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Music and the exotic from the Renaissance to Mozart
Ralph P. Locke
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Frontmatter
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List of figures (page xi)
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Music examples (page xiv)
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Acknowledgements (page xvi)
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Notes to the reader (page xix)
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PART I INTRODUCTION: A RICH AND COMPLEX HERITAGE (page 1)
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1 Images and principles (page 3)
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2 Exotic in style?: paradigms and interpretations (page 17)
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PART II THE WEST AND ITS OTHERS (page 45)
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3 The early cultural background (page 47)
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4 Encounters (page 75)
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PART III SONGS AND DANCE-TYPES (page 101)
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5 Popular songs (page 103)
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6 Dances and instrumental styles from (or "from") Elsewhere (page 113)
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PART IV EXOTIC PORTRAYALS ON STAGE, IN CONCERT, IN CHURCH (page 137)
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7 Courtly ballets (page 139)
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8 Distinctive developments in Venice and other Italian cities and courts (page 165)
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9 Oratorio and other religious genres (page 181)
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10 Early opera and partly sung stage works (page 208)
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11 French and Italian serious opera, especially Lully and Handel (page 239)
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12 Eighteenth-century comic operas and short danced works (page 267)
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13 Obsession with the Middle East: from the Parisian Fairs to Mozart (page 287)
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Afterword: A helpfully troubling term (page 324)
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Notes (page 327)
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Bibliography (page 394)
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I Books and articles cited (page 394)
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II Online sites and databases (page 436)
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III Recordings and videos (page 437)
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Index (page 445)
Citable Link
Published: 2015
Publisher: Cambridge University Press
- 9781107012370 (hardcover)
- 9781316308349 (ebook)
- 9781108448413 (paper)