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Fields of vision: essays in film studies, visual anthropology, and photography
Leslie Devereaux and Roger Hillman
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Frontmatter
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LIST OF ILLUSTRATIONS (page xi)
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ACKNOWLEDGEMENTS (page xiii)
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1: An Introductory Essay (Leslie Devereaux, page 1)
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THEMES
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2: The National (Paul Willemen, page 21)
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3: The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage (George E. Marcus, page 35)
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4: Experience, Re-presentation, and Film (Leslie Devereaux, page 56)
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CASE STUDIES: PHOTOGRAPHY
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5: Photography and Film: Figures in/of History (Anne-Marie Willis, page 77)
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6: Modernism and the Photographic Representations (Bernd Hüppauf, page 94)
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CASE STUDIES: FILM
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7: Horror and the Carnivalesque: The Body-monstrous (Barbara Creed, page 127)
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8: Barrymore, the Body, and Bliss: Issues of Male Representation and Female Spectatorship in the 1920s (Gaylyn Studlar, page 160)
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9: Narrative, Sound, and Film: Fassbinder's The Marriage of Maria Braun (Roger Hillman, page 181)
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10: Novel into Film: The Name of the Rose (Gino Moliterno, page 196)
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THE SUBJECT(IVE) VOICE
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11: The Subjective Voice in Ethnographic Film (David MacDougall, page 217)
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12: Mediating Culture: Indigenous Media, Ethnographic Film, and the Production of Identity (Faye Ginsburg, page 256)
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13: The Pressure of the Unconscious upon the Image: The Subjective Voice in Documentary (Susan Dermody, page 292)
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14: Robert Gardner's Rivers of Sand: Toward a Reappraisal (Peter Loizos, page 311)
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A LAST WORD
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15: Cultures, Disciplines, Cinemas (Leslie Devereaux, page 329)
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CONTRIBUTORS (page 341)
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INDEX (page 345)
Journal Abbreviation | Label | URL |
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JRAI | 2.2 (Jun. 1996): 356 | http://www.jstor.org/stable/3034104 |
AANTH | 100.2 (Jun. 1998): 534-537 | http://www.jstor.org/stable/683137 |
FQ | 50.1 (Autumn 1996): 47-48 | http://www.jstor.org/stable/1213335 |
MOD | 3.1 (Jan. 1996): 172-174 | http://muse.jhu.edu/journals/modernism-modernity/v003/3.1br_rosenbaum.html |
Citable Link
Published: c1995
Publisher: University of California Press
- 9780520085244 (paper)