman. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1734006.
Bernstein, C. (1990) The Politics of Poetic Form: Poetry and Public Policy. New York, NY: Roof.
Bernstein, C. (2004) ‘The Dollar Value of Poetry’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Blanchot, M. (2001) ‘Time and the Novel’, in Faux Pas. Stanford, Calif: Stanford University Press.
Boland, E. (1995a) ‘The Woman Poet: Her Dilemma’, in Object Lessons: The Life of the Woman and the Poet in Our Time. New York: W.W. Norton, pp. 239–254.
Boland, E. (1995b) ‘The Woman The Place The Poet’, in Object Lessons: The Life of the Woman and the Poet in Our Time. New York: W.W. Norton, pp. 154–174.
Booker, C. (2004) ‘Introduction and Historical Notes’, in The Seven Basic Plots. London: Continuum, pp. 1–13.
Borges, J.L. and Burgin, R. (1973) Conversations With Jorge Luis Borges. London: Souvenir Press.
Bourriaud, N. (2002) Relational Aesthetics. Dijon.
Bowland, E. (2004) ‘The Woman Poet: Her Dilemma’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Braidotti, R. (1993) ‘Embodiment, Sexual Difference, and the Nomadic Subject’, Hypatia, 8(1), pp. 1–13. Available at: https://doi.org/10.1111/j.1527-2001.1993.tb00625.x.
Broodthaers, M. (2006) ‘Interview with Jurgen Harten and Katharina Schmidt’, in The Archive. London: Whitechapel.
Brooke-Rose, C. (1958) A Grammar of Metaphor. Secker & Warburg.
Brooks, P. (1992) Reading for the Plot: Design and Intention in Narrative. Cambridge, Mass. London: Harvard University Press.
Brotchie, A. and Gooding, M. (1995) A Book of Surrealist Games. Boston: Shambhala Redstone Editions.
Brown, C. and Paterson, D. (2004) Don’t Ask Me What I Mean: Poets in Their Own Words. London: Picador.
Bryan, S. and Olsen, W. (2003) Planet on the Table: Poets on the Reading Life. Louisville, Ky: Sarabande Books.
Buell, L. (2008a) ‘Place’, in Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman.
Buell, L. (2008b) ‘Place’, in Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman.
Burroway, J. and Weinberg, S. (2003) Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman.
Calvino, I. (1987) The Literature Machine: Essays. London: Secker & Warburg.
Casterton, J. (2005) Creative Writing: A Practical Guide. 3rd ed. Houndmills, Basingstoke: Palgrave Macmillan.
Césaire, A. (2004) ‘Poetry and Knowledge’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Cesaire, Aime (2004) ‘Poetry and Knowledge’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Cesaire, Aimee (2004) ‘Poetry and Knowledge’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Collis, S. (2016) Once In Blockadia. Talon Books,Canada.
Collis, S. (no date) ‘Reading Wordsworth in the Tar Sands | The Goose, Volume 13, Issue 12, article 37, 2015’. Available at: https://scholars.wlu.ca/cgi/viewcontent.cgi?referer=&httpsredir=1&article=1059&context=thegoose.
Cuddon, J.A. (1991) A Dictionary of Literary Terms and Literary Theory. 3rd ed. Oxford: Blackwell.
Cunningham, V. (2008) ‘Chapter 46: Touching Reading’, in Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman.
Curran, S. (1986) Poetic Form and British Romanticism. New York: Oxford University Press.
Curran, S. (1989) Poetic Form and British Romanticism. New York: Oxford University Press. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4702200.
Curtis, T. (1996) How Poets Work. Bridgend, Wales: Seren.
Da Vinci, L. (1998) The Notebooks of Leonardo Da Vinci. Oxford: Oxford University Press.
Danchev, A. (2011) 100 artists’ manifestos. London: Penguin.
Davie, D. (1955) Articulate Energy: An Enquiry Into the Syntax of English Poetry. London: Routledge & Kegan Paul.
Davie, D. (2011) Purity of Diction in English Verse. [Charleston]: Nabu.
Debord, G. (1958) Theory of the Derive | Situationist International Online. Available at: https://www.cddc.vt.edu/sionline/si/theory.html.
