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Artificial hells: participatory art and the politics of spectatorship
Claire Bishop
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Frontmatter
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Introduction (page 1)
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1 The Social Turn: Collaboration and Its Discontents (page 11)
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2 Artificial Hells: The Historic Avant-garde (page 41)
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3 Je participe, tu participes, il participe... (page 77)
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4 Social Sadism Made Explicit (page 105)
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5 The Social Under Socialism (page 129)
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6 Incidental People: APG and Community Arts (page 163)
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7 Former West: Art as Project in the Early 1990s (page 193)
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8 Delegated Performance: Outsourcing Authenticity (page 219)
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9 Pedagogic Projects: 'How do you bring a classroom to life as if it were a work of art?' (page 241)
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Conclusion (page 275)
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Acknowledgements (page 285)
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Notes (page 287)
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Illustration Credits (page 365)
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Index (page 373)
Journal Abbreviation | Label | URL |
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TDR | 58.1 (2014): 181-183 | https://muse.jhu.edu/article/538717 |
Citable Link
Published: 2012
Publisher: Verso
- 9781844676903 (paper)
- 9781844677962 (ebook)