Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Presence and pleasure: the funk grooves of James Brown and Parliament
Anne Danielsen
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Preface (page xi)
-
Acknowledgments (page xiii)
-
I. Black and/or White: Introductory Perspectives
-
1. Whose Funk? (page 3)
-
2. Two Discourses on Blackness (page 20)
-
-
II A Brand New Bag: Analytical Investigations
-
3. A Fabric of Rhythm (page 43)
-
4. Rhythm and Counter-Rhythm (page 61)
-
5. "The Downbeat, in Anticipation" (page 73)
-
-
III Funk in the Crossover Era
-
6. A Brand(ed) New Fad (page 95)
-
7. "Some Say It's Funk after Death" (page 113)
-
-
IV "Once Upon a Time Called Now!": Temporalities and Experience
-
8. Time and Again (page 150)
-
9. Between Song and Groove (page 172)
-
10. Feeling, Intensity, and the Sublimity of the Event (page 192)
-
11. Presence and Pleasure (page 204)
-
-
Notes (page 219)
-
Bibliography (page 245)
-
Index (page 253)
Journal Abbreviation | Label | URL |
---|---|---|
SPC | 52 (2007): 203-204 | http://www.jstor.org/stable/30043780 |
Citable Link
Published: c2006
Publisher: Wesleyan University Press
- 9780819568229 (hardcover)
- 9780819568236 (paper)