Derrida, J. (2006) ‘Archive Fever’, in The Archive. London: Whitechapel.
Deutsch, B. (2002) Poetry Handbook: A Dictionary of Terms. 4th ed. New York: Harper Perennial.
Donaghy, M. (2009) The Shape of the Dance: Essays, Interviews and Digressions. London: Picador.
Dorn, E. (2004) ‘What I See in the Maximus Poems’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Doty, M. (2010) The Art of Description: World Into Word. Minneapolis, Minn: Graywolf Press.
Eagleton, T. (2005a) The English Novel: An Introduction. Malden, MA: Blackwell.
Eagleton, T. (2005b) The English Novel: An Introduction. Malden, MA: Blackwell Pub. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1209429.
Eco, U. (1995a) ‘Lingering in the Woods’, in Six Walks in the Fictional Woods. Cambridge, Mass: Harvard University Press.
Eco, U. (1995b) ‘Possible Woods’, in Six Walks in the Fictional Woods. Cambridge, Mass: Harvard University Press.
Eco, U. (2004) Mouse or Rat?: Translation as Negotiation. London: Phoenix.
Empson, W. (2004) ‘Seven Types of Ambiguity’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Explore the History and Works of the Situationist International Online | CDDC (no date). Available at: https://www.cddc.vt.edu/sionline/.
Fahlström, Ö. (no date) Manifesto for Concrete Poetry | UBU. Available at: http://www.ubu.com/papers/fahlstrom01.html.
Feaver, V. (2000) ‘Body & Soul: The Power of Sharon Olds’, in Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Ferguson, M.W., Salter, M.J. and Stallworthy, J. (1996) The Norton Anthology of Poetry. 4th edition. New York: W.W. Norton.
Forrest-Thomson, V. (2004) ‘Continuity in Language’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Forster, E.M. (2005a) ‘Flat and Round Characters’, in Aspects of the Novel. [New ed.]. London: Penguin.
Forster, E.M. (2005b) ‘The Plot’, in Aspects of the Novel. [New ed.]. London: Penguin. Available at: https://www.gutenberg.org/cache/epub/70492/pg70492-images.html#chap05.
Foster, H. (2006) ‘An Archival Impulse’, in The Archive. London: Whitechapel.
Foucault, M. (2006) ‘The Historical a Priori and the Archive’, in The Archive. London: Whitechapel.
Freud, S. (2004) ‘The Interpretation of Dreams’, in Literary Theory: An Anthology. 2nd ed. Oxford: Blackwell.
Freud, S. (2006) ‘A Note upon the Mystic Writing-Pad’, in The Archive. London: Whitechapel.
Freud, S. (2017) ‘The Interpretation of Dreams’, in Literary Theory: An Anthology. Third edition. Chichester, West Sussex: Wiley Blackwell. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315.
Fussell, P. (1979) Poetic Meter and Poetic Form. Rev. ed. New York: Random House.
Genette, G. (1980) Narrative Discourse. Oxford: Blackwell.
Genette, G. (2004) ‘Poetic Language, Poetics of Langage’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Gifford, T. (1999a) Pastoral. London: Routledge.
Gifford, T. (1999b) Pastoral. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165191.
Ginsberg, Allan (2004) ‘When the Mode of the Music Changes’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Ginsberg, Allen (2004) ‘When the Mode of the Music Changes …’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Glück, L. (1999) ‘Against Sincerity’, in Proofs & Theories: Essays on Poetry. Manchester: Carcanet.
Guest, B. (2003) ‘Radical Poetics and Conservative Poetry’, in Forces of Imagination: Writing on Writing. Berkeley, Calif: Kelsey St. Press.
Haraway, D. (no date) ‘A Cyborg Manifesto’. Available at: http://faculty.georgetown.edu/irvinem/theory/Haraway-CyborgManifesto-1.pdf.
Hartman, C.O. (1980a) Free Verse: An Essay on Prosody. Princeton, New Jersey: Princeton University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036.
Hartman, C.O. (1980b) Free Verse: An Essay on Prosody. Princeton: Princeton University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036.
Hawthorn, J. (2001) Studying the Novel. 4th ed. London: Arnold.
Hayles, N.K. (2006) ‘The Time of Digital Poetry: From Object to Event’, in New Media Poetics: Contexts, Technotexts, and Theories. Cambridge, Mass: MIT Press.
Heaney, S. (1980) ‘Feeling into Words’, in Preoccupations: Selected Prose, 1968-1978. London: Faber.
Heaney, S. (1988) The Government of the Tongue. London: Faber.
Heaney, S. and Hughes, T. (1982) The Rattle Bag. London: Faber and Faber.
Heidegger, M. (1975) Poetry, Language, Thought. New York: Harper & Row.
Heidegger, M. (2004) ‘What are Poets For?’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Hejinian, L. (2000a) ‘The Rejection of Closure’, in The Language of Inquiry. Berkeley: University of California Press, pp. 40–58.
Hejinian, L. (2000b) ‘The Rejection of Closure’, in The Language of Inquiry. Berkeley, CA: University of California Press, pp. 40–58. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=275874.
Hiller, S. (2006) ‘Working Through Objects’, in The Archive. London: Whitechapel.
Hiolub, M. (1990) ‘The Dimension of the Present Moment’, in The Dimension of the Present Moment: Essays. London: Faber and Faber.
Hirsch Jr, E.D. (2008) ‘Chapter 14: In Defence of the Author’, in Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman.
Hobsbaum, P. (1995) Metre, Rhythm and Verse Form. London: Routledge.
Hobsbaum, P. (1996) Metre, Rhythm, and Verse Form. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165939.
Hollander, J. (1981) The Figure of Echo: A Mode of Allusion in Milton and After. Berkeley: University of California Press.
Hollander, J. (1985) Vision and Resonance: Two Senses of Poetic Form. 2nd ed. New Haven: Yale University Press.
Hollander, J. (1989) Rhyme’s Reason: A Guide to English Verse. New, enl. ed. New Haven: Yale University Press.
Hollander, J. (2014) Rhyme’s Reason: A Guide to English Verse. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421476.
Hollis, M. and Herbert, W.N. (2000) Strong Words: Modern Poets on Modern Poetry. Tarset: Bloodaxe Books.
Hoover, P. (1994) Postmodern American Poetry: A Norton Anthology. New York: Norton.
Hughes, L. (2004a) ‘The Negro Artist and the Racial Mountain’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Hughes, L. (2004b) ‘The Negro Artist and the Racial Mountain’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Jaggi, M. (2010) ‘Barbara Kingsolver: A Life in Writing’, The Guardian [Preprint]. Available at: https://www.theguardian.com/books/2010/jun/12/life-in-writing-barbara-kingsolver.
Jakobson, R. (2004) ‘Linguistics and Poetics’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
James Baldwin, interviewed by Jordan Elgrabhy, The Art of Fiction No. 78 (no date). Available at: https://www.theparisreview.org/interviews/2994/james-baldwin-the-art-of-fiction-no-78-james-baldwin.
Jarrell, R. (2001) Poetry and the Age. Expanded ed. Gainesville: University Press of Florida.
Jelinek, E. (1994) Women as Lovers. London: Serpent’s Tail.
Josipovici, G. (1996) ‘Thirty-three Variations on a Theme of Graham Greene’, in Real Voices: On Reading. Basingstoke: Macmillan.
Kaye, N. (2000a) ‘Introduction’, in Site Specific Art. London: Routledge. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=166116.
Kaye, N. (2000b) Site Specific Art. New York: Routledge.
Kinzie, M. (1999) A Poet’s Guide to Poetry. Chicago, Ill: University of Chicago Press.
Kundera, M. (1990) The Art of the Novel. London: Faber.
Kundera, M. (2001) Testaments Betrayed: An Essay in Nine Parts. New York: Harper Perennial.
Lacan, J. (2004) ‘The Instance of the Letter in the Unconscious or Reason since Freud’, in Literary Theory: An Anthology. 2nd ed. Oxford: Blackwell.
Lakoff, G. and Johnson, M. (1981a) Metaphors We Live By. Chicago: University of Chicago Press.
Lakoff, G. and Johnson, M. (1981b) Metaphors We Live By. Chicago: University of Chicago Press.
Lakoff, G. and Johnson, M. (1999) ‘Who Are We?’, in Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought. New York: Basic Books, pp. 3–4.
Lawrence, D.H. (2004) ‘Preface to the American Edition of New Poems’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Leader, Z. (2002) On Modern British Fiction. Oxford: Oxford University Press.
Leighton, A. (2007) ‘Chapter 6: Just a Word: On Woolf’, in On Form: Poetry, Aestheticism, and the Legacy of a Word. Oxford: Oxford University Press.
Lodge, D. (1992a) ‘Narrative Structure’, in The Art of Fiction: Illustrated From Classic and Modern Texts. London: Penguin, pp. 215–218.
Lodge, D. (1992b) ‘Point of View’, in The Art of Fiction: Illustrated From Classic and Modern Texts. London: Penguin, pp. 25–29.
Lodge, D. (1992c) ‘Telling in Different Voices’, in The Art of Fiction: Illustrated From Classic and Modern Texts. London: Penguin, pp. 125–129.
Lodge, D. (2002) ‘Consciousness and the Novel’, in Consciousness & the Novel: Connected Essays. Cambridge, Mass: Harvard University Press.
Lorca, F.G. (2010) ‘Play and the Theory of Duende’, in In Search of Duende. New York: New Directions, pp. 48–62.
Lowell, A. (2004) ‘Poetry as a Spoken Art’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Loy, M. (2011a) ‘Aphorisms on Futurism’, in 100 artists’ manifestos. London: Penguin.
Loy, M. (2011b) ‘Aphorisms on Futurism’, in 100 artists’ manifestos. London: Penguin.
Loy, M. (2011c) ‘Feminist Manifesto’, in 100 artists’ manifestos. London: Penguin.
Loy, M. (2011d) ‘Feminist Manifesto’, in 100 artists’ manifestos. London: Penguin.
Marinetti, F. (1909) The Founding and Manifesto of Futurism | UBU. Available at: http://www.ubu.com/papers/marinetti_futurist-manifesto.html.
Marinetti, F. (2004a) ‘Technical Manifesto’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Marinetti, F. (2004b) ‘Technical Manifesto’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Mark, A. (2000) ‘Writing About Writing’, in Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Marks, A. (2000) ‘Writing About Writing…’, in Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Marks, E.R. (1998) Taming the Chaos: English Poetic Diction Theory Since the Renaissance. Detroit, MI: Wayne State University Press.
May, C.E. (1994) The New Short Story Theories. Athens: Ohio University Press.
Mayakovsky, V. (2004a) ‘How Are Verses Made’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Mayakovsky, V. (2004b) ‘How Are Verses Made?’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
McQuillan, M. (2000) The Narrative Reader. London: Routledge.
Metzger, G. (1960) Auto-Destructive Art | UBU. Available at: http://www.ubu.com/papers/metzger_auto-destructive.html.
Miller, A. (2011) ‘How to Write Fiction: Creating Characters | The Guardian’, Guardian [Preprint]. Available at: https://www.theguardian.com/books/2011/oct/16/how-to-write-fiction-andrew-miller.
Moten, F. (2003a) In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press.
Moten, F. (2003b) In The Break: The Aesthetics Of The Black Radical Tradition. Minneapolis: University of Minnesota Press. Available at: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=310622.
Muldoon, P. (2000a) ‘All Souls’ Night—W.B. Yeats’, in The End of the Poem. Oxford: Oxford University Press.
Muldoon, P. (2000b) ‘Chapter 1: All Souls’ Night—W.B. Yeats’, in The End of the Poem. Oxford: Oxford University Press.
Nabokov, V. (1964) Notes on Prosody and Abram Grannibal. Bollingen: Princeton University Press.
Nelson, R. (2013a) Practice as Research in the Arts. Basingstoke: Palgrave Macmillan.
Nelson, R. (2013b) Practice as Research in the Arts. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1209462.
Ngai, S. (2007a) ‘Stuplimity’, in Ugly Feelings. Cambridge, Mass: Harvard University Press.
Ngai, S. (2007b) ‘Stuplimity’, in Ugly Feelings. Cambridge, Mass: Harvard University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523.
Ngai, S. (2007c) Ugly feelings. Cambridge, Mass: Harvard University Press.
Ngai, S. (2007d) Ugly Feelings. Cambridge, Mass: Harvard University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523.
O’Hara, F. (2004a) ‘Personism: A Manifesto’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, pp. 367–369.
O’Hara, F. (2004b) ‘Personism: A Manifesto’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Orwell, G. (2013) Politics and the English Language. London: Penguin Books.
Padgett, R. (2000) The Straight Line: Writings on Poetry and Poets. Ann Arbor: University of Michigan Press.
Paulin, T. (1996) ‘Writing to the Moment: Elizabeth Bishop’, in Writing to the Moment: Selected Critical Essays, 1980-1996. London: Faber and Faber.
Perloff, M. (2004) ‘Avant-Garde or Endgame?’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Perloff, M. (2014) ‘Can(n)on to the Right of Us, Can(n)on to the Left of Us: A Plea for Difference’, in The Lyric Theory Reader: A Critical Anthology. Baltimore: Johns Hopkins University Press.
Pinsky, R. (1976) The Situation of Poetry: Contemporary Poetry and Its Traditions. Princeton, N.J.: Princeton University Press.
Pope, R. (2005) Creativity: Theory, History, Practice. London: Routledge.
Pound, E. (1913) ‘A Few Don’ts by an Imagiste’, Poetry, 1(6), pp. 200–206. Available at: https://www.jstor.org/stable/20569730.
Pound, E. (2004) ‘A Retrospect’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Preminger, A. and Brogan, T.V.F. (1993) The New Princeton Encyclopedia of Poetry and Poetics. Princeton, N.J.: Princeton University Press.
Rankine, C. and Spahr, J. (2002) American Women Poets in the 21st Century: Where Lyric Meets Language. Middletown, Conn: Wesleyan University Press.
Rees-Jones, D. (2000) ‘Nothing That Is Not There and the Nothing That Is’, in Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Rich, A. (2004a) ‘Blood, Bread and Poetry’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Rich, A. (2004b) ‘Blood, Bread and Poetry: The Location of the Poet’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Rich, A. (2007) Poetry and Commitment: An Essay. New York: W.W. Norton & Co.
Richards, I.A. (2004) ‘The Poetic Experience’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Richards, I. A. (2004) ‘The Poetic Experience’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Ricks, C. (2008) ‘The Pursuit of Metaphor’, in Allusion to the Poets. Oxford: Oxford University Press.
Rigby, K. (2004) ‘Earth, World, Text: On the (Im)possibility of Ecopoiesis’, New Literary History, 35(3), pp. 427–442. Available at: https://www.jstor.org/stable/20057847.
Riley, D. (1992) Poets on Writing: Britain, 1970-1991. Basingstoke: Macmillan Academic and Professional.
Riley, D. (2000) The Words of Selves: Identification, Solidarity, Irony. Stanford, Calif: Stanford University Press.
Rilke, R.M. (1954) Letters to a Young Poet. Rev. ed. New York: Norton.
Rivkin, J. and Ryan, M. (2004) Literary Theory: An Anthology. 2nd ed. Oxford: Blackwell.
Rivkin, J. and Ryan, M. (2017) Literary Theory: An Anthology. Third edition. Chichester, West Sussex: Wiley Blackwell. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4792586.
Robertson, L. (2001) Office for Soft Architecture -- Spatial Synthetics: A Theory | Jacket. Available at: http://jacketmagazine.com/14/robertson-lisa.html.
Robertson, L. and Robertson, L. (2017) Proverbs of a She Dandy | Buenos Tiempos International. Available at: http://buenostiemposinternational.com/lisa-robertson_13-4-2017/.
Royle, N. (2003) The Uncanny. Manchester: Manchester University Press.
Rushdie, S. (2010) ‘Imaginary Homelands “Errata” The Riddle of Midnight’, in Imaginary Homelands. London: Vintage.
Said, E. (2004) ‘Jane Austen and Empire’, in Literary Theory: An Anthology. 2nd ed. Oxford: Blackwell.
Said, E. (2017) ‘Jane Austin and Empire’, in Literary Theory: An Anthology. Third edition. Chichester, West Sussex: Wiley Blackwell. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315.
Said, E.W. (2012) Beginnings: Intention and Method. London: Granta.
Saunders, G. (2007) The Braindead Megaphone: Essays. 1st Riverhead trade pbk. ed. New York: Riverhead Books.
Schwartz, L.S. (2010) The Emergence of Memory - Conversations with W. G. Sebald. SEVEN STORIES PRESS.
Shapcott, J. (2000a) ‘Confounding Geography’, in Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Shapcott, J. (2000b) ‘Confounding Geography’, in Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Shapcott, J. and Sweeney, M. (2004) Emergency Kit: Poems for Strange Times. London: Faber.
Shapiro, K.J. and Beum, R.L. (1965) A Prosody Handbook. New York: Harper & Row.
Shipley, J.T. (1984) The Origins of English Words. Baltimore: The Johns Hopkins University Press.
Smith, Z. (2010a) ‘Chapter4: Re-reading Barthes and Nabokov’, in Changing My Mind: New York: Penguin.
Smith, Z. (2010b) ‘Their Eyes Were Watching God: What Does Soulful Mean?’, in Changing My Mind: Occasional Essays. New York: Penguin.
Solomon, D. (2004) ‘Elfriede Jelinek, “A Gloom of Her Own”’, The New York Times [Preprint]. Available at: https://www.nytimes.com/2004/11/21/magazine/a-gloom-of-her-own.html?_r=0.
Spahr, J. (2014) ‘Introduction to American Women Poets in the 21st Century: Where Lyric Meets Language’, in The Lyric Theory Reader: A Critical Anthology. Baltimore: Johns Hopkins University Press.
Stckwell, P. (2002) ‘Cognitive Deixis’, in Cognitive Poetics. London: Routledge, pp. 41–57. Available at: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203995143.
Stein, G. (1975) How to Write. New York: Dover.
Stein, G. (2004) ‘Poetry and Grammar’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Stewart, S. (2002) Poetry and the Fate of the Senses. Chicago: University of Chicago Press.
Stockwell, P. (2002) ‘Cognitive Deixis’, in Cognitive Poetics. London: Routledge, pp. 41–57.
Tarkovsky, A. (1989a) ‘Imprinted Time’, in Sculpting in Time: Reflections on the Cinema. Austin, [Tex.]: University of Texas Press, pp. 57–69.
Tarkovsky, A. (1989b) ‘Time, Rhythm and Editing’, in Sculpting in Time: Reflections on the Cinema. Austin, [Tex.]: University of Texas Press, pp. 113–124.
Tsvetaeva, M. (2004) ‘Poets with History and Poets without History’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Tuma, K. (2001) Anthology of Twentieth-Century British and Irish Poetry. New York: Oxford University Press.
Valery, P. (2004) ‘Poetry and Abstract Thought’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Vendler, H. (1995) ‘Chapter 19: Mapping the Air: Adrienne Rich and Jorie Graham’, in Soul Says: Recent Poetry. Cambridge, Mass: Belknap.
Walcott, D. (2004) ‘The Muse of History’, in Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Welty, E. (2002a) ‘Place in Fiction’, in On Writing. 2002 Modern Library ed. New York: Modern Library.
Welty, E. (2002b) ‘Some Notes on Time’, in On Writing. 2002 Modern Library ed. New York: Modern Library.
Wood, J. (2009a) ‘Chapter 1: Narrating’, in How Fiction Works. London: Vintage, pp. 5–31.
Wood, J. (2009b) ‘Chapter 6: A Brief History of Consciousness’, in How Fiction Works. London: Vintage, pp. 107–127.
Wood, J. (2009c) ‘Character’, in How Fiction Works. London: Vintage.
Woolf, V. (2008) ‘Chapter 5: A Room of One’s Own’, in Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman.